‘British Pulp Fiction’ is country’s ‘best film of last 90 years’

The 1996 film is streaming on Amazon Prime Video, YouTube and Apple TV – it became an instant classic from the moment it was released despite fears around whether it would live up to the hype.

It was supposed to be “unfilmable” and a “foolhardy” choice for a second film from a team who had exploded on to the scene two years earlier. But the result could not have been better as the film became an instant classic which regularly features in lists of the best films of all time and was even voted the best British film of the last 90 years.

Trainspotting was released in 1996, “supercharged with sulphurous humour and brutal recklessness”, according to a Guardian review 20 years later which also said it was “maybe the only successful 90s British attempt at answering films like Goodfellas or Pulp Fiction” which “has a version of their spirit and power and matches them for hardcore violence, horror and drugs”.

The film was directed by Danny Boyle and based on a book by Irvine Welsh, which was adapted for the big screen by John Hodge’s screenplay. Its cast became household names whose careers became spectacularly successful — think Ewan McGregor (Renton), Robert Carlyle (Begbie), Jonny Lee Miller (Sick Boy), Ewen Bremner (Spud) and Kelly McDonald (Diane).

The film follows a group of heroin addicts in Edinburgh and especially Renton’s attempt to escape addiction while also plotting to steal a large amount of money to set him up with the new life he has planned for himself. The film’s now-legendary opening scene sees Renton and the kind-hearted Spud racing down Edinburgh’s main route, Princes Street, while Renton’s “choose life” monologue runs over Iggy Pop’s Lust For Life hit.

The film came two years after Boyle, Hodge and producer Andrew Macdonald had released Shallow Grave, which was described as “a breath of fresh air through a beleaguered British film industry” and was a lot to live up to. But a BBC review after Trainspotting’s release said the film “had that rare quality of exceeding all expectations”.

Listing it at number 74 in their list of the best films ever made, Empire says: “For their follow up to the superb Shallow Grave, Danny Boyle, Andrew Macdonald and John Hodge foolhardily elected to film the supposedly unfilmable: Irvine Welsh’s scrappy, episodic, multi-perspective novel about Edinburgh low-lives.

“The result couldn’t have been more triumphant: the cinematic incarnation of ‘Cool Britannia’ came with a kick-ass soundtrack, and despite some dark subject matter, a punch-the-air uplifting pay-off.”

In 2024, it was voted the best British film of the last 90 years in a poll to mark the 90th anniversary of the British Council. In 1999 it placed 10th on the top 100 British films of the 20th century and in 2004 it was voted the best Scottish film of all time.

Author Irvine Welsh had heroin addiction issues

The book, Trainspotting, was released in 1993 and has been voted the 10th best book of the 20th century. There have, in fact, been five instalments in the “Trainspotting series”, though only one reached the stratospheric levels of fame the first, which is reportedly the “most-shoplifted” novel ever.

Author Irvine Welsh became addicted to heroin in his early 20s and was addicted for around 18 months before going cold turkey (as Renton does in the film) and beating the addiction. He has described it as “awful” but also explained the appeal of the drug to so many people, saying it gives a “tremendous sense of wellbeing” and a “feeling of invincibility”.

He added: “The good thing about heroin, and the worst thing, is not having to deal with other people. Of course, it’s a complete delusion.”

Why is it called Trainspotting?

A question that is often asked is why the film, which is about drug addiction in Edinburgh and doesn’t feature any trains, was called Trainspotting in the first place. It is reported to be a reference to an episode from the novel where Begbie and Renton meet “an auld drunkard” in a disused railway station who asks them if they are “trainspotting”.

According to IMDB, author Welsh has explained that when he was growing up in Edinburgh there was an abandoned train station that had become a place frequented by the homeless and drug-addicted, who, when going to the station to take drugs, would often say that they were going “trainspotting”.

Trainspotting author Irvine Welsh
Trainspotting author Irvine Welsh in 2010 (Image: Daily Record)

A film that’s ‘impossible to quit’

Trainspotting has a 90% score on Rotten Tomatoes and 8.1 out of 10 on IMDB. Kevin Maher, writing in The Times, says it is “easy to start, all-consuming, impossible to quit”. Jay Carr in the Boston Globe says it as “unsinkable vigour coursing through [its] veins”, while Chris Cabin in Slant Magazine says “the film finds pitch-black humor, horror, tragedy and violence in a series of asides and digressions”.

However, David Goodman, writing for Associated Press, said: “Trainspotting is too morally bland for the ugliness it depicts. It’s yet one more movie with the subtle, destructive message that it’s not so terrible to do bad things, as long as they’re carried off in a stylish, amusing way.”

