Rose Glass delivers a blistering debut horror that sees a young nurse struggle to cope with isolation, temptation and salvation.
Love the Lord, all you his saints! The Lord preserves the faithful.
The philosophy and morality of the Bible are so interwoven into our society, that it seems we’ve chosen the parts we’re ok with, and discarded the rest. It’s easy to forget then the sheer brutality contained within a book that was written and amended thousands of years ago, guided by the voices of evermore contradictory men who twisted (or upheld) the supposed word of God. In Saint Maud that viciousness is brought to life when a private nurse attempts to “save” the soul of her patient, an enigmatic former dancer whose body has been taken over by cancer. One of God’s cruellest tricks. Continue reading →
The passage of time tends to make old films more interesting, such as these seven films of the late ’40s and ’50s from British directors John Boulting, Carol Reed, David Lean, Anthony Kimmins, Charles Frend, Guy Hamilton, and Leslie Norman.
Boring British Movies
Growing up as a callow nascent film buff, lost in the candy store of VHS tapes and TV Guide, I gathered that British films were mostly dull old things. With a few exceptions, they were talky sub-Hollywood productions, at best well-acted but lacking oomph and pizzazz and élan and je ne sais quoi. I partly got this impression from English critics, and some of the tatty VHS and TV prints I saw reinforced this idea.
As the years passed, I had to note more and more exceptions until the old canard became festooned with mental asterisks and parentheses. Today, with so many classic British films that haven’t circulated in the US finally hitting Region 1 in sparkling restorations on Blu-ray, I’m officially concluding that the spotty dismissal of British cinema is what deserves to be dismissed.
It may only be small, but Wales has always punched above its weight in Hollywood . So here’s our list of the 50 best Welsh films through the ages – some you may have forgotten, some you may never have heard of and others you’ve watched more times than you can remember.
Maxine Peake, the star of Mike Leigh’s new historical drama Peterloo, addressed a Manchester crowd gathered to pay tribute to the film’s bloody political battle.
Peake, 44, made an impassioned speech to crowds gathered to commemorate the massacre which occurred on the same date and in the same place, 199 years ago.The English actress, who stars as Nellie in the film, called the massacre ‘an outrage of which humanity recoils with horror and which is a foul stain upon our national character [ . . . ]