J.M.W. Turner exhibit at Mystic Seaport

Mystic Seaport Museum will host a major monographic exhibition devoted to the watercolors of one Britain’s greatest painters: J.M.W. Turner

Mystic Seaport Museum will host a major monographic exhibition devoted to the watercolors of one Britain’s greatest painters: J.M.W. Turner (1775-1851). This exhibit is organized in cooperation with Tate. Mystic Seaport Museum will be the only North American venue for the exhibition, which will be on display October 5, 2019-February 23, 2020.The exhibition – curated by David Blayney Brown, Tate’s Manton Senior Curator of British Art 1790-1850 – will provide an exceptional opportunity to see key works spanning the entire career of the famous artist. A unique collection of 97 works, the selection will provide a view into the evolution of the artist’s vision and creative process.”Few artists have captured the beauty and majesty of the sea as J.M.W. Turner. Anyone who has sought art that accurately represents their personal experience of the sea has had to contend with the sheer genius of his lifelong look at that subject,” says Steve turner quoteWhite, president of Mystic Seaport Museum. “This is not an exhibition of the sea, but Turner represents for so many the most sublime representation of that feeling in art, and this remarkable exhibition is a unique opportunity to step into his world and view in this country some of the riches he left his nation upon his death.”

The exhibition at the Museum – divided into seven thematic sections – focuses on the critical role played by watercolors in defining Turner’s deeply personal style. The 97 works have been selected from the vast legacy that comprises more than 30,000 works on paper, 300 oil paintings, and 280 sketchbooks, known as the “Turner Bequest,” donated to Great Britain after the artist’s death in 1851 and mostly conserved at Tate Britain. The bequest includes the entire body of works housed in the artist’s personal studio and produced over the years for his “own pleasure,” to cite the words used by the contemporary critic John Ruskin. While Turner is perhaps better known for his oil paintings, he was a lifelong watercolorist and fundamentally shaped what was understood to be possible within the medium during his lifetime and after. An inveterate traveler, Turner rarely left home without a rolled-up, loose-bound sketchbook, pencils, and a small traveling case of watercolors. These memories of journeys, emotions, and fragments of landscapes seen during his long stays abroad illustrate the development of Turner’s stylistic language focused on experimenting with the expressive potential of light and color.

The intimate and personal character of the works on display will also provide an opportunity to explore the man himself, gaining an understanding of how the radical developments in Turner’s style anticipated trends of the late 19th century. From his love of seaside towns to his interest in depicting atmospheric English and Alpine landscapes, and his detailed study of domestic interiors and architectural reliefs, the artist devoted himself tirelessly to experimentation, particularly in watercolors, with a compositional and stylistic freedom and an innovative and surprising use of colors that led his peers to believe that Turner “appeared to paint with his eyes and nose as well as his hand.”

Deemed to be an extraordinary artist ever since his own time, Turner has had a profound and continuing influence on artists that continues to this day.

The exhibition will be accompanied by a major new publication edited by Nicholas Bell, the Museum’s senior vice president for Curatorial Affairs. Titled Conversations with Turner: The Watercolors, the book will bring together scholars of Turner’s art from around the world to engage with each other about the force of his paintings and why they continue to serve as a touchstone for Western culture.

 

Continue at: J.M.W. Turner: WATERCOLORS FROM TATE – Mystic Seaport MuseumMystic Seaport—J.M.W. Turner

GasLit Nation podcast 1/22/20 : The Republican Party is on Trial

GASLIT NATION WITH ANDREA CHALUPA AND SARAH KENDZIOR

This week Gaslit Nation gives in-depth context to the ongoing shitshow of the Senate impeachment hearings. We discuss what’s behind the media blitz of Giuliani goon Lev Parnas and the incriminating texts indicating the Trump crew was planning an attack on former US ambassador to Ukraine Marie Yovanovitch. We then analyze the GOP for what it is – an appendage of a transnational crime syndicate – and detail the institutional failures that allowed it to get there.

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GasLit Nation 1/15/2020 "Dynasty Alert!"

GasLit Nation podcasters Andrea and Sarah

Dynasty Alert!

This week Gaslit Nation takes a look at two dynasties – the Trump Crime Family’s attempt to build a dynastic kleptocracy in the White House, and Meghan and Harry’s flight to Canadian freedom. Yes, like a dystopian US Weekly, Gaslit Nation takes on Megxit (we’re in favor!) and the issues surrounding it: racism and colonialism, the mendacity of the UK tabloid press, Prince Andrew the Pedophile, and the decades-long connections of the royal family to the transnational crime syndicate propping up Trump.

