One of THE HOBBLEDEOY’S all-time favorite films is writer/director Mark Herman’s Brassed Off (1996). This scene features the legendary Pete Postlethwaite, Tara Fitzgerald, Stephen Tompkinson, and Ewan McGregor, but the true star here is the Grimethorpe Colliery Band, who perform the music.
The Concierto de Aranjuez is by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo’s best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Usually performed as a guitar concerto, the flugelhorn arrangement of the Adagio was by Kevin Bolton.
If you have not seen this film, you must. Not currently available on Netflix or Amazon, it’s worth a trip to borrow from the local library.
‘I spent months learning the flugelhorn – and I didn’t even have to play it’
Pete Postlethwaite, who was playing my father, took me down to Grimethorpe a week before filming to talk to locals and let them know this was their story. The miners were reticent at first. Not long before, a TV crew had stitched up the town, getting kids to throw stones at derelict buildings and making it seem as if it was a regular occurrence, as if Grimethorpe had become a wild west town. [ . . . ]
One of Johnny Foreigner”s favorite British films of the ’90s was Mark Herman’s Brassed Off – 1996 British-American comedy-drama film written and directed by Mark Herman and starring Pete Postlethwaite, Tara Fitzgerald and Ewan McGregor. These’s so much to love about the movie, including the brass band music, but especially the performance by one of the greatest British actors of all time – Pete Postlethwaite as the bandleader/miner “Danny.” If you’ve never seen this movie, grab it from Netflix or Amazon.
The film is about the troubles faced by a colliery brass band, following the closure of their pit. The soundtrack for the film was provided by the Grimethorpe Colliery Band, and the plot is based on Grimethorpe’s own struggles against pit closures. It is generally very positively received for its role in promoting brass bands and their music. Parts of the film make reference to the huge increase in suicides that resulted from the end of the coal industry in Britain, and the struggle to retain hope in the circumstances. [Wikipedia]
Twenty years after Trainspotting made him a star – and the poster boy of 90s excess – could Ewan McGregor become Renton again?
The characters were people you felt you already knew. There was Begbie, played by Robert Carlyle, the booze-fuelled, unpredictable psycho, a small-town Scottish version of Joe Pesci in Goodfellas. Spud (Ewen Bremner): hapless, surreal, a lovable, smackhead loser. Sexy Sick Boy (Jonny Lee Miller), out for whatever he could get, mostly women and drugs. And Renton, played by Ewan McGregor, the heroined-up antihero, who kept kicking drugs and then going back, and doing the same to his mates, until he finally robbed them all (except Spud) and ran away. [ . . . ] Read Full Story: Ewan McGregor: ‘What if I’m not Scottish enough any more?’ | Film | The Guardian