HCR: Cheney shines a light on the “threat America has never seen before”

Heather Cox Richardson | Letters from an American

HCR
Heather Cox Richardson

May 11, 2021

Tonight, in a speech that claimed every piece of the Republican landscape since 1980, Wyoming Representative Liz Cheney launched a broadside against the Republican leaders who have shackled the party to the former president.

“Today we face a threat America has never seen before,” Cheney said. “A former president who provoked a violent attack on this Capitol in an effort to steal the election has resumed his aggressive effort to convince Americans that the election was stolen from him. He risks inciting further violence. Millions of Americans have been misled by the former president. They have heard only his words, but not the truth, as he continues to undermine our democratic process, sowing seeds of doubt about whether democracy really works at all.”

Cheney recalled the determination of those in Kenya, Russia, and Poland to risk their lives to vote for freedom, and talked of how the dream of American democracy had inspired them. She touched on religion, assuring listeners that God has favored America. She invoked Reagan, claiming that his Republican Party won the Cold War and saying that America is now on the cusp of another cold war with communist China.

This impending struggle highlighted the importance of today’s domestic struggle: “Attacks against our democratic process and the rule of law empower our adversaries and feed communist propaganda that American democracy is a failure. We must speak the truth. Our election was not stolen, and America has not failed.”

Cheney went on to claim that she stood on conservative principles Republicans like House Minority Leader Kevin McCarthy (R-CA) has abandoned. The fundamental conservative principle is the rule of law, she reminded listeners, and those backing Trump’s Big Lie are denying that rule and undermining our democracy. The election is over, she said, and “Those who refuse to accept the rulings of our courts are at war with the Constitution.” It is imperative, she said, to act to prevent “the unraveling of our democracy.”

“This is not about policy. This is not about partisanship. This is about our duty as Americans. Remaining silent and ignoring the lie emboldens the liar.”

Tomorrow, House Republicans will vote on whether to keep Cheney at the number three spot in the party in the House—she is expected to be removed—and Trump’s own former deputy attorney general, Jeffrey A. Rosen, will tell the House Oversight Committee that after the election, the Justice Department “had been presented with no evidence of widespread voter fraud at a scale sufficient to change the outcome of the 2020 election.”

On Thursday, over 100 former Republican leaders will drop a letter saying that if party leadership does not separate itself from former president Trump, they will start a third party. They are calling themselves the “rationals” against the “radicals,” and they include former governors and representatives, as well as Republican officeholders.

This revolt against the Trump loyalists in the Republican Party signals that, no matter what leadership is saying, many Republicans—including Republican lawmakers—are not, in fact, united behind the former president. After all, he never broke 50% approval when he was president, and he lost the White House and Congress for the party. And, now that he is locked out of Twitter and Facebook, it appears he can no longer command the audience he used to. In the week since he launched a new blog, it has attracted a little over 212,000 likes, shares, and comments. The top post got just 16,000 engagements.

Meanwhile, 63% of Americans approve of the job President Joe Biden is doing.

What’s at stake in the fight over Cheney’s position in the Republican Party—admit it, did you ever think you would care about who was the third most important House Republican?—is not some obscure struggle for political seniority. It’s a fight over whether the Republican Party will wed itself to the Big Lie that a Democratic president is illegitimate, despite all evidence to the contrary. Cheney is not a Democrat by a long shot, and she is correctly calling out the danger of the Big Lie for what it is: a dagger pointed at the heart of our democracy.

GasLit Nation: Save Baby Dima: A Story of Hope from Ukraine

May 7, 2021

As Secretary of State Anthony Blinken visits Ukraine, showing American support as Putin continues to ramp up aggression, including 80,000 troops still on the border, we highlight a story of hope from Ukraine. Civic leader Olya Yarychkivska shares what keeps Ukrainian civil society going, how Putin leverages war to hold onto power in Russia, and the inspiring story of unity among Ukrainian activists as they rally together to save baby Dima, the child of one of the country’s leading reformers.

