UK comedian Diane Morgan’s beloved Philomena Cunk character is returning to the BBC and Netflix for mockumentary Cunk on Earth.
UK comedian Diane Morgan’s beloved Philomena Cunk character is returning to the BBC and Netflix for a mockumentary unlocking the mystery of human civilization to discover humankind’s greatest achievements.
Charlie Brooker and Annabel Jones’ indie Broke & Bones is behind Cunk on Earth, which will see Morgan reprise the role that placed her on the comedy map with BBC2’s Cunk on Britain.
Long-time Brooker collaborator Morgan was most recently seen in Broke & Bones’ Netflix comedy special Death to 2021 and Cunk on Earth is the first time the Motherland star’s show has been co-produced for the BBC and Netflix, with the U.S. streamer taking rights outside of the UK and Ireland.
From virtually nothing to virtual reality, Cunk will comically tell the story of our greatest inventions such as the wheel, the Mona Lisa and nuclear power. Along the way, she will ask experts hard-hitting questions about humanity’s progress, as well as standing near impressive old ruins, or inside museums.
Brooker is co-writing and exec producing, with Ben Caudell, Jason Hazeley and Joel Morris also writing and Jones and Ali Marlow also exec producing. Death To 2021 lead writer Caudell is shortly to take up a Commissioning Editor role in Jon Petrie’s BBC comedy team and had a stint working temporarily in the team last year. Sam Ward is producing and Christian Watt is directing.
“A huge thank you to Diane and the incredibly talented team at Broke & Bones for braving everything from Ancient Rome to the wilds of Silicon Valley in this fantastic new series,” said BBC Head of Comedy Tanya Qureshi, who is commissioning editor on the show.
Mandy started life in the Comedy Shorts season last year, and has now been given a six-part series. Diane Morgan, who has a solid CV in other writers’ work including Philomena Cunk, Motherland and After Life, here writes, directs and stars as the title character, who has a messy beehive, always wears thigh-high boots, has a fag on the go and a face set to permanent grimace.
She’s a walking disaster, finding that her aim in life – to own doberman pinchers – has many hurdles, and we follow them knowing that Mandy will never prosper. But Morgan, while keeping her creation just this side of sympathetic, shows us that Mandy is always – even if unwittingly – the architect of her own disasters. Continue reading →
Surely it can’t do my internal organs any good to be slopping about like that?
It’s January. The joggers are out.
Not the ones you see all year but the ones who decide to give it a go. They look different to the real ones. You can spot them a mile off. They look like someone who’s been trapped down a well for nine years, then suddenly released. They’ve forgotten how to move normally. The light hurts their eyes.
Jogging is awful. When I jog I can feel my whole skeletal frame crashing around inside my body, like a chicken carcass being thrown down a stairwell.
Surely it can’t do my internal organs any good to be slopping about like that? I can feel my kneecap gristle being ground down like ginger biscuits being hit with a mallet. I can feel my brain knocking against my skull like a turnip in a bowl of milk. It honestly feels like my eyes might dislodge. It’s just not worth it. But before I can even start thinking about jogging, there’s the preparation. Because I can’t just throw on a T-shirt and grab my keys like David Gandy might. No.
First of all my boobs have to be strapped down against my chest like I’m transporting two dozen eggs on the roof-rack of a car.
Then I need those special small socks that you can’t see with the human eye. Then I need to scrape all my hair up into a ponytail, making me look like someone’s drawn a face on a balloon. Then I need to take all my make-up off and pray I don’t see anyone for fear of them tweeting “Oh my God, Diane Morgan must’ve died, because I just saw her cold dead corpse running down the high street.”
Then I put on my embarrassing jogging bottoms that I bought only because they have a zip-up pocket where I can keep the front door key. Otherwise, where do you put it?
Do you swallow it? Or run around clutching it?
Anyway, the jogging bottoms have FITNESS PRO written across the arse. I know. It didn’t seem that bad when I bought them but now I may as well have a badge saying “ARSEHOLE”.
By now it’s almost time to go to bed, but I can’t just run around to the sound of my own sad, plodding footsteps, I have to have music. I like to have quite filmy music. Dramatic. Inspiring. Maybe the theme from Hitchcock’s Vertigo – something like that. So that when I inevitably collapse in an underpass I can’t hear my own pathetic wheezing, and instead I can pretend to be Kim Novak. A sweaty, red-faced Kim Novak in a Reebok hoodie, quietly having an asthma attack.
I finally leave the house. It’s icy cold, but I comfort myself with the fact that before long I’ll feel like I’m being boiled alive in my own sweat.
I start plodding. I immediately get a stitch, as if my body is saying, “Who do you think you are, Paula Radcliffe?”
I aim to do 20 minutes. Walking still counts if you’re wearing sports stuff. OK, 10 minutes and then I’ll head back. I’m pretty sure it’s still doing me good. I pass a group of teenagers. I try to look as if I’ve just finished a five-mile jog.
When I get home I feel great when it’s finally all over, because it’s finally all over and my body is thanking Christ it’s finally all over.
I see other people jogging like it’s easy. Like it’s the most natural thing in the world.
Needless to say I get shin splints. If you’ve never heard of shin splints I’ll save you the Google – it’s bits of bone splintering off your shin. Happy now?
Anyway I hope I haven’t put you off? I’m sure it’ll be different for you. Happy new year.