Scottish-made horror-musical-comedy Anna and the Apocalypse is full of youthful, anarchic energy – which makes it a perfect fit for the Glasgow Youth Film Festival, writes Siobhan Synnot
Over the last few years the annual Glasgow Youth Film Festival has grown from a curtain raiser to the main Glasgow Film Festival in February to an event in its own right, with its own place in Scottish festival calendar.
This weekend, it runs through the movie gamut from anime to zombies, giving a new generation of passionate cinemagoers and filmmakers the opportunity to see foreign drama, animation and cutting-edge documentaries, as well as attending behind-the-scenes workshops and meeting international movie guests. Many of the film choices are hot off the reels previews, including the Scottish zombie feature Anna and The Apocalypse, which opens the festival ahead of its UK-wide release in November.
Finding a new subspecies to the zombie genre might sound like an impossible ask, but Anna’s gory story is also a Christmas movie and a musical. The tightly-budgeted feature also gives a breakthrough platform to ITV’s Cold Feet ingénue Ella Hunt as schoolgirl Anna, who is forced to learn how to fight, slash, and sing her way through hordes of the undead, including a zombie snowman, in order to help her friends reach their loved ones. The film’s director is Royal Conservatoire of Scotland graduate John McPhail, who will attend the premiere and a cast and crew Q&A afterwards, where he will share stories of shooting a zombie apocalypse in Port Glasgow. “I knew the area, and I know a lot about horror films, being a huge horror fan,” says the filmmaker. However, despite an absurdly catchy score by Roddy Hart and Tommy Reilly, McPhail admits that before Anna, movie musicals were as unfamiliar to him as vegetarian zombies. “To be honest I actually thought I hated musicals until I got this job,” says the 33 year-old Glaswegian. “So I bought a pile of them on DVD, sat on the sofa and worked my way through them. I’d never seen West Side Story before, but I loved it, so there’s a bit of West Side in Anna and The Apocalypse. I also went to see Wicked and Legally Blonde on stage, and I really enjoyed both of them as well.”
Acting is hard and acting with an accent is even harder. From Don Cheadle in the “Ocean’s franchise” to the third “Bridget Jones” movie, here are 11 actors who critics felt couldn’t nail the British accent.
If you watch a lot of movies and TV, you’ve probably noticed by now that some actors are not the best at doing accents that aren’t their own.
Slate even spoke to dialect coaches Bob and Claire Corff about why, and they helpfully explained that a lot of it has to do with how long actors train to do dialects in their respective countries. In other words, don’t hate the players, hate their abysmally accented games and giggle when a pro deconstructs them on YouTube for your amusement .
Here are 16 of the worst examples of onscreen attempts at British accents so far, according to critics.
Dick Van Dyke in “Mary Poppins” issued an apology for his accent.
Long considered one of the worst British accents in all of cinematic history , Dick Van Dyke’s character Bert nonetheless wowed audiences with his engaging singing and dancing routines — even if his cockney accent was distractingly bad.
In 2017, Van Dyke was awarded a BAFTA — and he issued the following humorous public apology : “I appreciate this opportunity to apologize to the members of BAFTA for inflicting on them the most atrocious Cockney accent in the history of cinema.”
The Wicker Man (1973) Edward Woodward (if you can read that without thinking ‘ee-wah woo-wah’, you didn’t listen to your dad’s jokes closely enough) plays a puritanical policeman sent to investigate disappearances on the remote Summerisle, which turns out have a sort of Royston Vasey-meets-Burning Man vibe. What it says about Britain: Yeah, the Romans […]