We’ve rounded up the best camping and glamping getaways … assuming the Great British Summer gets the green light, that is
Before you book, check individual campsite Covid refund and rescheduling policies
Three Cliffs Bay, Penmaen, Gower
The dramatic clifftop location is a huge selling point for this family-run campsite on the south side of the Gower peninsula. It is right on the Wales Coast Path, and a short stroll from the spectacular Three Cliffs Bay. Guests can choose between sea-view or (cheaper) countryside-view pitches, for tents, caravans or campervans. There are also sea-view bell tents and inland yurts (both sleeping five). The shower block is particularly impressive, with power showers, LED lighting and underfloor heating … Even the dog-washing points have warm water. The shop is also well stocked, with local bread, meat, beer and wine; and guests can order hampers, and rent picnic tables and firepits. The campsite was started in 1948 on North Hill Farm, which dates back five generations, and is still run by the Beynon family. • Camping £29.50 a night for a family of up to 5, glamping £454 for three nights, threecliffsbay.com
Top of the Woods, Pembrokeshire
“Eco luxury” is the vibe at this site on a 27-acre farm. Campers can pitch their tents in the four-acre wildflower meadow, while glampers can choose from safari lodges, nature domes or pioneer camps; there is also one pitch for a campervan. The farm courtyard is the social hub, with a huge Dutch barn, campfire and wet-room showers. Breakfast is served in the barn at weekends, as is a stew supper on Fridays and barbecues on Saturdays. There are pop-up food stalls during the summer holidays and a fishmonger comes every Wednesday. Campers can help feed the site’s three kunekune pigs, walk to the secret waterfall in the woods for a swim, and take yoga classes in the barn. The owners also run glamping activity weekend breaks several times a year, from “wild gin” foraging to canoe treks and paddleboarding safaris. • Camping £16/£8 a night adult/child, campervans £20/10, dogs free, five-metre bell tents for hire at £30 a night, glamping from £100 a night for 4, topofthewoods.co.uk
England’s chief medical officer has said the next few weeks will be the worst of the pandemic as he urged everyone to minimise meeting people.
Prof Chris Whitty said the public should not wait for any government “tinkering” with rules but should “double down” now on avoiding any unnecessary contacts.
Pleading with the public he said: “Even within them [the rules], we should be doing our level best to minimise the amount of unnecessary contact with people who are not in our household. I can’t emphasise that enough.”
Speaking to BBC Breakfast, he said the NHS was facing its “most dangerous” point. | Continue at THE GUARDIAN
England will enter its toughest nationwide lockdown since March, with schools closed and people allowed to leave home once a day for exercise for at least six weeks, Boris Johnson has announced as the numbers of people in hospital reach new highs.
All pupils will switch to remote learning until the February half-term, the prime minister said in an address to the nation, and GCSE and A-level exams are unlikely to go ahead as planned. All non-essential shops will be told to close.
Under the third national lockdown, people in England will be ordered to stay at home until at least 15 February and advised only to leave once a day for exercise. MPs are expected to vote the tough new measures into law from Wednesday, though businesses will be advised to close from Monday night [ . . . ]
Contemporaries of Pentangle and Fairport Convention, the group is now the subject of a lovingly curated box set reissue.
David Costa’s home sits almost equidistant between Stonehenge and Glastonbury in England’s Somerset county. For the 73-year-old graphic designer, who helped create the cover art for Elton John’s Goodbye Yellow Brick Road and Queen’s A Night at the Opera, it’s the perfect location to wait out the pandemic, and to contemplate retirement. His home’s locale is also, as he says with a knowing laugh, “pretty apt” when it comes time to field a Skype call about his days as guitarist in Trees, the acid-folk quintet that bloomed for a brief four years in the late ’60s and early ’70s.
The group was one of many British artists in that era who were fusing the traditional folk music of their home country with the psychedelic rock that was being baked to perfection on the West Coast of the United States. Like Costa’s home, the music of Trees stood at the musical midway point between England’s mystical, pagan past and the electric sounds celebrated at Glastonbury.
Though Trees were part of a scene that included luminaries like Fairport Convention, Pentangle, and the Incredible String Band, their two lush, incandescent albums—1970’s The Garden of Jane Delawney and 1971’s On The Shore—never achieved widespread acclaim. In the five decades since their inception, the group’s legacy has been kept alive through the efforts of dedicated fans like Danger Mouse, who built the title track for Gnarls Barkley’s St. Elsewhere on a sample of Trees’ version of the traditional ballad “Geordie.” Other artists, like modern folk musician Sally Anne Morgan stumbled upon the band after a night spent going down a YouTube wormhole. Continue reading →