Can you dive into the Netflix series for the first time with season four? Sure! But there are some things you should know first.
The fourth season of The Crownis the first one to cover some of the most familiar stories about the royal family. It’s the first foray into Charles and Diana, it’s the first time the series gets into modern politics and the Thatcher area, and it’s also the first time that its central figure, Queen Elizabeth, resembles something closer to the monarch we know today. It’s also a great season of TV, with more energy and momentum than the show has had in previous years. It’s fun and gossipy, in its own deeply serious, painstakingly psychoanalytical kind of way.
So, let’s say you’ve never seen the show and are now interested in jumping in with season four. Will that work? Do you need to watch the beginning to know what’s going on? Can you just skip straight to the juicy parts?
The Crown season four review: The ‘angry Nordie’ stereotype is long past its sell-by date
Series four of The Crown is a tale of two iconic women – neither of whom has the letters “HRH” before their name. Because while Olivia Colman’s wry (and sometimes unsympathetic) Elizabeth II, of course, continues to receive top billing, the season is really all about Princess Diana and Margaret Thatcher.
This could have been the point at which Peter Morgan’s reliably middle-brow chronicling of the Queen’s progress through the 20th century went off the rails. Diana and Thatcher are both seismic figures. The obvious worry is that parachuting them into this delicately-wrought drama would capsize the entire endeavour.
But to his credit Morgan incorporates Princess Di and Mrs T seamlessly into his grand chronicling of Elizabeth’s life and times (they may be the stars, yet they are in orbit around her). He is helped by extraordinary performances by Emma Corrin as the bright-eyed young Diana and by Gillian Anderson as a rather wistful Thatcher.
Corrin captures Diana’s naivety and her taste for the spotlight (the first time she is chased by paparazzi, something like a smile flashes across her face). Morgan clearly sees Diana as a victim hoodwinked into tying the knot with a Prince (Josh O’Connor) already in love with the married Camilla Parker-Bowles (Emerald Fennell, bringing shades of panto villainy).
The depiction of her struggles with bulimia are particularly frank and shocking. Still, The Crown is careful not to go far down the road of framing her as utterly hapless. Morgan makes it clear that Diana is an intelligent woman with her own agency (and impressive pair of roller-skates, which she uses to whoosh about Buckingham Palace).
Thatcher is a revelation, too.The part is a showcase for Anderson, who could not be further removed from her X-Files days. An Emmy Award is surely incoming
This week Gaslit Nation takes a look at two dynasties – the Trump Crime Family’s attempt to build a dynastic kleptocracy in the White House, and Meghan and Harry’s flight to Canadian freedom. Yes, like a dystopian US Weekly, Gaslit Nation takes on Megxit (we’re in favor!) and the issues surrounding it: racism and colonialism, the mendacity of the UK tabloid press, Prince Andrew the Pedophile, and the decades-long connections of the royal family to the transnational crime syndicate propping up Trump.