Carthy folk dynasty appeals for financial support after income ‘dried up’ during pandemic

January 14

The folk musician Eliza Carthy has asked fans for financial support to aid her parents, celebrated musicians Martin Carthy and Norma Waterson, after their income from live performances “dried up” during the Covid-19 crisis.

Waterson has long been unable to perform owing to illness, Eliza wrote on the fundraising website Ko-Fi, and is currently hospitalised with pneumonia.

Eliza Carthy
Eliza Carthy and the Wayward Band

“Right now the Carthy family, as many others, is struggling to survive the pandemic,” wrote Eliza, who moved closer to her parents 11 years ago in order to help care for Waterson.

“They urgently need funds to tide them over until the pandemic lifts and Martin and Eliza can return to touring and again become self-sufficient.”

Martin Carthy, 80, is one of the most influential musicians in British folk. He has released more than 40 albums as a solo artist, a member of Steeleye Span and the Albion Country Band, in collaboration with the late fiddle player Dave Swarbrick and with his wife and daughter as Waterson-Carthy.

In 2014, he received the lifetime achievement award at the BBC Radio 2 Folk Awards. He was named “arguably the greatest English folk song performer, writer, collector and editor of them all” by Q magazine, and inspired peers such as Bob Dylan and Paul Simon.

Waterson, 82, is one of the original members of traditional group the Watersons and a collaborator with Richard Thompson and members of Pentangle along with her family members. She received the BBC Radio 2 Folk Awards lifetime achievement prize in 2016.

In December, UK Music chief executive Jamie Njoku-Goodwin wrote to chancellor Rishi Sunak about “the devastating impact the growth of the omicron variant is having on the UK music industry”.

Many musicians have felt no choice but to postpone their immediate forthcoming tours given uncertainty over safety, including UK bands Wolf Alice and Blossoms, despite a lack of government support for cancelled events.

A UK Music report published in October said that one in three jobs in the UK music industry were lost during the preceding 18 months of the Covid-19 pandemic.

Martin and Eliza Carthy are due to play live throughout the UK this winter, with an intermittent run of dates kicking off in Durham on 27 January. Eliza wrote that she had recorded a new album during the pandemic, proceeds from which would also help the family.

More than 2,500 people had supported the Carthy campaign at the time of publication. “I am a long-standing folk traditionalist,” wrote supporter Stephen Lyons. “Where would we be without these two? Eh? Love to them.”

The famed producer Van Dyke Parks also voiced his support on Twitter: “I am asking all who can help to contribute. These two are the key to what’s left of Celtic culture –and innocence – in the UK. I admire Martin so … Let’s make this an end-game victory, as a folk dynasty appeals for financial support.”

Source: Carthy folk dynasty appeals for financial support after income ‘dried up’ during pandemic

Morris On “Cuckoo’s Nest”

TRADITIONAL LYRICS

From the recording Morris On, by Ashley Hutchings, Richard Thompson, John Kirkpatrick, Barry Dransfield and Dave Mattacks.

  1. As I was a-walking one morning in May,
    I met a pretty fair maid, anon to her did say,
    “For love I am inclined, and I’ll tell you me mind,
    That me inclination lies in your cuckoo’s nest.”
  2. “Me darling,” says she, “I am innocent and young,
    And I scarcely can believe your false deluding tongue;
    Yet to see it in your eyes and it fills me with surprise,
    That your inclination lies in me cuckoo’s nest.”

    Chorus:
          Some like a girl who is pretty in the face,
          And some like a girl who is slender in the waist;
          But give me a girl that will wriggle and will twist.
          At the bottom of the belly lies the cuckoo’s nest.
  3. “Then me darling,” says he, “if you see it in me eyes,
    Then think of it as fondness and do not be surprised,
    For I love you, me dear, and I’ll marry you I swear
    If you let me clap me hand on your cuckoo’s nest.”
  4. “Me darling,” says she, “I can do no such thing,
    For me mother often told me it was committing sin,
    Me maidenhead to lose and me sex to be abused,
    So have no more to do with me cuckoo’s nest.”
    Chorus
  5. “Me darling,” says he, “it is not committing sin,
    but common sense should tell you it is a pleasing thing,
    For you were brought into this world to increase and do your best,
    And to help a man to heaven in your cuckoo’s nest.”
  6. “Then me darling,” says she, “I cannot you deny,
    For you’ve surely won me heart by the roving of your eye.
    Yet to see it in your eyes that your courage is surprised,
    So gently lift your hand in me cuckoo’s nest.”
    Chorus
  7. So this couple they got married and soon they went to bed,
    And now this pretty fair maid has lost her maidenhead;
    In a small country cottage they increase and do their best,
    And he often claps his hand on her cuckoo’s nest.
    Chorus