By Nick Duerden
Two men stride through a quaint Cumbrian village on an overcast Saturday afternoon, long overcoats flapping behind them. Newly and unusually flush with cash, the pair have been gifted money from a relative. Said relative has ordered them to get better equipped for a weekend in the countryside by buying Wellington boots. The men, however, have other ideas. Specifically: pub. Here, they drink themselves drunk until closing time, and then decide belatedly to line their stomachs in a tea room next door.
Only… the quaint village is unused to bohemian types in advanced states of disrepair, and does not take kindly to their presence. They are asked to leave — but the pair prove resistant. They want cake, the taller one bellows, and — in a line that would go on to become immortal in the canon of British cinema — “the finest wines known to humanity. We want them here, and we want them now”.
This was Withnail and I — a small film largely overlooked upon its 1987 cinematic release but now widely considered among the most-loved British motion pictures of all time, and surely the funniest. It would prove an impressive calling card for its two leading men, Richard E Grant and Paul McGann, a film both of them could trade off forever. It wasn’t an instant, era-defining hit, but instead, took time to find its audience, becoming a cult hit before ultimately being bestowed with classic status.
“When it first came out, there was nothing else quite like it, and the distributors really didn’t know what to do with it,” says Murray Close, the film’s on-set photographer whose prints from it still sell regularly to collectors around the world. Close has shot many movies over his illustrious career — The Shining, Jurassic Park, Batman — but, he suggests, “People just want to talk to me about Withnail. It’s always Withnail.”
Richard E Grant and Paul McGann
