A major exhibition exploring the life and work of Charles Rennie Mackintosh opens at the Walker Art Gallery this week – and here is a sneak peek of what to expect before the public are allowed in.
Few cities around the world can beat Glasgow’s claim to be the genuine centre of love.The city is the location of some of the remains of St Valentine himself – in a Gorbals church no less.And speaking of love, the city bore witness to one of the most fascinating and profound love stories in the history of art and design – one that makes Casablanca look like The Conjuring.Glasgow’s most famous son, Charles Rennie Mackintosh, and his wife Margaret Macdonald Mackintosh. Continue reading
A statue of Charles Rennie Mackintosh has had a cone placed on its head – just 10 days after it was unveiled.It was uncovered in the city’s Anderston area to mark the 90th anniversary of the designer’s death.The addition of a cone is in keeping with local tradition, which sees the Duke of Wellington statue in the city’s Royal Exchange Square wear one.Some locals say the cone demonstrates Glaswegians’ sense of humour and is as important as famous landmarks.In 2013, Glasgow City Council tried to end the practice, but abandoned their plans after a public backlash [ . . . ]
Questions about whether the Glasgow School of Art should maintain control of the Mac will be raised at a Scottish parliamentary committee, as criticism mounts over the college’s stewardship of the building
Four experts have been invited to Holyrood to give evidence next week (20 September) on the fire that almost completely destroyed Charles Rennie Mackintosh’s landmark building in June.MSP Joan McAlpine, convenor of the Culture, Tourism, Europe and External Affairs Committee, said the session would explore ‘how we got to this point, whether lessons were learned from the past’ and how to move forward. One of the witnesses, Mackintosh expert Roger Billcliffe, told Glasgow’s Evening Times that while he is still considering what he will recommend to MSPs, he believes that using the Mackintosh building as a teaching facility is ‘not reconcilable’.‘The building is a work of art and a museum; it should be treated like one,’ he said. ‘The future of the building should be under consideration and questions over whether it should remain as a school should be asked.’ [ . . . ]
Following in Mackintosh’s footsteps while traveling in Scotland
For people who have never been, Glasgow might conjure up visions of a sprawling, depressing, industrial city—at best, the shipyards where the Lusitania, Queen Mary and Queen Elizabeth 2 were built; at worst, the heroin-addicted nihilistic squalor of Trainspotting.
But nothing could be further from the truth. While Scotland’s largest city—and one of the British Empire’s major economic engines—certainly has some grit, it also has charm and beauty to spare, as well as some of the best gastronomic, performing arts and design scenes in Europe.
On this last score, Glasgow’s artistic and architectural heritage are exceptional, and this year marks an auspicious occasion: the 150th anniversary of the birth of native son Charles Rennie Mackintosh. Often named the greatest U.K. architect of the 20th century, he was a visionary whose designs went largely unappreciated in his own day but now boast a cult of admirers that includes Brad Pitt, Barbra Streisand and the late Princess Margaret. “Toshy,” along with his equally brilliant wife, Margaret MacDonald, her sister, Frances, and her husband, James Herbert MacNair, formed what became known in the late 19th and early 20th centuries as “the Glasgow Four,” and together they created “the Glasgow Style.” Their aesthetic anticipated art nouveau and art deco by 20 years and still looks shockingly contemporary to the modern eye.
To explore the imprint that Mackintosh left on the city, check in to the centrally located luxury boutique hotel Dakota Deluxe. Mere blocks away, a good first stop is the Glasgow School of Art, Mackintosh’s alma mater. A series of fires, most recently in June, destroyed the cutting-edge building he designed to house the school, which was voted Britain’s best building of the past 175 years.
Set within the magnificent grounds of Bellahouston Park, the House for an Art Lover is based upon Mackintosh and MacDonald’s entry in a design competition held by a German magazine in 1901. Meanwhile, Mackintosh’s own house at 6 Florentine Terrace, where he and Margaret lived from 1906 until 1914, was precisely recreated inside Glasgow University’s Hunterian Art Gallery. Visitors have been known to audibly gasp upon their first glimpse of his design.
One of Mackintosh’s remaining masterpieces, the Scotland Street School, is a quirky museum that welcomes visitors on several floors to witness the humanistic and playful approach to architecture that characterized Mackintosh’s style. One of his most fertile and popular collaborations, however, was with an entrepreneur named Kate Cranston, whose Willow Tea Rooms offered one of the few respectable public places for ladies to socialize at the end of the Victorian era. Mackintosh designed not only the exteriors and interiors, but everything from the cutlery to the waitresses’ uniforms. The last of the remaining tearooms was painstakingly restored and it reopened in July on Sauchiehall Street, the city’s main retail thoroughfare.
There are other Mackintosh monuments sprinkled throughout Glasgow—the Daily Record Building, the Hill House, the Lighthouse and a few more—but none illustrates in such stark relief how ahead of his time Mackintosh was than the Kelvingrove Art Gallery and Museum. The galleries devoted to the Glasgow Style offer a stunning array of stained glass, works on paper, textiles and embroidery, repoussé metalwork, silver, enamelwork, glass, gesso, furniture and interiors.
Of course, there’s lots more to Glasgow than Charles Rennie Mackintosh. The vibrant food scene ranges from the laid-back Café Gandolfi to the old standby the Buttery and the buzzworthy Gannet. At Òran Mór, a Victorian church converted into a performance space, catch lunchtime sensation A Play, A Pie and A Pint, where you’ll receive a beer and a bite to eat while watching plays that range from a satirical update on Aristophanes’ The Clouds to Melania, the Musical. The city’s Gallery of Modern Art, though modest in scope, includes some interesting work, along with a statue of the Duke of Wellington out front that’s had a traffic cone on its head for more than 40 years, while trendy shops like END—a men’s boutique selling such labels as Balenciaga, Thom Browne, Bathing Ape and Commes des Garçons Play—abound. And what trip to Scotland is complete without a visit to a distillery? Thanks to Clydeside Distillery, an impressive new operation built on the ruins of Glasgow’s old working docks, you don’t even need to leave the city to enjoy one.
But following the trail that Mackintosh left in his native city is an interesting way to understand the true essence of Glasgow. The traces of Mackintosh’s surviving work can feel frustratingly thin, precisely because he was too avant garde for his day, and Glasgow clings to its self-perception as dingy in a quintessentially Scottish and cussed way. Yet once you experience those kernels of Mackintosh’s brilliance, you see that Glasgow was—and remains—a city of innovation, taste and refinement. ◆
— Currently on hiatus, the Glasgow School of Art’s Mackintosh at the GSA tours are set to resume on Oct. 1.
Source: Glas-go! | Improper Bostonian