It’s not often that feminists threaten legal action over plans to increase women’s representation on public boards, so the Scottish Government has managed something of a feat. ‘For Women Scotland’, a volunteer-funded gender-critical lobby group, isn’t against the principle of the Gender Representation on Public Boards Act. It’s the Scottish Government’s definition of ‘women’ they have a problem with.
The statutory guidance for the Act defines ‘woman’ to include a transwoman without a gender recognition certificate who nonetheless must meet three criteria:
1) enjoys the protected characteristic of gender reassignment under the Equality Act 2010
2) is proposing to undergo or has already undergone a process to change their sex from male to female
3) is living as a woman.
The law ‘would not require the person to dress, look or behave in any particular way’, but ‘it would be expected that there would be evidence that the person was continuously living as a woman’, for example, by employing female pronouns or using their female name on their driving licence, passport and utility bills.
As re-opening approaches, more and more pubs will be turning to new technology in order to keep staff and customers safe
When Wetherspoons made it possible to order food and drink to your table using only an app, pub-goers’ reaction was mixed. Traditionalists, to the extent that they were aware of the technology, lamented the erosion of the ancient custom of mingling at the bar. Younger customers enjoyed the service’s faceless convenience, revelling in their new ability to order unsolicited plates of peas to faraway friends.
That was 2017, which is three years and several lifetimes ago. During that time, other large pub chains have developed similar apps. Greene King have one; so do Brewdog, O’Neill’s, Harvester, and various other well-known chains. In-house software of this kind costs hundred of thousands of pounds to build, probably millions in some cases, but it is a sound investment [ . . . ]
The passage of time tends to make old films more interesting, such as these seven films of the late ’40s and ’50s from British directors John Boulting, Carol Reed, David Lean, Anthony Kimmins, Charles Frend, Guy Hamilton, and Leslie Norman.
Boring British Movies
Growing up as a callow nascent film buff, lost in the candy store of VHS tapes and TV Guide, I gathered that British films were mostly dull old things. With a few exceptions, they were talky sub-Hollywood productions, at best well-acted but lacking oomph and pizzazz and élan and je ne sais quoi. I partly got this impression from English critics, and some of the tatty VHS and TV prints I saw reinforced this idea.
As the years passed, I had to note more and more exceptions until the old canard became festooned with mental asterisks and parentheses. Today, with so many classic British films that haven’t circulated in the US finally hitting Region 1 in sparkling restorations on Blu-ray, I’m officially concluding that the spotty dismissal of British cinema is what deserves to be dismissed.
Long walks are within the rules again, and how we’ve missed them. Here’s our guide to some of the best in Britain, away from the crowds
My goodness. After all these weeks of house arrest, to be told, “You can travel to outdoor open space irrespective of distance” is dizzying. For those who have always wondered what it would feel like to be given the Freedom of Las Vegas, now we know.
So The Telegraph today presents 20 walks of the off-the-beaten-track variety, just in time to celebrate the first weekend of the slight lockdown-loosening that came into effect on Wednesday. Though we are all still required to stay at home as much as possible, we can now exercise outdoors as often as we wish, and we can take trips in private vehicles to do so.
Naturally, there are umpteen important caveats. You must stay at least two metres from anyone who’s not a member of your household [ . . . ]