British Folk Rock 1967-1973 – the tip of the iceberg but an interesting and varied collection from the Grapefruit genre anthology series.
And that’s despite the confession of folk brigand Eliza Carthy (Louder Than Words festival interview, Manchester, 2018) that she can’t stand Folk Rock and has never knowingly listened to a Fairport Convention album.
She’ll not be interested then to hear how sixty tracks gather together the familiar with the less so. Songs that you’ll know from the folk tradition and plenty of others which again, might be less so. If there’s anyone who could lay a claim to knowing all the bands and all the songs then you perhaps deserve a place at the head of the table if not the Eggheads team. Steeleye Span, Ralph McTell Continue reading →
On 6 February 1918, a ground-breaking Act of Parliament allowed some women in the United Kingdom to vote for the first time.Although it would be another ten years before all UK women could vote on the same terms as men, it was a momentous step on the road to voting equality.
100 years later to the day, BBC Radio 3 is marking this important centenary of women’s suffrage with a special commission.We’ve joined forces with two descendants of suffragette Emmeline Pankhurst to produce a new choral work that singers from around the country are invited to perform.
The Pankhurst Anthem Composer Lucy Pankhurst has written a beautiful choral setting for a text by the activist and writer Helen Pankhurst, based on a powerful address given by her famous great-grandmother, Emmeline.
The Pankhurst Anthem is comprised of two sections. The first, Echoes of Emmeline, adapts words by Emmeline Pankhurst to reflect on the suffragettes’ struggle to be enfranchised. The second section, Anthem, is more upbeat in tone and explores the modern repercussions of the suffrage movement [ . . . ]
Eliza Carthy is one of the most influential figures in the UK folk scene. With her exuberant stage presence, she re-interprets the folk tradition for a new generation. She inherited her love of English music from her famous parents. Her Dad Martin Carthy was a key figure in the first folk revival of the 1960s and 70s. He taught Paul Simon the traditional song “Scarborough Fair” and also influenced Bob Dylan. Eliza’s Mum, Norma Waterson, was part of the pioneering family harmony singing group The Watersons. Norma recently suffered a serious illness and Eliza moved back to the family home in the North Yorkshire fishing village of Robin Hood’s Bay to look after her. In this episode of Folk on Foot, Eliza takes Matthew on a walk along the cliffs near her home, reflecting on her family heritage and taking him to the farm where the whole extended family used to live when she was a child. Martin, Norma and Eliza’s aunt Ann and cousin Marry gather at the kitchen table for a rousing and emotional sing.