Season 2 is in the works! Woo-hoo!
Netflix dark comedy The End Of The F***ing World has been this year’s massive breakthrough hit, featuring the most loveable teen misanthropes since Richard Ayoade’s Submarine. Just like Alex Turner’s memorable score for that 2010 film, Graham Coxon has delivered a soundtrack for End Of The F***ing World that delves into the show’s very core: at times angsty, other moments carefree and all the while bewitching.
With Coxon recently releasing the soundtrack digitally (a vinyl release is scheduled for March), he spoke to NME about working on the score, plus upcoming solo material and – of course.
Did you ever think the show would become such a hit?
“I had no idea. I know why I like it but I like all kind of things that no one else likes. It’s not something you can always judge subjectively. People can get obsessed with that kind of stuff and identify with the characters. Obviously I’m not a teenager, it’s not like I can identify so much with the characters but I remember when I was a teenager being the same.
“There’s the characters themselves, for me when I first watched them, they weren’t really likeable. Like there is this ungrateful, gobby girl and then there is this really weird boy who speaks in a detached way. But of course people do identify with it, that’s what is good about it. After series one I liked the characters more, and that inspired me more and more. They got a lot nicer and funnier and the boy went less weird. Characters go through a gradual change which you hardly notice. You suddenly think ‘I really like those people’. So it’s more and more exciting.” [ . . . ]
Breakout star Jessica Barden digs into her surprising Netflix series, why she’s thrilled Alyssa stole that underwear, and what she hopes to see if there’s a second season.
Six years ago, Jessica Barden sauntered into a dance studio to audition for The End of the F***king World, a short film adapted from Charles Forsman’s graphic novel about two high-school oddballs who steal a car and get the hell out of their humdrum hometown. Barden was after the female lead, Alyssa, all outward confidence and bravado concealing a cache of confusion and vulnerability.
“I shaved my hair off the year before for another job, and I was in the process of growing it out. I had what I now lovingly refer to as a mullet,” Barden, now 25, tells Vanity Fair matter-of-factly by phone. Upon entering the room, she spotted a pole and broke out into impromptu dance in front of her potential employers. (“What else was I supposed to do? It felt very natural.“) She also shared an idea she’d been mulling for a movie, about a girl who grows up in a brothel and becomes a country music star. Of all the actresses director Jonathan Entwistle and producer Dominic Buchanan saw that day, Barden was the only to dance and discuss a feel-good movie involving prostitution during her audition.