Netflix dark comedy The End Of The F***ing World has been this year’s massive breakthrough hit, featuring the most loveable teen misanthropes since Richard Ayoade’s Submarine. Just like Alex Turner’s memorable score for that 2010 film, Graham Coxon has delivered a soundtrack for End Of The F***ing World that delves into the show’s very core: at times angsty, other moments carefree and all the while bewitching.
With Coxon recently releasing the soundtrack digitally (a vinyl release is scheduled for March), he spoke to NME about working on the score, plus upcoming solo material and – of course.
Did you ever think the show would become such a hit?
“I had no idea. I know why I like it but I like all kind of things that no one else likes. It’s not something you can always judge subjectively. People can get obsessed with that kind of stuff and identify with the characters. Obviously I’m not a teenager, it’s not like I can identify so much with the characters but I remember when I was a teenager being the same.
“There’s the characters themselves, for me when I first watched them, they weren’t really likeable. Like there is this ungrateful, gobby girl and then there is this really weird boy who speaks in a detached way. But of course people do identify with it, that’s what is good about it. After series one I liked the characters more, and that inspired me more and more. They got a lot nicer and funnier and the boy went less weird. Characters go through a gradual change which you hardly notice. You suddenly think ‘I really like those people’. So it’s more and more exciting.” [ . . . ]