British actor Daniel Kaluuya has won the BAFTA Rising star award for his stellar performance in critically acclaimed horror film Get Out.
The 28-year-old actor beat out stiff competition from Florence Pugh, Josh O’Connor, Timothée Chalamet and Tessa Thompson in the EE-sponsored category, which was voted for by the public.
Source: The New Yorker
The rise of talking pictures coincided with the Great Depression. The ostensible golden age of the studios paralleled the darkest days of the thirties. Orson Welles’s “Citizen Kane,” released two months and two days before the bombing of Pearl Harbor, sparked an artistic revolution amid the Second World War’s stifled traumas. Current-day Hollywood contrives its public self-image from the phantoms and the fumes of the classic studio era; in the process, it evokes, with a fallacious longing, the hard-knock times that high-studio movies symbolize. The latest revenant of reflected glory is in not a Hollywood movie but a British one—“Film Stars Don’t Die in Liverpool,” based on the British actor Peter Turner’s memoir about his relationship with the Hollywood luminary Gloria Grahame, which began in 1978 (when she was fifty-four and he was twenty-six) and lasted until her death, in 1981.
As the title of Turner’s brisk, poignant book suggests, it’s the story of how Grahame, one of the most celebrated (and, to my mind, one of the best) movie actors of the nineteen-fifties, ended up being nursed through her final illness by him and his pleasantly unexceptional, warmly conventional working-class English family (who offer an extraordinary breadth of generosity and depth of emotion). The book’s strength is found in its sketches of surprising personal connections through a diverse range of places and settings: Turner and Grahame met in London, visited California and Las Vegas, and lived together in New York before Turner returned to Liverpool and, after a break in their relationship, was summoned to London to gather Grahame there and deal with her failing health. Turner, a working actor of local renown, found himself in contact with a legend whose way of life had become surprisingly ordinary but whose personality retained its grandeur, whose every casual remark resonated with the weight of a past that was populated by potentates and geniuses and by fierce conflicts—intimate, public, and historical. Continue reading
“You can have a lover at 60,” says the actress. “You don’t have to be shoved in a corner in a cardigan doing knitting”
Source: Lesley Manville on a life on screen, awards season and being an older woman in Hollywood
The Hobbledehoy notes the omission of 1997’s absolutely marvelous gangster flick I Went Down directed by Paddy Breathnach and starring Brendan Gleeson, Peter McDonald and Michael McElhatton.
True, I Went Down is Irish not British, but the same can be said for In Bruges, which is on this Top 10 list. But who cares about rules anyway? Certainly not gangsters!
Nobody does gangster movies quite like the Brits, eh? The origins of the British crime thriller go back almost 75 years, though the genre truly picked up speed in the late 1960s, with the following three decades in particular serving up a slew of quintessential British gangster romps.
From comedy-laced capers to more serious, unexpectedly character-driven thrillers, these are the ten most influential genre entries that have been copied, parodied and homaged over the years – often successfully, but more often not – and set the groundwork for an entire film industry in of itself.
See all 10 movies at: 10 Best British Gangster Movies Ever
If you loved her turn as Elisa in Guillermo del Toro’s latest tour de force The Shape Of Water, that’s currently playing in UK cinemas, then good news: there are lots and lots of movie performances from her that are well, well worth seeking out. Here’s our pick of a dozen other excellent Sally Hawkins films that you might want to check out, once you’ve seen The Shape Of Water [ . . . ]
Read more at: Sally Hawkins: celebrating her 12 best film roles