FIRE FILMS announce feature documentary THE BALLAD OF SHIRLEY COLLINS about the iconic English singer is now streaming for the first time via Vimeo on Demand, including the first-ever digital release of a host of bonus materials.
- Audio commentary version of the film with Shirley Collins in discussion with the directors Tim Plester and Rob Curry
- Featurette telling the story of Shirley’s secret comeback show at the Union Chapel in 2014. Includes the full footage of the show itself.
- Behind the scenes film exploring the making of the film’s mesmerising reconstruction footage.
- Field recordings of Sam Amidon and Elle Osborne playing songs they learned from Shirley Collins
The singer who lost her voice.
Having been an indelible presence in the English folk scene for more than 20 years, Shirley Collins was until recently remembered predominantly for losing her voice in mysterious circumstances in the 1980s. This film explores [ . . . ] Continue reading
Think about what fires and inspires great literature. Passion, intensity, strong characters, gripping stories, powerful imagery, a timelessness of theme and emotion that can make something written in, say, the 18th century still seem fresh and relevant today.
The same ingredients also apply to great music, meaning that a crossing of the genres often provides memorable creations: Kate Bush’s Wuthering Heights and Elton John’s Goodbye Yellow Brick Road are arguably the highest profile examples, but did you know that T’Pau’s China In Your Hand is about Mary Shelley and Frankenstein?
It’s usually at this point that the quote, “writing about music is like dancing about architecture” is trotted out and attributed to Frank Zappa (although it seemed it was actually the American actor and musician Martin Mull who first used the phrase), but although it’s a nifty bit of word play it’s also bollocks.Music has inspired some incredible writing, from the pioneering rock journalism of Lester Bangs to chroniclers of music history such as Greil Marcus to the current crop of outstanding memoirs, especially from women such as Tracey Thorn, Viv Albertine and Cosey Fanni Tutti. Continue reading
British Folk Rock 1967-1973 – the tip of the iceberg but an interesting and varied collection from the Grapefruit genre anthology series.
And that’s despite the confession of folk brigand Eliza Carthy (Louder Than Words festival interview, Manchester, 2018) that she can’t stand Folk Rock and has never knowingly listened to a Fairport Convention album.
She’ll not be interested then to hear how sixty tracks gather together the familiar with the less so. Songs that you’ll know from the folk tradition and plenty of others which again, might be less so. If there’s anyone who could lay a claim to knowing all the bands and all the songs then you perhaps deserve a place at the head of the table if not the Eggheads team. Steeleye Span, Ralph McTell Continue reading