
The BBC’s head of Drama Commissioning thinks the output is too dark. Is he right, and is there room for ‘lighter’ drama on TV?
A CURIOUS MIX OF BRITISH FOLK MUSIC AND AMERICAN POLITICS
It’s not Shakespearean but the no-nonsense leading lady of the new movie Lady Macbeth lives up to her name.
Source: ‘Lady Macbeth’ Turns Sound And Fury Into Victorian Noir : NPR
Rufus Sewell’s portrayal of Lord Melbourne was the best thing about the the premiere episode of Masterpiece’s “Victoria.” Overall, the pacing in the episode one was a bit weird, and the look recalls a tv perfume commercial from the ’70s, “Your Windsong® stays on my mind…” However, the growing tension/attraction between Lord M and Victoria kept it interesting. I’ll be watching part 2, but I want to see at least some heavy petting from the height-challenged queen and Lord Dreamboat by the end of the episode! Read the New York Times Review below, and as Chuck Berry sang, “Go, Go,Go! Little Queenie!”
– Johnny Foreigner
Disney had the princess game to itself for a while, but recently there’s been some competition. From real princesses. Why resort to computer-animated Polynesian or Nordic teenagers when you can watch a tale of empowerment and agency about a young woman who actually became queen of the United Kingdom?
First, Netflix gave us “The Crown,” 10 sumptuous and slightly stuffy episodes about the woman who would become Queen Elizabeth II. Now PBS jumps back a century for “Victoria,” eight episodes about Elizabeth’s great-great-grandmother, beginning on Sunday on “Masterpiece.”
And while sumptuous still applies, stuffy is not a word that in any way describes “Victoria,” [ . . . ] Read the full NY Times Review
A lot of you were really, really surprised this didn’t come in higher than no 4 in our list, so good news: it’s at the top of yours. Sarah Lancashire “deserves every award going” for her performance as Sgt Catherine Cawood. Gritty, realistic and believable, Sally Wainwright’s Happy Valley is a crime drama done right.
LondonSpy16
December 2016 8:15amBrilliant series. Those responsible for the cliched mush that makes up just about every other crime/murder drama on British TV should look at how to construct plot out of characters (rather than the other way round – yes, I’m looking at you, The Missing), sidestep cliches, put the comic and the painful together, and portray people who actually seem to have had relationships with each other before the cameras rolled. I’m wondering what three programmes you have ranked above it.
Read Full Story: The best TV shows of the year – as voted by you | Television & radio | The Guardian