This weekend, Scotland’s most resilient snow patch, dubbed Sphinx, is expected to melt away. The news has been met with a surprising outpouring of emotion and nationwide coverage. Even The Financial Times covered the story with the headline “The end is nigh for Britain’s last snow”. The story has also gone international, featuring in radio reports as far away as New Zealand.So what is it about Sphinx that has captured the public’s imagination? Some have suggested it could be symbolic. The Sphinx represents how we all feel, helpless and doomed to a fate determined by leaders like Donald Trump and Kim Jong Un [ . . . ]
More at source: Meet Scotland’s 300-year-old snow patch, the Sphinx
LONDON, Sept. 21, 2017 – Women are cast in less than a third of roles in British films, often in nameless parts like prostitute, housekeeper and nurse, data showed on Wednesday, with no gains in more than a century.A peep behind the camera explains why: only one in ten writers and directors are female, the British Film Institute (BFI) said as it released an archive of more than 10,000 British films dating back to 1911.
It’s a match made in harpsichord heaven. Colin Meloy of The Decemberists has always dreamed of recording an album of British folk songs, and found the perfect English collaborator in Chaney. For Chaney, Meloy’s slightly-less-reverent American perspective was the push she needed to cover the traditional songs she loves.
As you’ll hear in my chat with Chaney and Meloy, the collaboration was definitely a balancing act — and it kind of still is. We’ll also talk about how the idea for an old-timey album began with a tweet.
This episode also features a performance by Offa Rex of “The Queen of Hearts,” recorded live on stage at the XPoNential Music Festival in Philadelphia.
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