When the actor Emma Thompson left the forthcoming animated film Luck last month while it was still in production, it was done without public fanfare, and was only confirmed when film-industry publications such as Variety magazine picked up on it. Now Thompson has put herself firmly above the MeToo parapet with the publication publishing her incendiary letter of resignation addressed to the film’s backers, Skydance Media, one of Hollywood’s most prestigious studios.
It was known that Thompson was unhappy with the arrival in January of former head of Pixar John Lasseter as the new head of Skydance Animation. But the letter goes into extraordinary detail about her disquiet over the appointment of a studio executive whose downfall had been one of the key landmarks of the Me Too and Times Up campaigns.The move was immediately hailed by activists. Melissa Silverstein, founder and publisher of the website Women and Hollywood tweeted: “This is more than an open letter — Thompson has issued a rallying cry. We hope others with power and privilege will join Thompson in speaking out about abuses of power and those who enable that toxic behavior.” [ . . . ]
Continue at The Guardian: ‘Centuries of entitlement’: Emma Thompson on why she quit Lasseter film | Film | The Guardian
Actors and directors criticise film-maker for likening movement to ‘mob rule’ and remarks about Weinstein scandal
The film director Terry Gilliam has come under fire from Hollywood actors and directors for comparing the #MeToo movement to “mob rule”.
The former Monty Python member suggested the anti-sexual harassment campaign had led to a “world of victims” in an interview with Agence France-Presse.
While describing Harvey Weinstein as a “monster”, he added that the disgraced producer was only exposed because he was such an “asshole”.
Gilliam said: “Harvey opened the door for a few people, a night with Harvey – that’s the price you pay.
“I think some people did very well out of meeting with Harvey and others didn’t. The ones who did, knew what they were doing. These are adults; we are talking about adults with a lot of ambition.” [ . . . ]
More at THE GUARDIAN: Hollywood condemns Terry Gilliam for #MeToo comments
The Hobbledehoy misses Shirley Manson. Read this excellent interview from The Independent and take a nostalgic look at the 1999 clip from Jools Holland.
…The problems that women face go far beyond the music industry. This is just the tiny tip of the iceberg. Misogyny and sexism is baffling and I have no answers as to where it comes from or why it continues.
Violence against women, particularly intimate partner violence and sexual violence – is a major public health problem and a violation of women’s human rights. Global estimates published by WHO indicate that about 1 in 3 (35%) of women worldwide have experienced either physical and/or sexual intimate partner violence or non-partner sexual violence in their lifetime. That speaks of a systemic, institutionalised problem that has flourished since time began. How can we possibly start to eradicate it? I don’t know. If I had the answers to this question I would run for office.
I am so desperate for this situation to be “ fixed”. I suspect however it begins with the way we educate our children about gender, identity, expression and sexuality from a very early age. The patriarchy has created a binary system in which males often thrive and women shrink. It’s all so crazy and outdated. Gender is dead. Let’s start by freeing the people!
Read Full interview: Shirley Manson: ‘Men need to start policing their own’
Soon to be seen in Dark River, a bleak picture of a farming family at loggerheads, the actor talks people-puzzles, #MeToo, and playing her own grandmother [ . . . ]
Source: Ruth Wilson: ‘The industry sells sex… and that’s confusing’
Scott was determined to make the release date of December 22 for the movie and quickly got the cast back together to film shots that had featured disgraced Spacey, 58. | More at: Ridley Scott reveals how he replaced shamed Spacey in just four days