From the band’s acoustic ‘Moonshine First Goes’ EP, an appendix of last year’s ‘Moonshine Freeze.’
In 2017, This Is the Kit released Moonshine Freeze, a keen, intimate collection of minimal folk. Prior to the album sessions, songwriter Kate Stables, who helms the project, recorded four bare, acoustic versions of four Moonshine Freeze songs. Previously unheard, those four songs will soon be released as Moonshine First Goes, out March 30.
“It was a time of finishing off songs, working out arrangements and looking for drum patterns in preparation for burying ourselves in the studio to get the album recorded,” Stables says. “I like hearing these early versions again. It totally takes me back to that time and those places.. Formative times.”
Hear a beautiful, stripped-down version of “By My Demon Eye” below, reworked as “By My Demon Eye (First Go).”
Source: PASTE MAGAZINE Daily Dose: This Is the Kit, “By My Demon Eye (First Go)”
Deleted scene from The Trip
Actors and directors criticise film-maker for likening movement to ‘mob rule’ and remarks about Weinstein scandal
The film director Terry Gilliam has come under fire from Hollywood actors and directors for comparing the #MeToo movement to “mob rule”.
The former Monty Python member suggested the anti-sexual harassment campaign had led to a “world of victims” in an interview with Agence France-Presse.
While describing Harvey Weinstein as a “monster”, he added that the disgraced producer was only exposed because he was such an “asshole”.
Gilliam said: “Harvey opened the door for a few people, a night with Harvey – that’s the price you pay.
“I think some people did very well out of meeting with Harvey and others didn’t. The ones who did, knew what they were doing. These are adults; we are talking about adults with a lot of ambition.” [ . . . ]
More at THE GUARDIAN: Hollywood condemns Terry Gilliam for #MeToo comments
It’s now over four decades since a group of wayward youths broke into a quiet Galashiels cottage, earning themselves a footnote in Borders musical history.
THE SOUTHERN REPORTER :: In the 1970s, there was nothing unusual about housebreaking sadly, unemployment being high and there being little in the way of entertainment for the disenfranchised young.
This break-in was unusual, however. Nothing was stolen, but these youths, in the eyes of some, were more dangerous to society than mere petty criminals as these were punk rockers, regarded by many as a threat to the old order, and they were here to record one of the most pivotal punk records of the 1970s, having travelled all the way up from Leeds to do so. Their recording would become the first 7in release on the influential Edinburgh label Fast Product. It was not only set to create a blueprint for the emerging post-punk genre but also to inspire a generation of misfit Scottish youths to believe they too, regardless of ability or class could become pop stars, albeit in their own unique way.
The Mekons, the unkempt bunch of Leeds University art students responsible for that single, Never Been in a Riot, being reissued next month, are now regarded as one of the most visionary groups of their era and would later combine punk with politics, country and folk [ . . . ]
Read more at THE SOUTHERN REPORTER: Borders break-in yielded big break for punk-rock veterans the Mekons