The Kingston Coffeehouse: Katie Cruel

Originally broadcast September 9, 2025, on WRIU 90.3 FM.


By Michael Stevenson, host The Kingston Coffeehouse

PLAYLIST
“Katie Cruel” (traditional) – Karen Dalton
“Bashed Out” (K. Stables) – This Is the Kit , 2015 Bashed Out
“God Loves a Drunk” (R Thompson) – Norma Waterson, 1996 

“I’m Waiting For You to Smile” – Katell Keineg, 1994 O Seasons O Castles 
“Love Will Tear Us Apart” (Ian Curtis) June Tabor & Oysterband, 2011 Ragged Kingdom
“People’s Faces” – Kae Tempest, 2019 The Book of Traps and Lessons
“Train Song” – Vashti Bunyan, r. 1966, Some Things Just Stick in Your Mind
“Anachie Gordon” (traditional) The Unthanks, 2010 Here’s the Tender Coming
“Henry Lee” (traditional) Nick Cave & PJ Harvey, 2011 Murder Ballads
“The First Time Ever I Saw Your Face” (Ewan MacColl) – Offa Rex, 2017 The Queen of Hearts
“She Moved through the Fair” (traditional) – Anne Briggs, 1963 Edinburgh Folk Festival Vol. 1
“Banjo Player of Aleph One” – Gwenifer Raymond 2025 Last Night I Heard the Dog Star Bark
“Wheely Down” (R. Thompson) – Ivor Cutler, 1993 The World is a Wonderful Place
“Roundabout” – Ryley Walker, 2017 Golden Sings That Have Been Sung
“Brighter than the Blues” – Joan Shelly, 2016 Over and Even
“Three Ravens” (traditional) – Jake Xerxes Fussell, 2019 Out of Sight
“Lullaby” (from the film Wicker Man) – Magnet (Paul Giovanni) 1972
“Rivers Run Red” (Ella Oona Russell) – The New Eves, 2025 The New Eve is Rising
“Witches Reel” (traditional) – Starheid Gossip, 2015 Step Sisters
“Entertaining of a Shy Girl” – Donovan 1968 Hurdy Gurdy Man
“The Hedgehog Song”(Heron/Williamson) – Incredible String Band, 1966 The 5000 Spirits or Layers of an Onion
“Lay it Down” (G. Thomas) – Bonny Prince Billy with The Trembling Bells, 2014 New Trip On Old Wine
“Conch Shell” Katell Keineg, 1994 O Seasons O Castle
“Into My Arms” – Nick Cave & the Bad Seeds, 1997 Boatman’s Call
“Place to Be” – Nick Drake, Pink Moon
“How Wild the Wind Blows” – Molly Lee, 2018 The Tides Magnificence
“The Sweetest Decline” – Beth Orton Central Reservation
“The Wagoner’s Lad” (Traditional) – Bert Jansch, 1966 Jack Orion
“Nottamun Town” (traditional)- Fairport Convention, 1969 What We Did on Our Holidays
“Masters of War” – Bob Dylan, 1963 The Freewheelin’ Bob Dylan
“Needle of Death” – Bert Jansch, 1965 Bert Jansch
“Golden Brown” – The Stranglers 1982
“Meet On the Ledge” (R.Thompson) – Fairport Convention, 1969 What We Did on Our Holidays
“Anji” – Davy Graham
“Green Are Your Eyes” (b.Jansch) – Marianne Faithul, 1966 North Country Maid
“The Water” – Johnny Flynn & Laura Marling, 2010 Been Listening
“The Parting Glass” (traditional) – James Elkington 2017 Wintres Woma
“Katie Cruel” (traditional) – Agnes Obel
“Blues Run the Game” – Jackson C. Frank, 1965 Jackson C. Frank
“Home Sweet Home” (Bishop /Payne)- The King’s Singers 1993 Folk Songs of the British Isles
“A Heart Needs a Home” – Linda & Richard Thompson, 1975 Hokey Pokey
“Goodnight World” – Lisa O’Neil, 2023 All This Is Chance

On St. David’s Day, do life’s “little things”

By Michael Stevenson / Dai Bando

St. David is the patron saint of Wales and he is celebrated every year on his feast day, March 1st. Today, Welsh people will adorn their winter clothing with either a daffodil or a leek, the latter because St David himself ate only leeks with water. No ‘bangers and mash’. No Guinness. Just leeks and water. I wonder if St. David left a decent tip on the counter after his pitiful lunch? I bet he did.

St. David (or Dewi Sant in Welsh) lived in the sixth century in Wales. He once brought a child back to life by splashing the boy’s face with tears. He was also famous for his saying “Gwenwch y pethau bychain mewn bywyd” which means “Do the little things in life.” I love that St. David appreciated the “little things” in life, especially with the knowledge he could raise a child back from the dead! I can just hear him, “No ‘thank you’ is necessary, lad. Care to join me in a daffodil and leek salad?”

To celebrate this day, I’ve created a Spotify playlist titled “St. David’s Day” (see bottom of post). I’ve included several of my favorite Welsh recording artists (Welshman Tom Jones a notable exception, whose records I love, but don’t quite fit with these others.)

Cerys Hafana is a recent favorite of mine. She’s still just a kid and plays guitar, piano and the Welsh triple harp. Her vocals usually are in the Welsh language. Can’t wait to hear more from her.

For over 20 years, I’ve loved the music of Katell Keineg who sometimes lives in Paris and/or Dublin while also visiting Joe’s Pub in New York City on occasion. Katell has recorded four albums, mostly in English with an occasional song in her native Welsh language. Her father is playwright Paol Keineg and her songs are filled with literary allusions and topics (such as her song about feminist painter Leonor Fini.)