GASLIT NATION WITH ANDREA CHALUPA AND SARAH KENDZIOR

Rhiannon Giddens & Francesco Turrisi: They’re Calling Me Home – An album for our times

The duo’s new collection is shot through with a deep longing for home

Siobhan Long

Two years ago their Grammy-nominated album There Is No Other laid the ground for an intensely productive partnership. Now, Rhiannon Giddens and Francesco Turrisi have released an album that somehow manages to distil the essence of what many are experiencing in this pandemic: a longing for home and a grappling with death on a scale and in ways living generations hadn’t imagined before 2020.

The American-Italian duo, both long resident in Ireland, give voice to their longing for home, drawing from the American bluegrass and folk canon, Italian opera and folk traditions, English folk and a sheaf of original songs and tunes. Few artists have processed the challenges of pandemic living with such pin-prick precision and raw emotion. This is an album that interrogates our notions of home in this particular time – its emotional lure, its geographical inaccessibility and, unsurprisingly, its ultimate meaning: death.

Giddens and Turrisi don’t shirk the discomfort and disquiet of these times. This remarkably cohesive album of 12 wildly disparate tracks cuts to the heart of what isolation and distance might mean. They draw on the bluegrass tradition for their opening title song, written by Alice Gerrard, and end the collection with a powerfully wordless reading of Amazing Grace, Turrisi’s frame drum and Giddens’s lilting, nay, crying of the melody more lonesome than any lyric. In between the pair draw on the spare contributions of Niwel Tsumbu on guitar and Emer Mayock on pipes and flute, to exquisite effect. Mayock’s pipes on Amazing Grace are lonesomeness personified.

Their cover of Pentangle’s When I Was in My Prime strikes a beautifully spare pose, baroque in tone. Giddens’s pacing is

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Way beyond Hadestown: the windswept rush of folk musicals

In 2011, I watched a flock of British folk luminaries, led by US singer-songwriter Anaïs Mitchell, perform Mitchell’s folk opera Hadestown at London’s Union Chapel. Ten years on, Hadestown has been a hit at the National Theatre and on Broadway and has led the way for an increasing number of songwriters to merge folk and musical theatre.

“Hadestown was inspiring to quite a lot of us,” says Maz O’Connor, who is among the singer-songwriters to make that leap. “It showed that you don’t have to identify as a music-theatre composer, you can just be a songwriter and work in a longer form. It made me realise I might already have the tools to do it.”

O’Connor performed in the RSC’s 2013 staging of As You Like It, which featured a score by Laura Marling, and in the folk-inspired “play with songs” Narvik in 2017. Now, she is developing her first musical, The Wife of Michael Cleary, based on the true story of Irish dressmaker Bridget Cleary, killed in 1895 by her husband who believed she had been abducted by fairies and replaced with a changeling. “There’s a lot of folk songs where women get murdered by their lovers, but it’s quite difficult to find a context to sing them in,” says O’Connor. “This piece allows me to have an opportunity to explore and contextualise it, rather than just sing a murder ballad.” The musical, she says, will suggest “how nationalism, folklore, superstition, religion and patriarchy all work together to create violence against women”.

a woman standing on a stage: Bethany Tennick as Eilidh, and Kirsty Findlay as Arran in Islander. Photograph: Murdo MacLeod/the Guardian© Provided by The Guardian Bethany Tennick as Eilidh, and Kirsty Findlay as Arran in Islander. Photograph: Murdo MacLeod/the Guardian

Finn Anderson’s folk musical Islander was a hit at the Edinburgh fringe in 2019 and has since been released as an album and adapted for BBC Radio 4. A two-hander about a girl whose life is changed when a mysterious stranger washes up on the shore of her island home, it is steeped in folk traditions of both music and storytelling. It also feels very contemporary, the songs built up in layers of beautiful vocal harmonies using live looping. “I’m always interested in innovation versus tradition,” Anderson tells me. “Traditional music wants to be alive, and wants to always be breathing and living.” Continue reading