Bite-size dramas. Review by Veronica Lee
Mandy started life in the Comedy Shorts season last year, and has now been given a six-part series. Diane Morgan, who has a solid CV in other writers’ work including Philomena Cunk, Motherland and After Life, here writes, directs and stars as the title character, who has a messy beehive, always wears thigh-high boots, has a fag on the go and a face set to permanent grimace.
She’s a walking disaster, finding that her aim in life – to own doberman pinchers – has many hurdles, and we follow them knowing that Mandy will never prosper. But Morgan, while keeping her creation just this side of sympathetic, shows us that Mandy is always – even if unwittingly – the architect of her own disasters. Continue reading