It has been an upsetting few months for the many fans of Charles Rennie Mackintosh and his unique art nouveau style.The Edwardian building at Glasgow School of Art, widely considered to be the architect’s masterpiece, was reduced to little more than its exterior walls following a devastating fire on the evening of June 15 [ . . . ]
Stabilisation work is under way at the Mackintosh Building as efforts continue to make the fire-hit art school safe.
In the latest update, experts say steel restraints have been installed on the east gable of the Glasgow site, allowing for the replacement of scaffolding.At the west end of the building, the existing scaffolding on the north facade has been cut away, enabling high-level work including the removal of roof steelwork.Work has also begun to make a key area of the ABC O2 building safe so stabilisation of the south facade of the Mackintosh Building can proceed.
Flames tore through the Charles Rennie Mackintosh-designed building on June 15, the second devastating fire to hit the art school. The blaze has had a big impact on the local Garnethill community, with locals frustrated that they cannot access their properties to retrieve possessions. A £5 million fund was recently announced by the Scottish Government to help businesses affected by the fire.[ . . . ]
When the sumptuous, soul-warming sound of Tracyanne & Danny’s debut track Home and Dry dropped unexpectedly in February, fans experienced a twofold reaction: both joy and relief.In October 2015, a rare form of bone cancer called osteosarcoma robbed the life of Glasgow indie pop band Camera Obscura’s keyboardist Carey Lander. That is the exact word Lander’s bandmate and best friend, singer-songwriter Tracyanne Campbell, uses three years on: robbed. “We were all robbed of Carey,” she laments sternly, angrily. “And the band was robbed of our job.
”A crowdfunding campaign launched by Lander in her final days went on to raise more than £102,000 for Sarcoma UK, bringing some tiny semblance of light to the tragedy. But after that there was only lingering sadness and silence, the group’s future left uncertain. Lander’s illness claimed the life of a much-loved and talented musician at just 33, but it also silenced a popular band in their prime.
So it is a relief to learn that Campbell was silenced only temporarily. Home and Dry was the first taste of a full album recorded in rural seclusion at Edwyn Collins’s cliff-top Clashnarrow studio, near Helmsdale on the north-east coast of Scotland. A tender and crisply realised collection of panoramic pop vignettes and yearning love songs, it’s a collaboration with Danny Coughlan, the Bristol-based singer-songwriter known as Crybaby. A close friend who shares Campbell’s love for ornate 60s guitar pop, Coughlan was the creative foil she needed to swap song ideas with by email in a delicate process of confidence and career rebuilding [ . . . ]
Duglas T Stewart on the impact the Glaswegian poet made on his life and music – and why tomorrow night’s gig will be, quite literally, out of this world.