Theatre stands on the brink of ruin

The West End producer says 70 per cent of performing arts companies will close by Christmas if there is no government rescue package

British theatre is on the brink of total collapse. All the performing arts – theatre, dance, opera, comedy, theatre in education, Christmas pantomime, community shows – are facing the real possibility of complete obliteration. I know it sounds melodramatic. It beggars belief – but it is a statement of fact.

Without an urgent government rescue package, 70 per cent of our performing arts companies will be out of business before the end of this year. More than 1,000 theatres around the country will be insolvent and might shut down for good.

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America was its own worst enemy. Now we are our own best hope.

Writer and scholar Sarah Kendzior argues freedom is about what it means to be human, so we must protect it at all costs.

One of the most common refrains when a democracy collapses into an autocracy is that no one could have seen it coming.

The motivation behind this myth is the absolution of the powerful. After all, what cannot be predicted cannot be prevented, and therefore the failure of officials to safeguard our freedoms should be forgiven. This is the story we hear as Donald Trump approaches a possible second term and the U.S. plunges into unprecedented turmoil.

The premise, of course, is a lie.

Freedom is about what it means to be human, and to be recognized and treated by others as such.

What “No one saw it coming” tells you is who the powerful consider to be “no one.” “No one” are the multitude of marginalized Americans who warned in 2016 that their rights had always been on the line and would be even more so now. “No one” are the people who knew that a future American autocracy was possible because their ancestors had been subject to past ones: slavery, Jim Crow, internment camps, and other forms of legal subjugation that were destroyed only through decades of defiant demands for their eradication. Continue reading