interview

Is Musk making a bid for control of the Republican Party?

by

Heather Cox Richardson | Letters from an American

Heather Cox Richardson

October 25, 2024

A bombshell story last night from the Wall Street Journal reported that billionaire Elon Musk, one of the richest men in the world, who is backing the election of Republican presidential candidate Donald Trump with a daily million-dollar sweepstakes giveaway and gifts of tens of millions to the campaign, has been in regular contact with Russian president Vladimir Putin since late 2022. Reporters Thomas Grove, Warren P. Strobel, Aruna Viswanatha, Gordon Lubold, and Sam Schechner said that the conversations “touch on personal topics, business and geopolitical tensions.” 

Musk’s SpaceX, which operates the Starlink satellite system, won a $1.8 billion contract with U.S. military and intelligence agencies in 2021. It is the major rocket launcher for NASA and the Pentagon, and Musk has a security clearance; he says it is a top-secret clearance.

Today, NASA administrator Bill Nelson called for an investigation into the story. “If the story is true that there have been multiple conversations between Elon Musk and the president of Russia,” Nelson told Burgess Everett of Semafor, “then I think that would be concerning, particularly for NASA, for the Department of Defense, for some of the intelligence agencies.”

Musk appears to be making a bid for control of the Republican Party for a number of possible reasons, including so he can continue to score federal contracts and because the high tariffs Trump has promised to place on Chinese imports would guarantee that Musk would have leverage in the electrical vehicle market. 

But Musk has competition for control of the party. Today, Senate minority leader Mitch McConnell (R-KY) and House speaker Mike Johnson (R-LA), who lead the establishment Republican faction and the MAGAs, respectively, and thus are usually at loggerheads, issued a joint statement condemning Democratic presidential nominee Vice President Kamala Harris for “labeling [Trump] as a ‘fascist.’” They suggest she is “inviting yet another would-be assassin to try robbing voters of their choice before Election Day.” 

Observers immediately pointed out that, in fact, it is Trump who has repeatedly called Harris a fascist—as well as a Marxist and a communist—and that those calling Trump a fascist are former members of his own administration like former White House chief of staff General John Kelly, or leaders like former chairman of the Joint Chiefs of Staff Mark Milley, whom Trump himself appointed to his position and who called Trump “the most dangerous person to this country.”

Harris’s contribution to this discussion was that when CNN’s Anderson Cooper asked Harris directly if she thinks Trump is a fascist at a town hall this week, she answered: “Yes, I do. And I also believe that the people who know him best on this subject should be trusted.” 

Aside from the gaslighting of attacking Harris for something that Trump is the one doing, the statement seemed a calculated attempt to demonstrate Republican solidarity. But it was glaringly obvious that McConnell and Johnson found that solidarity only in attacking Harris. Their statement contained no praise of Trump. 

The struggle over the Republican Party also seemed evident in yesterday’s decision by the billionaire owner of the Los Angeles Times, biotech tycoon Patrick Soon-Shiong, to kill that paper’s planned endorsement of Harris. Choosing not to make an endorsement in the race, Soon-Shiong said that he thought an endorsement would “add to the division” in the country. Elon Musk praised his decision.

Today the Washington Post also decided not to make an endorsement in the presidential race, despite the fact a piece endorsing Harris was already drafted. Publisher William Lewis said the paper was returning to its roots of not endorsing presidential candidates, although it has endorsed candidates for decades and did so in its early years as well. His statement seemed a weak cover for the evident wish of the Washington Post’s owner, Jeff Bezos, to avoid antagonizing Trump.

Bezos gives Musk a run for his money at being the richest man in the world. But while Musk wants high tariffs against China to protect his access to electric vehicle markets, Bezos’s fortune comes from Amazon, and high tariffs would shatter his business. When he was in office, Trump went out of his way to find ways to hurt Amazon to get back at Bezos for unfavorable coverage in the Post. 

Los Angeles Times editorial page editor Mariel Garza, along with journalists Robert Greene and Karin Klein, resigned from the paper after its decision not to endorse Harris, and nearly 2,000 readers canceled their subscriptions. The Washington Post, too, has seen about 2,000 subscribers bow out, and fourteen of the newspaper’s columnists called the decision not to condemn Trump’s threats to the “freedom of the press and the values of the Constitution” “a terrible mistake.” Cartoonist Ann Telnaes published a blacked-out square, playing on the Post’s motto that democracy dies in darkness.

