“First Light” performed by Bert Jansch & John Renbourn

From the documentary Acoustic Routes, Vol. 2

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Bert Jansch: Just A Simple Soul 

I would like to say that I like Just A Simple Soul, a new reflection on the work of Bert Jansch. Well, I do like it, really like it, but the word ‘like’ doesn’t have the sort feel that I wish to convey. 

Perhaps it will be easier to tell you about the album and you might see what I am trying to say. I first thought that this collection was worth looking at in detail because I like Bert Jansch, but also because Bernard Butler listened to Bert’s albums after he died and wished that he had asked Bert some questions. He rather wished that he had asked Bert about the tunes, about the playing.  About the songs that passed Bernard by until a later hearing. We all do that. Something doesn’t register for a long time and then it gets in, under the skin and it’s there a lot longer than those that grab us straight away.

The reason this is important is that Bernard Butler is a musician, a guitarist, and was once a member of Suede. Having someone, a professional musician, having a view on another musician adds an extra something, an ability to judge and an ability to pick, perhaps, based on different criteria. Therefore, I thought that this compilation of Bert’s work must have something going for it. Most of his original albums are available and then there has been the recent releases by Earth Recordings that covers almost all of his catalogue. But these are fine if you want the full set or just a particular period.

What makes Just A Simple Soul worthwhile is that it spans all his work. Across two CDs there are 39 tracks that take us from the start to as near to the end as dammit. And I will say how much I like that fact that the first track is Strolling Down The Highway, thus explicitly avoiding that cliché of every Bert Jansch homage gig of finishing with it [ . . . ]

Continue at FRUK: Bert Jansch: Just A Simple Soul (Album Review) | Folk Radio UK

Davy Graham “Anji”

Davy Graham is one of the most influential figures in the 1960s British folk revival. His finger picking inspired Bert Jansch, John Renbourn, Martin Carthy, John Martyn, and Jimmy Page.

Graham is probably best known for his acoustic instrumental composition, “Anji.” Bert Jansch recorded this song on his first self titled album in 1965. John Renbourn also recorded it, as did Paul Simon, on the Simon & Garfunkel album Sounds of Silence.