“In January 1941, the twenty-eight year old French writer Albert Camus began work on a novel about a virus that spreads uncontrollably from animals to humans and ends up destroying half the population of a representative modern town. It was called La Peste/The Plague, eventually published in 1947 and frequently described as the greatest European novel of the postwar period…”The School of Life
Britain’s Prime Minister Boris Johnson, who has tested positive for COVID-19, was admitted to the hospital late Sunday. The prime minister has been in isolation at his residence next door to 10 Downing Street. The government says Johnson is running a high temperature and that the hospitalization is precautionary.
Special correspondent Ryan Chilcote joins Hari Sreenivasan from London with more.
Hear the report at NPR British PM Boris Johnson hospitalized with COVID-19
He is perhaps Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism.
I wish I could have been a fly on the wall when Ken Loach first learned about the “gig economy.” The debilitating delusion underlying that concept — the dream of being your own boss, only to find yourself trapped on an accelerating, unstoppable hamster wheel of work — fits right in with the veteran director’s moral vision of a world in which ordinary humans regularly think they can outsmart a system designed to destroy them. Loach is perhaps Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism. Strident outrage bubbles just beneath the ambling, improvisational cadences of his films. And I can only imagine that the old lefty director of Kes, Raining Stones, and The Wind That Shakes the Barley blew a gasket when he learned about how so many of today’s workers have been bilked into thinking they can be free operators in a tech-enabled landscape of merciless profit. […] Continue reading
“We mean it, man” – THE HOBBLEDEHOY