The Kingston Coffeehouse: Katie Cruel

Originally broadcast September 9, 2025, on WRIU 90.3 FM.


By Michael Stevenson, host The Kingston Coffeehouse

PLAYLIST
“Katie Cruel” (traditional) – Karen Dalton
“Bashed Out” (K. Stables) – This Is the Kit , 2015 Bashed Out
“God Loves a Drunk” (R Thompson) – Norma Waterson, 1996 

“I’m Waiting For You to Smile” – Katell Keineg, 1994 O Seasons O Castles 
“Love Will Tear Us Apart” (Ian Curtis) June Tabor & Oysterband, 2011 Ragged Kingdom
“People’s Faces” – Kae Tempest, 2019 The Book of Traps and Lessons
“Train Song” – Vashti Bunyan, r. 1966, Some Things Just Stick in Your Mind
“Anachie Gordon” (traditional) The Unthanks, 2010 Here’s the Tender Coming
“Henry Lee” (traditional) Nick Cave & PJ Harvey, 2011 Murder Ballads
“The First Time Ever I Saw Your Face” (Ewan MacColl) – Offa Rex, 2017 The Queen of Hearts
“She Moved through the Fair” (traditional) – Anne Briggs, 1963 Edinburgh Folk Festival Vol. 1
“Banjo Player of Aleph One” – Gwenifer Raymond 2025 Last Night I Heard the Dog Star Bark
“Wheely Down” (R. Thompson) – Ivor Cutler, 1993 The World is a Wonderful Place
“Roundabout” – Ryley Walker, 2017 Golden Sings That Have Been Sung
“Brighter than the Blues” – Joan Shelly, 2016 Over and Even
“Three Ravens” (traditional) – Jake Xerxes Fussell, 2019 Out of Sight
“Lullaby” (from the film Wicker Man) – Magnet (Paul Giovanni) 1972
“Rivers Run Red” (Ella Oona Russell) – The New Eves, 2025 The New Eve is Rising
“Witches Reel” (traditional) – Starheid Gossip, 2015 Step Sisters
“Entertaining of a Shy Girl” – Donovan 1968 Hurdy Gurdy Man
“The Hedgehog Song”(Heron/Williamson) – Incredible String Band, 1966 The 5000 Spirits or Layers of an Onion
“Lay it Down” (G. Thomas) – Bonny Prince Billy with The Trembling Bells, 2014 New Trip On Old Wine
“Conch Shell” Katell Keineg, 1994 O Seasons O Castle
“Into My Arms” – Nick Cave & the Bad Seeds, 1997 Boatman’s Call
“Place to Be” – Nick Drake, Pink Moon
“How Wild the Wind Blows” – Molly Lee, 2018 The Tides Magnificence
“The Sweetest Decline” – Beth Orton Central Reservation
“The Wagoner’s Lad” (Traditional) – Bert Jansch, 1966 Jack Orion
“Nottamun Town” (traditional)- Fairport Convention, 1969 What We Did on Our Holidays
“Masters of War” – Bob Dylan, 1963 The Freewheelin’ Bob Dylan
“Needle of Death” – Bert Jansch, 1965 Bert Jansch
“Golden Brown” – The Stranglers 1982
“Meet On the Ledge” (R.Thompson) – Fairport Convention, 1969 What We Did on Our Holidays
“Anji” – Davy Graham
“Green Are Your Eyes” (b.Jansch) – Marianne Faithul, 1966 North Country Maid
“The Water” – Johnny Flynn & Laura Marling, 2010 Been Listening
“The Parting Glass” (traditional) – James Elkington 2017 Wintres Woma
“Katie Cruel” (traditional) – Agnes Obel
“Blues Run the Game” – Jackson C. Frank, 1965 Jackson C. Frank
“Home Sweet Home” (Bishop /Payne)- The King’s Singers 1993 Folk Songs of the British Isles
“A Heart Needs a Home” – Linda & Richard Thompson, 1975 Hokey Pokey
“Goodnight World” – Lisa O’Neil, 2023 All This Is Chance

NPR Tiny Desk Concert with PJ Harvey

Ann Powers | November 17, 2023

Polly Harvey has inhabited many characters throughout her 30-year career and always dressed the part: catsuit-rocking glam queen, high-collared Victorian wraith, mini-skirted libertine, feather-adorned warrior. Bringing the story told in her latest album, I Inside the Old Year Dying to the Tiny Desk, she stands at the microphone in a draped dress the wintry color of a gray alder tree, designed by her longtime costumier Todd Lynn. Its torn elegance perfectly suits the dual role she plays in these gently ferocious songs, which originated in her novel-in-verse, Orlam. As she lets loose her inimitable razor-sharp alto, she becomes both Ira-Abel, the child who, in the aftermath of an assault, merges with the forest around her Dorset, England, home, and of the bard whose verses keep that shepherd girl alive after her vanishing.

Harvey keeps her gestures minimal as she sets her scenes and speaks through them. Matching her voice to those of her trusted collaborators John Parish and James Johnston as they invoke the forest’s ghosts — the “chalky children of evermore” — she lets the fecund imagery of her lyrics resonate. At times the crowd seems stunned into silence; after her lament for Ira-Abel, “A Noiseless Noise,” concludes with the notes from her acoustic and Parish’s electric guitar intertwining, she coolly waits out a gap before the applause and hoots of appreciation arrive.

This is where Harvey lives as a fully realized artist: on her own artistic plane, inviting listeners to take their time to fully join her. Ending with the heart-rendingly lonesome title track from 2007’s White Chalk, she connects Ira-Abel’s story to her lifelong project of expressiing women’s solitude, pain and resistance. Exploring how human boundaries can shatter, reassert themselves or be rendered irrelevant, these songs create a contained space that echoes far beyond itself.

SET LIST
“I Inside the Old I Dying”
“A Noiseless Noise”
“A Child’s Question, August”
“I Inside the Old Year Dying”
“White Chalk”

MUSICIANS
PJ Harvey: vocals, acoustic guitar
James Johnston: keys, acoustic guitar, violin, vocals
John Parish: electric guitar, drums, vocals