Trainspotting is streaming now on Amazon Prime Video, Apple TV, Google Play, YouTube and Sky Store

Source: ‘British Pulp Fiction’ is country’s ‘best film of last 90 years’ | Films | Entertainment | Express.co.uk

Enticing Brits Back To The Cinema With Classics Like ‘Trainspotting’

Trainspotting

Film4 is partnering with film distributor Park Circus on a campaign to entice Brits back to the cinema. Under the deal, the duo will offer UK cinemas a season of six classic features from the Film4 library, including Danny Boyle’s Trainspotting and Jonathan Glazer’s Sexy Beast.

The films will initially screen in Picturehouse, Everyman, Odeon, Vue, and Showcase theaters across the country from the start of July, with other venues joining the initiative in the coming weeks. It follows cinemas reopening in the UK on May 17 after the most recent coronavirus lockdown.

The four other films in the Film4 season are Mark Herman’s Brassed Off, Stephen Frears’ rom-com My Beautiful Launderette, Bill Forsyth’s Local Hero, and Bhaji on the Beach, from director Gurinder Chadha.

Film4’s parent Channel 4 will support the season with an advertising campaign across its TV channels, as well as online. The ads will be created by in-house creative agency 4Creative.

Film4 director Daniel Battsek said: “Film4 have a long history of producing films for theatrical exhibition. We felt we should do something to help the sector’s recovery from the pandemic and remind audiences that cinemas remain the best places to experience movies.”

Park Circus CEO Mark Hirzberger-Taylor added: “We’re incredibly proud of our long-standing partnership with Film4, and are delighted to be collaborating with them on this special programme this summer, comprising six of their very best classic films, back on the big screen for audiences to enjoy.”

It is not the first time iconic titles have been brought back to the big screen in the UK to tempt audiences. Disney re-released the likes of Star Wars: The Empire Strikes Back when restrictions lifted on theaters last year.

Source: Film4 Teams With Park Circus To Entice Brits Back To The Cinema With Classics Like ‘Trainspotting’

Kelly Macdonald: ‘I’m beyond sex scenes now. I just play detectives’

Why did the actor who shot to fame in Trainspotting panic about her new Line of Duty role?

By Emma Brockes | Irish Times

Kelly Macdonald’s roles are typically quiet and fraught with internal conflict, and entailing journeys that are more reflective than active. As a grieving mother in The Child in Time, a gangster’s wife in Boardwalk Empire and the titular role in The Girl in the Cafe, the 45-year-old has, over the past 25 years, become known for the kind of thoughtful performances signified by the image of a woman staring out of a window. All of which makes our encounter today doubly surprising: that Macdonald, appearing via Zoom from her home in Glasgow, is here to talk about Line of Duty, possibly the least reflective television show ever made; and that she is a complete hoot.

Her role in Line of Duty has, over the course of the Belfast-filmed show’s six seasons, become a coveted one in British television – that of the guest star brought on as a no-good cop to be investigated by AC-12, the show’s now iconic anti-corruption unit. (Previous incumbents in the just-how-bent-is-she role include Keeley Hawes and Thandie Newton.) Line of Duty’s twists are renowned and the embargoes fierce, and, following the roller coaster of season five – in which we grappled, briefly, with the possibility that Supt Hastings (Adrian Dunbar) was bent – we meet Macdonald in season six as DCI Jo Davidson, getting stuck into a case. And that is pretty much all, ahead of transmission, the BBC will permit either of us to reveal, which makes Macdonald crack up every time she thinks of it. “It’s hilarious that they sent me a list of things I’m not to talk about, when I can’t remember any of it.”

They sent the first episode while I was on the train and I managed to download it and immediately got freaked out at the intensity

This is partly down to scattiness. Macdonald forgets words, dates, times. She has been known to rock up to auditions having failed entirely to study the script. “I’m horrible,” she says, cheerful in a chunky knit sweater, which is, she says, one notch up from her customary lockdown hoodie. “I’m just rubbish at reading the emails.” At home she’ll look up from whatever she’s doing and catch her sons, eight-year-old Theodore and, in particular, 12-year-old Freddie, regarding her with incredulity. “My son sits over there, plugged in on his iPad, and I’m on the phone and I just see the way he looks at me. I still remember thinking my mum was a fool, such a fool, about technology.”

It is there in her performances, this guileless good humour. Macdonald once described acting as “not brain surgery” – not a view shared by most actors at her level – a delight in the absurdity of it all that has been visible on screen since her first, explosive role, as Diane in Trainspotting. That was released in 1996, when Macdonald turned 20, and, as it turned out, Diane – brazen, impulsive, outrageous – was atypical of the work that would follow.

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