Serious joins with National Concert Hall, Dublin to present Lisa O’Neill – a songwriter like no other. Last year, she played for Serious in a sold out Union Chapel show, and was featured in our Imagining Ireland programme produced by Serious, National Concert Hall, Dublin, and Culture Ireland. Her Rough trade album, Heard A Long Gone Song, sees her remarkable voice breathing new life into traditional songs and has garnered huge acclaim both at home and abroad. Tackling songs passed through generations, some mixed with political messages giving a voice to a community, or dark tales of the past, Lisa performs all with ease.
‘Raw and unvarnished folk. Uncompromising, stunning, soul-shaking stuff’ (★★★★★ Guardian)
Catrin Finch and Seckou Keita, Brìghde Chaimbeul, Ye Vagabonds and Kitty McFarlane also nominated; Dervish to receive Lifetime Achievement Award. Listen to our playlist of all 2019 nominees.
Irish folk singer Lisa O’Neill has been nominated for four awards: Folk Singer of the Year, Best Traditional Track (‘Factory Girl’ with Radie Peat), Best Original Track (‘Blackbird’), and Best Album for Heard a Long Gone Song. The album was released last October on the River Lea label and also received a nomination in the inaugural RTÉ Radio 1 Folk Awards.
Welsh harper Catrin Finch and Senegalese kora player Seckou Keita have received two nominations (Best Album and Best Duo/Group), and Keita has also received a third as Musician of the Year. Finch and Keita’s duet album Soar has already won ‘Best Fusion’ album in the Songlines Music Awards and the fRoots Critics Album of the Year for 2018. The other nominees in Best Album are Flook’s Ancora and Hide and Hair by The Trials Of Cato. Voting for Best Album is open to the public in the UK.
Along with Finch and Keita, the groups Stick in the Wheel, The Breath and The Rheingans Sisters also received a nomination in the Best Duo/Group category. The other nominees for Best Musician of the Year are Jenn Butterworth, Mohsen Amini and Sam Sweeney.
Emerging artists and songs
Scots piper Brìghde Chaimbeul, who released The Reeling last year, produced by Lau’s Aidan O’Rourke, has received a nomination in the Horizon award (for emerging artists), along with Kinnaris Quintet, Kitty Macfarlane (who features on the Topic 80th anniversary album), and The Trials Of Cato, who won Best Emerging Artist/Band at the first Wales Folk Awards in April.
Ye Vagabonds (below), who received two nominations in the RTÉ Folk Awards last year, have been nominated for Best Traditional Track with ‘The Foggy Dew’ from their new album The Hare’s Lament. ‘Ffoles Llantrisant’ by VRï (which won the equivalent Welsh Folk Award with the same song) and ‘The Reedcutter’s Daughter’ by Jimmy Aldridge and Sid Goldsmith have also been nominated, along with O’Neill and Peat.
Singers and musicians
The nominees for Folk Singer of the Year are Ríoghnach Connolly from Armagh, Olivia Chaney who has released two albums on the Nonesuch label, Gwilym Bowen Rhys (also Best Solo Artist at the Welsh Folk Awards) and O’Neill.
Kris Drever from Lau has been nominated in the Best Original Track section for ‘Scapa Flow 1919’, about the scuttling of a German fleet in the Orkney Islands after World War I. Also nominated are ‘I Burn But I Am Not Consumed’ by Karine Polwart from her album Law of Motion, ‘O-U-T Spells Out’ by Kathryn Tickell and The Darkening (‘An ironic look at borders, walls, barriers, Brexit…’), and O’Neill’s ‘Blackbird’.
It has also been announced that Dervish will received a Lifetime Achievement Award at the ceremony. Commenting on the honour, the band’s accordionist Shane Mitchell said: ‘We are thrilled and so delighted to be receiving this very special honour at the BBC Radio 2 Folk Awards, particularly as this is the 30th anniversary of the band.’ The group will perform on the night.
The BBC Radio 2 Folk Awards take place at the Bridgewater Hall in Manchester on 16 October as part of the Manchester Folk Festival. See the full list of nominees and listen to our playlist of all artists below. For more information, visit https://www.bbc.co.uk/programmes/b00yrkrj.
Three of the Folk Radio UK that are heading to Cherry Hinton Hall for Cambridge Folk Festival this year tell us their top must-see acts.
Three of the Folk Radio UK team will soon be heading to Cherry Hinton Hall for this year’s Cambridge Folk Festival (1-4 August 2019). Below, you can read about the top five acts that they are each most looking forward to seeing. Between them, they came up with a great selection of acts – no easy task considering the vast lineup.
Two of my eagerly anticipated appearances at this year’s festival were responsible for my favourite albums in 2018. Lisa O’Neill’s ‘Heard A Long Gone Song’ was a revelation, a record on the Rough Trade imprint River Lea mixing up traditional and original material. Her voice just sounds so lived in; an instrument that was tailor-made to interpret hardcore folk songs. She’s as serious a proposition as I’d imagine Anne Briggs was when making a name for herself in the sixties clubs and whilst Lisa may not possess Anne’s high-ranging purity of tone, her strength of character alone more than makes up for this and to misquote Dylan she “hits all those notes”. This artist is the real deal without a doubt. At ten years and four albums in I’m arriving a little late to the Lisa O’Neill party, still in the world of traditional leaning folk she is my must-see artist of the year and I absolutely cannot wait for this one.
By contrast, it seems to be rather stating the obvious to recommend a legend like Richard Thompson, but nevertheless, that’s exactly what I’m doing. And I continue to, telling anyone I know attending this year that whatever they do, they must not miss this man. Personally, I have seen him more times than I can recall, but he never lets an audience down. I’m entertaining the thought that it’s high time an appreciation is written for the last twenty years of his career alone, there’s a strong argument they’ve seen Thompson’s strongest writing and greatest performances. There aren’t too many 70-year-old music artists you can legitimately make that claim for.
Nick Mulvey is this year’s guest curator, an inspiring choice given the wide-ranging, multi-genre sounds he weaves into his music. Nick’s is an acoustic pop style that avoids the box-ticking pitfalls that hit-seeking mainstream troubadours fall down. Instead, he has the happy knack of whipping up the feel-good vibes that should find a warm reception amongst a chilled festival crowd. I also find Tunng to be a mouth-watering prospect having last caught them at a folk festival thirteen years ago when their folktronica wizardry was still in its embryonic stage. Theirs has been a musical evolution that continues to fascinate, for me a band who reward returning investigations. And on that subject, it’s vital to try out a bit of the unknown at any festival and open yourself up to exciting discoveries. If I were to choose an act on the curiosity of name alone it has to be The Bar-Steward Sons Of Val Doonican. Of course, that one could go badly wrong, but half the fun is in the finding out! [ . . . ]