Happy Birthday, Masterpiece! Find Out Why Americans Love British Programming So Much

By Will Lawrence

The big 5-0 is a time for celebration, getting together with friends and throwing one heck of a party. But celebrating that milestone for Masterpiece, the flagship drama franchise of the Public Broadcasting Service, or PBS network, would take an almost impossibly large venue and unimaginably large cake. As the longest-running prime-time drama series on American television hits its half-century mark in January 2021, with a broadcast and streaming viewership of 75 million per year, it has a lot of friends—and family.

It is through Masterpiece that TV audiences have largely come to know the plays of William Shakespeare; the novels of Charles Dickens, Jane Austen and the Brontë sisters; the detective stories of Agatha Christie; adaptations of more recent historical classics like Wolf Hall; and written-for-TV phenomena such as Prime Suspect, Victoria and, most famously, Downton Abbey.

Downton star Elizabeth McGovern watched Masterpiece when growing up in Illinois. “I remember it was television for people that wanted something different from the more commercial fare,” recalls the American actress, 59, who was nominated for both an Emmy and a Golden Globe for her portrayal of Cora Crawley, Countess of Grantham. “Back then, it was the only place for quality television.”

Born in 1971, Masterpiece Theatre (note the British spelling) was the brainchild of Stanford Calderwood, then-president of the Boston PBS station WGBH, after a trip to the United Kingdom, where he devoured a feast of quality television. The series debuted Sunday, Jan. 10, 1971, with The First Churchills. Audiences “across the pond” were soon hooked as Masterpiece Theatre served up a menu of tantalizing drama garnished with all the trappings of British history and culture beloved by many Americans: exquisite etiquette, stately homes, green meadows, soft rolling hills, fabulous frocks and, of course, the historical narratives themselves, abounding with mystery, secrecy, heroes, heroines, rogues and romance.

Also a great success was the 1980 spinoff Mystery! (rebranded as Masterpiece Mystery! in 2008)—with programming themed around British mystery fiction, including long-running series made from Agatha Christie novels, featuring her detective sleuth characters Hercule Poirot and Miss Marple, and Arthur Conan Doyle’s Sherlock Holmes stories­.

“You see all this work gathered together and yet it feels coherent,” says Kenneth Branagh, 60, the actor and later director who came to prominence in America as Guy Pringle in Fortunes of War (1987). “Masterpiece brings together various bodies of work and adds a weight and heft.” Branagh returned to Masterpiece in 2008 as the Swedish detective of Wallander for Mystery!

“There is a certain kind of show that when you’re watching you think, This belongs on Masterpiece,” says Downton Abbey creator Julian Fellowes, 71. “It’s made a role for itself in American life.”

That role typically unfolds on Sunday evenings, the perfect time for families to gather together to watch other families gather together (or fall apart) and to become immersed in stories set in a far-off time and place. Here, we celebrate some of our favorite Masterpiece shows and stars and share some intriguing behind-the-scenes trivia. Happy birthdayMasterpiece!

Best Masterpiece Hosts

Alistair Cooke, who hosted from 1971 to 1992 with his velvety tone and immaculate suits, helped establish the Masterpiece brand, even inspiring a spoof from the Muppets in the guise of Alistair Cookie (Cookie Monster’s alter ego, who hosted Monsterpiece Theater on Sesame Street).

Other Masterpiece hosts include author Russell Baker (1993–2004), actress Gillian Anderson (2008) and actress Laura Linney (2009–present).

Famous Mystery! hosts include film critic Gene Shalit (1980), actor Vincent Price (1981–89) and actress Diana Rigg (1989–2003).  

“I love being the Masterpiece Mystery host,” says actor Alan Cumming (2008–present). “I go into the dressing room and there are pictures on the walls—Vincent Price and Diana Rigg and then a picture of me. What a lineage! Together at last! Honestly, it is a great honor to be flying the flag for that tradition.” Continue reading

Hobbledehoy favorite ‘Last Tango In Halifax’ final season now on PBS

PBS is going back to Halifax one last time. The final season of British comedy-drama Last Tango in Halifax premieres Sunday, Sept. 20.

