In the midst of a pandemic, governors around the country have been reopening local economies and causing concern for many health experts, including members of the White House coronavirus task force who testified before a Senate committee this week.
Dr. Michael Osterholm, director of the Center for Infectious Disease Research and Policy at the University of Minnesota has long warned about the risk of pandemics. He calls the effort to reopen a “hodgepodge,” though he believes remaining locked down while we wait for a vaccine is not an option. First and foremost, he laments a lack of national leadership, frank talk about the tradeoffs ahead, and a clear direction in the fight against COVID-19.
Classically-trained singer/pianist Olivia Chaney graduated from England’s Royal Academy of Music, before teaching herself guitar and Indian harmonium, delving back to the inspiration behind the British folk revivalists. She has since built a loyal and growing following as a songwriter and interpreter, both in the UK and internationally, through her acclaimed and eclectic live performances and much lauded recorded works.
In 2013, Olivia self-released an eponymous EP, that was followed by her critically-acclaimed 2015 Nonesuch debut, The Longest River. The latter, which The Guardian hailed as ‘an enchanting and stately creation‘, was noted in a number of ‘Best Of 2015’ lists, whilst The Independent featured it in their Top 5 Albums of the Year, calling it ‘A landmark release‘.
Last year Olivia featured on two collaborative albums: the first – Folk Songs – with fellow Nonesuch artists; Natalie Merchant, Rhiannon Giddens, Sam Amidon and Kronos Quartet; and the second – The Queen of Hearts – by Offa Rex, an album by a new band formed between Olivia and The Decemberists, which was nominated for a Grammy at the 60th Annual Grammy Awards in the ‘’Best Folk Album’ category.
On June 15, 2018, Nonesuch released Olivia’s second solo album – Shelter. Already applauded as a sophomore triumph, the media are saying: ‘even the simplest arrangements seem to ooze with an inherently fluid musicality. From the deathless serenity of the opening title track to the neo-classical closer “House On The Hill”, here is transcendent refuge from the storm.’ – Uncut; ‘A finely wrought piece of work, with Chaney’s swooping delivery turning songs into dramas. An elegant, luminous album.’ – Observer; ‘A beautifully haunting meditation on the human condition.’ – Sun; ‘The ravishing follow-up to the Chaney’s acclaimed debut is an exercise in bejewelled simplicity. Chaney’s clear resonating voice is a superlative means to convey this eagle-eyed observer’s tender intimations like Dragonfly and A Tree Grows In Brooklyn. A triumph.‘ – Daily Mirror.
Film reviews including Robert Downey Junior in Dolittle, Margot Robbie in Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn and Kristen Stewart in Underwater.
Mark and Simon chat through all the films worth seeing in UK cinemas in the UK Box Office Top Ten, we tell you the best and worst films on TV next week and recommend a home entertainment purchase in DVD of the Week.
00:27:55 Box Office Top 10 00:44:33 Bong Joon Ho Interview 00:59:51 Parasite Review 01:11:20 Dolittle Review 01:20:26 Underwater Review 01:25:19 Plus One Review 01:35:19 Daniel Isn’t Real Review 01:41:33 Birds of Prey Review 01:45:09 Mr Jones Review