The Trip To Greece Q&A

Ever since Seinfeld, story arcs in comedy centred on nothing in particular have grown to become something of a genre standard. No show took that quite as literally as The Trip, starring Steve Coogan and Rob Brydon, which first aired on BBC Two in 2010. The original conceit, and the comedy, were simple: two well-established comedians (and quasi-friends) have expensive meals at fancy Lake District restaurants while doing impressions of the likes of Michael Caine, Marlon Brando and Ronnie Corbett. On paper that doesn’t sound like comedy gold, but something in the chemistry of Brydon and Coogan’s easy banter and Michael Winterbottom’s skilful direction made for an immediate hit.

Sadly, that journey – or, this time, that Odyssey – looks to have reached its conclusion. Ten years, four series and three more countries Continue reading

Rob Brydon reveals when mockumentary The Trip will return with Greece-set series

Rob Brydon

Rob Brydon has revealed when fans can expect to see the new series of The Trip. It’s been over two years since Brydon and Steve Coogan were last seen on screen together – in 2017’s The Trip to Spain.

The Trip – co-created by Brydon, Coogan and director Michael Winterbottom – began on BBC Two in 2010. The series saw them embark on a restaurant tour of northern England.

Later outings saw them repeat the formula in Italy and Spain.

In the series, the actors play fictional versions of themselves.

This year, Coogan reprised the character of Alan Partridge for This Time, a BBC series that was acclaimed by critics and viewers alike.

Read the full interview with Brydon here.

The Trip To Greece will be broadcast on Sky One and NOW TV in Spring 2020. Gavin & Stacey returns for a one-off special on Christmas Day on BBC One.

Source: Rob Brydon reveals when mockumentary The Trip will return with Greece-set series | The Independent

“I use the best, I use the rest”

Steve Coogan Interview

British actor, writer, and comedian Steve Coogan was first drawn to the magic and wonder of performing when he was a kid, sitting around the television with his family and watching comedies like Fawlty Towers and Monty Python. It was before the era of VCRs, so the only way to record something you loved was to memorize it in your head and talk about it afterwards. The whole experience left young Steve in awe: “Wow, how great would it be to do a comedy character who people had such affection for and made everyone laugh at the same time? That would be it for me—if I achieved that, I would be happy.”

After spending years doing standup and impressions, Steve got a chance to achieve his dream. He created the massively popular character Alan Partridge, a lovable broadcaster who says all the things that most people think but don’t dare say. Unfortunately, Steve’s anticipated happiness only lasted until he discovered the drawback to success—typecasting. Under the heavy scrutiny of the British media, Steve, who wanted to branch out and try different things, was constantly criticized in the press when he did so. “Alan Partridge became an albatross. I had to find a way to escape from it.”

Escape he did…to America. He took advantage of the fact that the Alan Partridge cult didn’t exist in the States, and he started working on different and interesting projects that spoke to him creatively like Happyish24 Hour Party People, and The Trip. But his ultimate escape came when he wrote the critically acclaimed drama Philomena—Oscar nominations have a tendency to shut up the critics.

These days, Steve is taking on a new challenge in the film Stan & Ollie as one-half of the legendary comic duo Laurel and Hardy. For Steve, the film is a real love letter to comedy: “The paradox of good comedy is the more effortless it looks, the harder the work that went into it. It’s like a curse, because people think it’s ephemeral or trivial, but in actual fact, good comedy sheds light on the human condition. That’s what this film is about.”

Steve joins Off Camera to explain why comedy is a universal language, discovering the similarities between writing comedy and drama, and why telling him he’s boring is the most insulting thing you can say to him.

“I use the best, I use the rest”