Falling Behind: The Miseducation of America’s Boys

American boys are falling behind in academics as early as eight years old. It’s a gap that only grows as those boys become men. This special On Point series explores why America’s boys are falling behind in school and what can be done about it.

Episode breakdown

Episode 1. Do we treat boys like malfunctioning girls? Boys are falling behind academically from the earliest ages. What’s happening in elementary schools that’s leading to that — and what would it take to fix it?

Episode 2. Troublemakers There’s a discernible difference in the behavior of boys and girls at elementary school age. Yet expectations about how they behave and perform in the classroom are the same. What are the differences, and how do they shape the years to come for boys and men?

Episode 3. The opportunity gap By every academic metric, Black boys are falling even further behind than white boys. They graduate at lower rates, have lower test scores, higher rates of special education, and are suspended and expelled more often. On Point goes into classrooms that are bucking that trend to find out what they are doing, and what other schools could learn. Hear the episode on April 16.

Episode 4. Where have all the men gone? Today, male teachers make up less than a quarter of the public school teaching force. And while the number of male teachers joining the profession has only been declining over the past few decades, the number of male teachers leaving it has been increasing. What’s driving men away, and what would it take to bring them back? Hear the episode on April 17.

WATCH: On Point Live With Meghna Chakrabarti | Events
WATCH: On Point Live With Meghna Chakrabarti

Episode 5. We’re in jail with our emotions’ Teenage boys learn men are supposed to be strong, and vulnerability isn’t strong. Believing that makes it hard to identify when mental health is suffering. On Point takes listeners inside a school that’s created a culture around building strong, emotionally vulnerable men. Hear how those lessons can help teen boys before they enter adulthood. Hear the episode on April 18. 


How to listen

Radio

  • From April 14 to April 18, listen to installments of Falling Behind on your local NPR station during On Point.
  • We also air live through our site at 11 a.m. ET here.
  • Find more ways to listen to On Point here.

Podcast

  • After the show airs, you’ll find the series in On Point’s podcast feed, or wherever you listen to podcasts.

Source: Falling Behind: The Miseducation of America’s Boys | On Point

Former Kennedy Center president Deborah Rutter talks about dismissal

Deborah Rutter served as president of the John F. Kennedy Center for the Performing Arts for a decade. This month, she was fired. President Trump had replaced many board members with his own supporters. Then, on Wednesday, the new board elected Trump as the center’s new chair.⁠ Rutter spoke to NPR in her first interview since her dismissal.

Host: Mary Louise Kelly/NPR⁠
Producers: Ashley Brown/NPR, Elena Burnett/NPR, Mallory Yu/NPR, @nickolaihammar • Nickolai Hammar/NPR • Courtney Theophin • John Poole

Watch the Karine Polwart Trio Perform At The Tiny Desk 

Karine Polwart Trio

Scottish singer, songwriter and essayist Karine Polwart seldom comes stateside. She prefers to limit air travel in order to minimize her carbon footprint. She took exception, however, to fly from Edinburgh to New York City to participate in the Carnegie Hall Migrations festival, a celebration of the history of the movement of people all around the world. Polwart and her brother, guitarist Steven Polwart and multi-instrumentalist, Inge Thomson, then escaped New York for a day to play the Tiny Desk here in Washington, D.C.

Polwart writes songs about hope, music that harnesses spiritual power and lyrics that address important social justice themes. Stories of human emotion and the human experience are also commonplace as in the first tune, “Ophelia.”

Her second song at the desk, “I Burn But I Am Not Consumed,” includes a mesmerizing spoken word denunciation of President Donald Trump, while the closing tune, “King of Birds,” praises the power of small things. In it Polwart recounts the legend of a wren who piggybacks a lift on an eagle’s wing. Just as the large bird is unable to fly any higher in the sky, the tiny wren catches a breath of air, soars higher than the eagle and is crowned the king of all birds.

Lyricism and messages of hope and beauty heard throughout punctuate a stunning accompaniment of inventive instrumentation. The steady, resonant guitar riffs played by Steven Polwart ground the delicate vocal harmonies. Inge Thomson’s accordion lines, combined with an array of percussion instruments and synth-generated effects, add a complimentary layer of sound without overpowering the music. Karine Polwart’s bellowing and drone-like Shruti box provides a sweet serenity.

SET LIST

  • “Ophelia”
  • “I Burn But I Am Not Consumed”
  • “King of Birds”

MUSICIANS

Karine Polwart: vocals, guitar, shruti box; Steven Polwart: guitar, vocals; Inge Thomson: accordion, percussion, noises, vocals

 

Listen at: Video: Watch the Karine Polwart Trio Perform At The Tiny Desk : NPR