The new season of Last Tango in Halifax picks up several years after viewers last saw Alan (Derek Jacobi) and Celia (Anne Reid). Now seven years into their marriage, they’re settled into a lovely home, but there are some problems in their new abode. Political clashes, a new job for Alan, and other issues create tension in their household. Meanwhile, Celia’s daughter, Caroline (Sarah Lancashire), gets emotionally embroiled at work, while Alan’s daughter Gillian (Nicola Walker) faces trouble with a giraffe at the farm. To complicate matters, Alan’s brother, Ted (West) has arrived from New Zealand for a visit, but it turns out he only bought a one-way ticket.

In addition to airing on PBS stations, new episodes of Last Tango in Halifax will be available to stream for free on PBS.org and the PBS video app for 30 days after their initial broadcast.

The previous three seasons of Last Tango in Halifax are currently streaming on Netflix.

Source: ‘Last Tango In Halifax’: Final Season Premieres Sept. 20 on PBS

‘The Child in Time’ review: Benedict Cumberbatch stars in ‘Masterpiece’ movie

The Child in Time’ review: Benedict Cumberbatch stars in this melancholy ‘Masterpiece’ movie about a couple that lost their child, opposite Kelly Macdonald

It’s good to be Benedict Cumberbatch, whose very busy, eclectic spring schedule includes the Showtime miniseries “Patrick Melrose” and “Avengers: Infinity War.” Add to that “The Child in Time,” a strange, lyrical “Masterpiece” production, steeped in the crippling pain that surrounds the loss of a child.

Foremost, the movie — adapted from Ian McEwan’s 1987 novel — provides a showcase for Cumberbatch, and to a lesser degree the always-splendid Kelly Macdonald as his wife. Their relationship is fractured by the sudden disappearance of their four-year-old daughter, during a fleeting moment of inattentiveness by Cumberbatch’s character, a noted children’s book author named Stephen.
That moment, of course, represents every parent’s nightmare (and, not incidentally, closely resembles the Starz series “The Missing”). Still, the PBS film proceeds to unfold in unexpected, not-wholly-satisfying directions, exploring deeper themes about memories, childhood and the hope for reconciliation in vaguely surreal ways.
The main focus is on the central couple, who are met a few years after those agonizing events. Yet there’s also a subplot involving Stephen’s friend Charles (Stephen Campbell Moore), who has experienced a breakdown causing him to regress into a childlike state, a thread that can’t adequately be fleshed out or done proper justice within this 90-minute format.
The movie is nevertheless compelling, thanks largely to the interplay between Cumberbatch and Macdonald, in what amounts to a peculiar twist on a love story within the up-close-and-personal contours of a stage play. The film also bends the notion of time — moving between the past and present in a disorienting but, ultimately, affecting manner, as the missing girl remains a presence in Stephen’s life, even if she’s gone.
Cumberbatch is one of the executive producers, and it’s fair to say this somewhat unorthodox addition to the “Masterpiece” lineup likely wouldn’t have been made without the actor — already affiliated with the PBS franchise via “Sherlock” — having lent his name, considerable star power and committed fan base (a group that even enjoys its own colorful nickname) to the enterprise.
As vanity projects go, though, “The Child in Time” is the sort that reflects well on its champion — a guy who moves seamlessly between big splashy productions and small prestige ones. Viewed that way, “The Child in Time” falls squarely in the latter category, while offering Cumberbatch completists a performance that conjures a different sort of quiet magic.
“Masterpiece: The Child in Time” premieres April 1 at 9 p.m. on PBS.

Source: ‘The Child in Time’ review: Benedict Cumberbatch stars in ‘Masterpiece’ movie – CNN