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Ricky Gervais Rightly Debunked the Loudest, Most Self-Inflated Hypocrites Around.

The morning after Ricky Gervais let loose on his celebrity audience at the Golden Globes was bound to be a stormy one on social media—not to mention the DM’s of Apple, Amazon, and Hollywood Foreign Press executives. Predictably, many chatterers accused the comic of spreading right-wing talking points, of being just plain unfunny, and, for good measure, of transphobia. To my mind, the most striking response came from the Los Angeles Times’s television critic, Lorraine Ali, in a charge repeated by the New York Times: “Forget the escapist magic of Hollywood,” Ali wrote. “Nihilism was the name of the game.”

Talk about missing the point. Gervais was doing something comics have done through the ages: reminding us that the glamorous emperors might be naked, and the loudest singers in church the most corrupt. “Apple roared into the TV game with The Morning Show, a superb drama about the importance of dignity and doing the right thing, made by a company that runs sweatshops in China,” he said in one particularly spit-out-your-coffee zinger.

Gervais’s politics are not easy to pigeonhole. He hates Trump, disdains climate-change deniers, and ridicules religion, calling himself a “godless ape” in his Twitter bio. Clearly, he has no love for corporate America. But he also finds elite identity politics and celebrity self-regard absurd. His heterodoxy means he is bound to offend some of his audience whenever he steps on stage. And so he did on Sunday night: “No one cares about movies anymore,” he riffed in his opening monologue to the assembled notables. “You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you’ve spent less time in school than Greta Thunberg.

”Finding this funny—and millions of us did—requires thinking your average Hollywood bigshot is no more knowledgeable or interesting on the great issues of our time than my great aunt Gladys, even though they genuinely think they are. It also requires believing that Hollywood machers have considerable power and money, which means that their opinions, unlike my great aunt’s, have the potential to matter. Like all self-inflated hypocrites, they need debunking.Let’s admit that punching up, Gervais-style, usually comes with a whiff of envy. That’s especially true when it comes to Hollywood’s powerful, who have the added advantage of beauty, world fame, and wealth. Celebrities are to us as Olympian gods were to the ancients; the public wants to pore over details about their clothes, Los Angeles mansions, Aspen chalets, Cabo vacays, love affairs, yoga teachers, facialists, and plastic surgeons. We normal folks can only press our noses against the glass of dazzling parties like the Golden Globes—the name itself carries mythical undertones—with flowers flown in from Ecuador and Italy and a 100 percent plant-based meal, knowing that we will never be allowed in. It’s not fair.

And that’s exactly why Hollywood royalty should stay humble and respect their place in the cultural ecosystem. They are not politicians or Middle East scholars or historians or even ordinary people with an ordinary set of beliefs. They have uncommon power as a result of skills or gifts for which they have been celebrated and handsomely rewarded. They have every right—some might say, every obligation—to spread those rewards to the less fortunate: to fight the fires in Australia and help earthquake victims in Haiti and orphans in Darfur. But to use their position to lecture us about issues that they in all likelihood know about only from what they’ve heard on a friend’s podcast while running on the treadmill is something close to an abuse of power.As if to illustrate Gervais’s point, several actresses took the stage to spread their wisdom to their captive audience of more than 18 million. Patricia Arquette descended into an incoherent rant: “In the history books we will see a country on the brink of war. The United States of America, a President tweeting out a threat of 52 bombs including cultural sites. Young people risking their lives traveling across the world. People not knowing if bombs are going to drop on their kids heads and the continent of Australia on fire. I beg of us all to give them a better world. For our kids and their kids, we have to vote in 2020 and we have to get—beg and plead for everyone we know to vote in 2020.”Michelle Williams, a talented actress, decided that her gift endowed her with the perception to speak for America’s nearly 160 million women. Referring to the need to protect abortion rights, she urged women to vote in their “own self-interest.” “It’s what men have been doing for years, which is why the world looks so much like them.” Reese Witherspoon tweeted to her compatriot: “Thank you for being a champion of women, you are an inspiration!” Note to Reese and Michelle: you are “championing” barely a half of American women. The rest are ambivalent or in firm disagreement with you. In politicized times like these, there’s an in

Source: Ricky Gervais Rightly Debunked the Loudest, Most Self-Inflated Hypocrites Around.