Spike Milligan, Harry Secombe and Peter Sellers during a 1972 recording of The Last Goon Show of All
A lost Goon Show sketch written by revered comedy duo Ray Galton and Alan Simpson will be performed later for the first time in 70 years after being unearthed in a university archive.
The skit was found among a trove of work by the pair, who created hit shows including Steptoe and Son and Hancock’s Half Hour and are often credited with inventing the British sitcom.
Running on the BBC from 1951 to 1960, the Goon Show featured Spike Milligan, Peter Sellers and Harry Secombe.
Richard Usher, chair of the Goon Show Preservation Society, said the discovery of the sketch – found amongst a portion of the Galton and Simpson collection owned by the University of York – was “insanely exciting”.
Gary Brannan, keeper of archives and research collections at the University’s Borthwick Institute for Archives, said: “Galton and Simpson invented modern British comedy as we know it, with their wit and humour leaving a profound and lasting imprint on the shows we watch today.
“Real-world or situation comedy simply didn’t exist before them.”
He described The Case of the Missing Two Fingers sketch, which will be performed later at the York Festival of Ideas, as a Shakespearean parody, believed to have been first written by Galton and Simpson just before Hancock’s Half Hour started and the pair became household names.
“They’re just on the edge of their big career moment when here they are writing these Goon Shows, which to me I think are brilliant and are really very funny,” Mr Brannan said. [ . . . ]
Talking with the Monty Python member about Peter Sellers, failure, and why he prefers disrespectful interviewers.
Looking for some quality comedy entertainment to check out? Who better to turn to for under-the-radar comedy recommendations than comedians? In our recurring seriesUnderrated, we chat with writers and performers from the comedy world about an unsung comedy moment of their choosing that they think deserves more praise.
By Erick Arviss | 2018
You’d be hard-pressed to find someone working in comedy that hasn’t creatively cribbed from Monty Python. The influential British comedy troupe’s trademark surrealism, self-referencing, and artistic anarchy has been coded into the DNA of many modern architects of America’s absurdist comedy Zeitgeist, from Doug Kenney to Amy Sedaris to the minds behind Mr. Show. With Flying Circus, Python reconfigured the stuffy structure and unadventurous format of the modern sketch show, thumbing their noses at the medium by acknowledging its limits then speeding past them completely. Sketches would connect, reference each other, and bend time and space but would never fully conclude or tie up loose ends. It was an exercise in creating a lattice of meta-narrative and self-aware characters, which ultimately established its own extended universe of comedy iconography that is still being cited nearly 50 years later. I mean, the Dead Parrot sketch is just straight-up foundational.
But beneath Python’s Dadaist deconstruction of comedy trends (sideways credits FTW!) was a mean anti-authority streak. Their films were big and silly, yes, but their themes took direct aim at nationalism and war (Holy Grail), dogma and religious fundamentalism (Life of Brian), and class (Meaning of Life). Founding Python member John Cleese made this clear during our conversation, telling me that “anti-authoritarianism was deeply ingrained in Python” growing up in post–World War II United Kingdom.
Cleese, who is currently on tour screening Holy Grailfollowed by career-spanning conversations with audiences, wanted to pay homage to the stylistic forefathers of Python, The Goon Show, for our Underrated series. Created by British-Irish satirist Spike Milligan along with Harry Secombe and Peter Sellers, The Goon Show disrupted the most dominant entertainment format of the ’50s — the radio show — with a cast of fictional characters (with Sellers, Secombe, and Milligan embodying multiple personalities) performing scripted three-act shows parodying aspects of modern life and mocking show business, the military, advertising, and English culture along the way. The Goons also used music and sound effects in innovative ways, creating a more surreal and heightened atmosphere unlike anything else on the BBC Home Service at the time. Picture A Prairie Home Companion on acid, or Tim and Eric distilled into audio form. Cleese claims the Goons had the greatest impact on the troupe, and after hearing him speak about them, it’s easy to see why.
It’s impossible to overstate how influential your body of work — from A Fish Called Wanda to Fawlty Towers to especially Monty Python — has been on modern comedy. But what comedy inspired you growing up that your fans may not know about?
Well the biggest influence, and this might surprise you, is not something we were watching. We were listening to it because it was a radio show. It was a radio show in the ’50s called The Goon Show. It was a pure radio show and we all were listening to it. Kids were devoted to it in England. It was written by a guy who was a bit of a genius, rather a depressed one of course, named Spike Milligan. It also had Peter Sellers in it, who of course is the greatest voice man of all time. If he could listen to you for five minutes, he could do a perfect impersonation of you. He had this wonderful program he created which allowed him to experiment with his insanely funny characters. We used to listen to that in the same way that people listen to Monty Python. In the morning, we’d be at school and we’d discuss the whole thing and rehash the jokes and talk about it. We were obsessed with it.
Spike UK Tour – Ian Hislop and Nick Newman’s comedy starring John Dagleish as Spike Milligan will tour in late 2022.
Spike UK Tour 2022
Olivier Award-winning actor John Dagleish (Sunny Afternoon, Farming, The Third Day) will reprise his critically acclaimed role as ‘Spike Milligan’ this autumn, as SPIKE – the comedy by Ian Hislop and Nick Newman that had its world premiere at The Watermill in January – tours the UK.
It’s 1950s austerity Britain, and out of the gloom comes Goon mania as men, women and children across the country scramble to get their ear to a wireless for another instalment of The Goon Show. While Harry Secombe and Peter Sellers get down to the serious business of becoming overnight celebrities, fellow Goon and chief writer Spike finds himself pushing the boundaries of comedy and testing the patience of the BBC.
James Mack, John Dagleish and George Kemp in Spike. Photo: Pamela Raith
Flanked by his fellow Goons and bolstered by the efforts of irrepressible sound assistant Janet, Spike takes a flourishing nosedive off the cliffs of respectability and mashes up his haunted past to create the comedy of the future. His war with Hitler may be over, but his war with Auntie Beeb – and ultimately himself – has just begun.
Will Spike’s dogged obsession with finding the funny elevate The Goons to soaring new heights, or will the whole thing come crashing down with the stroke of a potato peeler?
Ian Hislop and Nick Newman said, “It’s a privilege to take ‘Spike’ on tour, exploring the genius of Britain’s most inspirational and ground-breaking comedian. And of course, it’s another chance to steal all his jokes and pass them off as our own. Spike Milligan may be Goon, but he’s not forgotten.”
John Dagleish said, “I’m so thrilled to be playing Spike Milligan again and take this fantastically funny play around the country in what will be my first ever touring production. Such a brilliant script, with a wonderfully talented cast, celebrating the life and work of one of the all-time comedy greats.”
John Dagleish as Spike Milligan. Photo: Pamela Raith
The Watermill production of Spike is produced by Karl Sydow, Trademark Films, PW Productions and Anthology Theatre.
The Spike UK Tour will be directed by Watermill Artistic Director Paul Hart, with design by Katie Lias, lighting design by Rory Beaton. The Composer is Tayo Akinbode with sound design by Tom Marshall. Anjali Mehra is Movement Director and Ruth Sullivan is the Foley Sound Consultant.
