Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations, to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.
The second series of the dark comedy won’t win back those who left the comedian behind two or three sitcoms ago
I should probably preface this one by admitting that I think Ricky Gervais is funny. A weirdly divisive statement to make these days, and one I am about to caveat thoroughly, but I think that any review of Gervais’s work – and it is impossible to take Ricky Gervais (the concept) out of any show featuring Ricky Gervais (actor, writer, creator) – needs to state where you are, on him, as a person. So: The Office was a masterwork, I think his naughty-but-actually-not Golden Globes monologues are good and he tweets too much about rescuing dogs for my personal tastes but I know it comes from a place of sweetness. There.
In 1970, Ebert was a young critic at the Sun-Times, when he came across a young singer-songwriter-mailman playing future standards at the Fifth Peg, in “out of the way” Lincoln Park.
In one of those wonderful Chicago moments, it turns out that one of the best writers to ever come out of the city discovered, or was at least the first person to review, one of the best musicians to ever come out of the city: Roger Ebert covered John Prine for the Sun-Times in 1970, back when he was still a mailman and playing at the Fifth Peg, “out of the way” at 858 W. Armitage, a couple blocks from where Charlie Trotter later redefined Chicago cuisine. Ebert’s original review is, as you’d expect, great. What surprised me about it was how many of Prine’s masterpieces had already been written (coincidentally, Ebert’s piece ran on October 9, the day before Prine turned 24): “Illegal Smile,” “Angel From Montgomery,” “Sam Stone” (then “The Great Society Conflict Veteran’s Blues”), “Your Flag Decal Won’t Get You Into Heaven Anymore.”
Prine was also a child of one of my favorite Chicago subjects, the Hillbilly Highway, though I didn’t know how good his pedigree was:
So you talk to him, and you find out that Prine has been carrying mail in Westchester since he got out of the Army three years ago. That he was born in Maywood, and that his parents come from Paradise, Ky. That his grandfather was a miner, a part-time preacher, and used to play guitar with Merle Travis and Ike Everly (the Everly brothers’ father). And that his brother Dave plays banjo, guitar and fiddle, and got John started on the guitar about 10 years. ago.
Paradise, in western Kentucky, no longer exists. Coal companies strip mined the land around it, and residents sold out to the TVA to escape the massive Paradise Fossil Plant.
Here’s Prine playing … “Sabu Visits the Twin Cities Alone,” eight years out from Ebert’s piece.
Sarah Lancashire stars in Jack Thorne’s sweeping, harrowing look at how the aftershock of a disaster ripples out into people’s lives
Apart from the explosion, The Accident (Channel 4) is very quiet. Hairdresser Polly (Sarah Lancashire) doesn’t even shout when she finds her 15-year-old daughter Leona’s latest one-night stand still in her bedroom. She just flings his clothes at him, notes that Leona (Jade Croot) is underage and that he looks 28, and makes him jump out of the window. Then she takes herself off to the local charity run with her friends. They are walking, Polly’s best friend, Angela (Joanna Scanlan), says firmly.
So begins the new four-part drama by Jack Thorne, the unassailable powerhouse behind the likes of This is England, Skins, Kiri (in which Lancashire also starred) and the forthcoming adaptation of Philip Pullman’s fantasy trilogy, His Dark Materials. […] Continue reading →