Another Welsh harpist whose music I love is Catrin Finch. She recorded a fantastic album “Soar” a few years ago, with Sengalese kora musician Seckou Keita, who is known as “the Jimi Hendrix of the Kora” (you didn’t know there was such thing, did you?) “Soar” was one of my most played albums off of Spotify, Spotify has informed me (now that we’re talking again). Catrin Finch is awesome. Search out her cover of Debussy’s Claire de Lune.

The Hobbledehoy’s favorite practitioner of “American Primitive” guitar is Gwenifer Raymond. Gwenifer was born in Taffs Well, near Cardiff, leading to the title of her album, Strange Lights Over Garth Mountain. “American primitive” is an idiosyncratic approach to instrumental fingerstyle guitar, drawing equally from folk, blues, and contemporary classical sources and played in nonstandard and often wild tunings. She’s somewhat Goth Welsh and comes with a PhD in astrophysics. Love her.

The renowned Welsh opera singer Bryn Terfel’s “We’ll Keep a Welcome” is a great introduction to Welsh traditional and classical music. I saw Bryn Terfel perform in France several years ago. I was the American guy in the audience yelling a request for the Welsh tune “Bugail Aberdyfi” until an old French lady struck me with a large baguette.

If you love the 1947 film How Green Was My Valley as I do, then you’ll appreciate the addition of Alfred Newman’s soundtrack from John Ford’s classic film. The track “School” evokes the pain and humiliation the character Huw experiences after being severely beaten by a schoolteacher. Young Huw is later avenged when the village’s prizefighter (named Dai Bando, coincidentally) beats the living-shit out of Huw’s sadistic teacher. This scene left quite an impression on me, as you may have gathered.

Actor Roddy McDowall portrayed the character “Huw Morgan” in How Green Was My Valley. In a Cape Cod bookstore, I once saw a framed drawing of a Welsh village that young Roddy McDowell penciled while filming the movie. It was signed by Roddy and in mint condition. I’ll always kick myself for not buying it right away because when I returned to the shop with cash in hand, it was no longer on the wall. “Twmffat!” as they say in Wales.

I have a bit of Welsh ancestry from my paternal grandmother’s side of the family. I loved my Grandma Greta, who resided with my grandfather on John Street, in Newport, Rhode Island. To make Grandma Greta laugh, I would do an imitation of Jimmy Durante, using my grandfather’s hat as a prop. At five years old, I could mimic Durante’s goofy walk, and deliver his classic catchphrases like “I’ve got a million of ’em” and “Everybody wants to get into the act!” Grandma Greta would howl with laughter.

When one of us at the Sunday dinner table irritated her with a foolish or unkind remark, Granda Greta would scold, “Eat your bun!” This eventually became our family’s inside-expression meaning, “shut the hell up.” Grandma Greta never once said “Eat your bun” to me.

Blood Alley in Newport, RI. My gram would say, “Eat your bun!”

I also loved my grandmother’s sister Theresa, whom we called “Teddy.” She would join us for vacations on Cape Cod as well as at all the holiday dinners. Shortly before she passed away, Great Aunt Teddy told me quite a bit about my Welsh heritage, claiming that we were descendants of the Morgans – not the fictional family from “How Green Was My Valley,” but specifically Captain Morgan, the Pirate. I intend to research this when I can afford to resubscribe to Ancestry.com, but first I must cancel Netflix, Hulu and pay another invoice from Brown Dermatology.

Happy St. David’s Day! I hope you enjoy this Spotify playlist.

And remember -“Gwenwch y pethau bychain mewn bywyd” (Do the little things in life.) And use sunscreen.

Highway One trailer – Festival of Voice/ Gŵyl y Llais 2018

Highway One is coproduced by Wales Millennium Centre and August 012 and is directed by Mathilde López whose recent productions include Of Mice and Men and Yuri.

Mari is trying to make sense of her life when a centaur, Medea, and a dead Italian film-maker turn up and take her on a trip to Delphi, a journey to the Oracle. In this touching and absurdly funny tale, the pilgrims encounter the usual – and not so usual – tribulations of travel in their search for meaning; the ancient and the modern, the sacred and the mundane, the real and the fictional.

In collaboration with Welsh musician Katell Keineg, Highway One features live performances from Katell, incorporating songs from her forthcoming album.

5 – 10 June 2018, Enfys Studio Cardiff
Book tickets here: https://festivalofvoice.wales/highway…

Canolfan Mileniwm Cymru ac August 012 sy’n cyd-gynhyrchu Highway One, a’r cyfarwyddwr yw Mathilde López, sydd wedi gweithio ar gynyrchiadau o Of Mice and Men ac Yuri yn ddiweddar.

Ceisio gwneud synnwyr o’i bywyd y mae Mari pan fydd dynfarch, Medea, a gwneuthurwr ffilm marw o’r Eidal yn ymddangos ac yn ei dwyn ar daith i Delphi at yr Oracl. Yn y stori deimladwy a hynod ddigrif hon, mae’r pererinion yn wynebu’r antur arferol – a phethau mwy anarferol – wrth deithio i chwilio am ystyr; yr hynafol a’r modern, y cysegredig a’r cyffredin, y ffaith a’r ffuglen.

Ar y cyd â’r cerddor o Gymraes, Katell Keineg, mae Highway One yn cynnwys perfformiadau byw gan Katell, a chaneuon o’i halbwm nesaf.