Christopher Eccleston says Ken Loach’s film changed his view on “art for working class people”.
Christopher Eccleston has said Ken Loach’s Kes changed his view of “art and culture for working class people” and inspired him to take up acting to smash Oxbridge’s “ivory towers”.
The 59-year-old star recently read A Kestrel for a Knave, the book that inspired the 1969 film, for BBC Four.
He said Loach’s film of a boy who bonds with a kestrel had been the “most important cultural event” of his life.
The Salford-born actor added that it was the “greatest British film ever”.
The film, which was released a year after Barry Hines’s novel, won several awards when it was first released and was later ranked seventh in the British Film Institute’s list of the 100 greatest British films of the 20th Century.
The former Doctor Who star, whose career has taken in films, television and the stage, told BBC North West Tonight that seeing it as a child inspired him to “smash down the ivory towers built by Oxbridge and public school and get into the arts world”.
“It changed my entire view of myself, of art and culture for working class people,” he said.
“It was an absolutely transformative experience.”
The film tells the story of Billy Casper, a working class boy who finds hope and fulfilment when he adopts a young kestrel and begins training it.
Eccleston said he was “completely and utterly beguiled by the idea that a working class individual like myself and my brothers and my mother and father could have a wonderful skill and could have a dream to be lifted from the pit, as in Billy’s case, or the factories in my mum and dad’s and my case”.
“I saw the film before I read the book and it changed my life entirely,” he said.
Source: Christopher Eccleston: Kes inspired me to smash Oxbridge ivory towers
He is perhaps Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism.
I wish I could have been a fly on the wall when Ken Loach first learned about the “gig economy.” The debilitating delusion underlying that concept — the dream of being your own boss, only to find yourself trapped on an accelerating, unstoppable hamster wheel of work — fits right in with the veteran director’s moral vision of a world in which ordinary humans regularly think they can outsmart a system designed to destroy them. Loach is perhaps Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism. Strident outrage bubbles just beneath the ambling, improvisational cadences of his films. And I can only imagine that the old lefty director of Kes, Raining Stones, and The Wind That Shakes the Barley blew a gasket when he learned about how so many of today’s workers have been bilked into thinking they can be free operators in a tech-enabled landscape of merciless profit. […] Continue reading
RARELY has the harsh reality of working-class life been captured with quite the same poetic beauty and heartfelt honesty as it is in Kes (1969).A naturalistic study of a young boy coming of age in the cold, hard surroundings of northern Britain in the late 60s, it remains one of director Ken Loach’s greatest achievements. It also stands proud as one of his most beloved films. Watching the new Blu-ray special edition from Eureka Entertainment, it’s easy to see why.Fifteen-year-old Billy Casper (David Bradley) is a loner growing up on the unforgiving streets of Barnsley in a family where his mother (Lynne Perrie) ignores him and his older brother (Freddie Fletcher) beats him up at every available opportunity. At school he is picked on by his classmates and ridiculed by his teachers. His life, in other words, is miserable and hopeless.A ray of light arrives for Billy when he finds a small kestrel falcon on the moors. He devotes all his spare time to training it and the two become friends before the oppressive world that surrounds them comes knocking to burst their brief little bubble of happiness. […]
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