Happy Birthday, Masterpiece! Find Out Why Americans Love British Programming So Much

By Will Lawrence

The big 5-0 is a time for celebration, getting together with friends and throwing one heck of a party. But celebrating that milestone for Masterpiece, the flagship drama franchise of the Public Broadcasting Service, or PBS network, would take an almost impossibly large venue and unimaginably large cake. As the longest-running prime-time drama series on American television hits its half-century mark in January 2021, with a broadcast and streaming viewership of 75 million per year, it has a lot of friends—and family.

It is through Masterpiece that TV audiences have largely come to know the plays of William Shakespeare; the novels of Charles Dickens, Jane Austen and the Brontë sisters; the detective stories of Agatha Christie; adaptations of more recent historical classics like Wolf Hall; and written-for-TV phenomena such as Prime Suspect, Victoria and, most famously, Downton Abbey.

Downton star Elizabeth McGovern watched Masterpiece when growing up in Illinois. “I remember it was television for people that wanted something different from the more commercial fare,” recalls the American actress, 59, who was nominated for both an Emmy and a Golden Globe for her portrayal of Cora Crawley, Countess of Grantham. “Back then, it was the only place for quality television.”

Born in 1971, Masterpiece Theatre (note the British spelling) was the brainchild of Stanford Calderwood, then-president of the Boston PBS station WGBH, after a trip to the United Kingdom, where he devoured a feast of quality television. The series debuted Sunday, Jan. 10, 1971, with The First Churchills. Audiences “across the pond” were soon hooked as Masterpiece Theatre served up a menu of tantalizing drama garnished with all the trappings of British history and culture beloved by many Americans: exquisite etiquette, stately homes, green meadows, soft rolling hills, fabulous frocks and, of course, the historical narratives themselves, abounding with mystery, secrecy, heroes, heroines, rogues and romance.

Also a great success was the 1980 spinoff Mystery! (rebranded as Masterpiece Mystery! in 2008)—with programming themed around British mystery fiction, including long-running series made from Agatha Christie novels, featuring her detective sleuth characters Hercule Poirot and Miss Marple, and Arthur Conan Doyle’s Sherlock Holmes stories­.

“You see all this work gathered together and yet it feels coherent,” says Kenneth Branagh, 60, the actor and later director who came to prominence in America as Guy Pringle in Fortunes of War (1987). “Masterpiece brings together various bodies of work and adds a weight and heft.” Branagh returned to Masterpiece in 2008 as the Swedish detective of Wallander for Mystery!

“There is a certain kind of show that when you’re watching you think, This belongs on Masterpiece,” says Downton Abbey creator Julian Fellowes, 71. “It’s made a role for itself in American life.”

That role typically unfolds on Sunday evenings, the perfect time for families to gather together to watch other families gather together (or fall apart) and to become immersed in stories set in a far-off time and place. Here, we celebrate some of our favorite Masterpiece shows and stars and share some intriguing behind-the-scenes trivia. Happy birthdayMasterpiece!

Best Masterpiece Hosts

Alistair Cooke, who hosted from 1971 to 1992 with his velvety tone and immaculate suits, helped establish the Masterpiece brand, even inspiring a spoof from the Muppets in the guise of Alistair Cookie (Cookie Monster’s alter ego, who hosted Monsterpiece Theater on Sesame Street).

Other Masterpiece hosts include author Russell Baker (1993–2004), actress Gillian Anderson (2008) and actress Laura Linney (2009–present).

Famous Mystery! hosts include film critic Gene Shalit (1980), actor Vincent Price (1981–89) and actress Diana Rigg (1989–2003).  

“I love being the Masterpiece Mystery host,” says actor Alan Cumming (2008–present). “I go into the dressing room and there are pictures on the walls—Vincent Price and Diana Rigg and then a picture of me. What a lineage! Together at last! Honestly, it is a great honor to be flying the flag for that tradition.” Continue reading

MASTERPIECE Podcast: Nicola Walker

Nicola Walker leads the crime-fighting duo on the new MASTERPIECE Mystery! drama, Unforgotten. But the series’ complicated cold-case investigations surprise even her as they unfold week after week. Walker shares stories of Four Weddings and a Funeral, Broadway and why she could never be counted on to keep a criminal secret.

Source: MASTERPIECE | MASTERPIECE Studio Podcast: Nicola Walker

Review: Thoroughly Modern ‘Victoria,’ Still Nursing That Crush

Rufus Sewell’s portrayal of Lord Melbourne was the best thing about the  the premiere episode of Masterpiece’s “Victoria.” Overall, the pacing in the episode  one was a bit weird, and the look recalls a tv perfume commercial from the ’70s, “Your Windsong® stays on my mind…” However, the growing tension/attraction between Lord M and Victoria kept it interesting. I’ll be watching part 2, but I want to see at least some heavy petting from the height-challenged queen and Lord Dreamboat by the end of the episode! Read the New York Times Review below, and as Chuck Berry sang, “Go, Go,Go! Little Queenie!” 
– Johnny Foreigner


Disney had the princess game to itself for a while, but recently there’s been some competition. From real princesses. Why resort to computer-animated Polynesian or Nordic teenagers when you can watch a tale of empowerment and agency about a young woman who actually became queen of the United Kingdom?

First, Netflix gave us “The Crown,” 10 sumptuous and slightly stuffy episodes about the woman who would become Queen Elizabeth II. Now PBS jumps back a century for “Victoria,” eight episodes about Elizabeth’s great-great-grandmother, beginning on Sunday on “Masterpiece.”

And while sumptuous still applies, stuffy is not a word that in any way describes “Victoria,” [ . . .  ] Read the full NY Times Review