Elisabeth Moss talks The Invisible Man, plus reviews of your film reviews including Dark Waters, Portrait of a Lady on Fire, Dark Waters and True History Of The Kelly Gang.
Available to rent early due to its premature departure from cinemas amid the COVID-19 outbreak, Leigh Whannell’s take on this classic story is deeply satisfying, despite the odd flaw
Leigh Whannell’s take on the iconic H.G. Wells monster and 1933 Pre-Code horror finally sees the light of day after 13 years in development, and the results are surprisingly satisfying. In San Francisco’s present-day haven of technology start-ups and 30-something millionaires, Cecilia (Elizabeth Moss) is first seen painstakingly sneaking out of the gated mansion she shares with her husband Adrian (Oliver Jackson-Cohen). Two weeks after this heart-poundingly narrow escape, Adrian is dead of an apparent suicide – and yet Cecilia cannot shake the feeling that he is just around the corner.