Readers are speaking out against the Washington Post for demonstrating what scholar of authoritarianism Timothy Snyder calls “obeying in advance” the demands of an authoritarian leader (although Washington Post legal journalist Ruth Marcus, who signed the letter calling the decision a terrible mistake, pointed out that the Post itself was publishing the many letters of condemnation). “Most of the power of authoritarianism is freely given,” Snyder’s “On Tyranny” reads. “In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do.”

The aftermath of the Post’s decision demonstrated what scholars say will happen after such obeying. Rather than winning favors, such a demonstration of weakness invites further abuse, as anyone who has watched Trump in action ought to know by now. 

Trump’s people pounced, with advisor Stephen Miller posting: “You know the Kamala campaign is sinking when even the Washington Post refuses to endorse.”

Trump then promptly went a step further, claiming that Democrats had taken part in “rampant Cheating and Skullduggery…in the 2020 presidential election” and warning that in 2024, “WHEN I WIN, those people that CHEATED will be prosecuted to the fullest extent of the Law, which will include long term prison sentences so that this Depravity of Justice does not happen again…. Please beware that this legal exposure extends to Lawyers, Political Operatives, Donors, Illegal Voters, & Corrupt Election Officials. Those involved in unscrupulous behavior will be sought out, caught, and prosecuted at levels, unfortunately, never seen before in our Country.”

Trump’s threats are designed to convince people he is a strongman who will inevitably win the 2024 presidential election. But to do that, he will have to go through the voters, who are demonstrating their enthusiasm for Democratic candidate Harris and her running mate, Minnesota governor Tim Walz.

After the announcement by the Washington Post, others stepped up to endorse Harris. The largest Teamsters union in Texas endorsed Harris before her rally tonight in Houston. In a blistering editorial, the Philadelphia Inquirer endorsed Harris, saying: “America deserves much more than an aspiring autocrat who ignores the law, is running to stay out of prison, and doesn’t care about anyone but himself.” 

Tonight, Trump taped a podcast episode with Joe Rogan in Austin, Texas, hoping to reach Rogan’s large audience. He was still on the ground in Austin when he was supposed to be appearing at a rally in Traverse City, Michigan, and blamed the long taping for the fact he was three hours late to the rally. Tired of waiting, rally attendees streamed out. When he finally arrived, about 47,000 viewers watched the PBS live stream of the rally.

Harris was in Houston, where she took the fight for abortion rights to the heart of a state where an abortion ban has endangered women and driven up the infant mortality rate. People began standing in line before sunrise to get into the rally at the Houston Shell Energy Stadium and filled the 22,000-seat stadium to capacity. About 2.5 million people watched the PBS live stream. 

Harris shared the stage with actor Jessica Alba and music legends Beyoncé and Willie Nelson, who asked the crowd: “Are we ready to say Madam President?”

While Trump refuses to debate her again, Kamala delivers a knockout punch in his right-wing territory

by

Heather Cox Richardson | Letters from an American

Heather Cox Richardson

October 16, 2024

Two Fox News Channel interviews bracketed today: one this morning with Republican presidential candidate Donald Trump in front of an audience of hand-picked Republican women in Georgia, the other by Democratic presidential candidate Vice President Kamala Harris with host Bret Baier. Together, the two were a performance of dominance. 

FNC billed Trump’s so-called town hall as a chance for female voters, a demographic that is swinging heavily to Harris, to ask Trump about issues they care about. But Hadas Gold and Liam Reilly of CNN reported that FNC had packed the audience with Trump supporters. The first question came from the president of the Fulton County Republican Women, though she was not identified as such. FNC then edited the broadcast to cut out remarks in which the attendees expressed support for Trump. 

It seems unlikely that Trump attracted any new voters by speaking to an audience of loyalists audibly cheering him on.

After Trump refused to debate her again, Harris voluntarily moved into his right-wing territory, agreeing to an interview with FNC host Bret Baier. In that interview, Baier reframed right-wing talking points as questions, essentially giving Trump a second shot at a debate. Baier kept talking over the vice president’s attempts to answer—even putting out a hand to interrupt her—in a stark contrast to FNC’s deference to Trump. Harris asked him to let her reply, and then answered his questions, sometimes testily, usually turning them into opportunities to contrast her own candidacy and record with Trump’s. 

Control of the interview changed abruptly when Harris called out Trump for referring to the “enemy within” and talking about using the American military against those he considers enemies. Baier used that opportunity to show a clip of Trump saying he wasn’t threatening anyone, but the clip was edited to remove his threats against “sick,” “evil,” “dangerous” “Marxists and communists and fascists” including Representative Adam Schiff (D-CA) and “the Pelosis”—presumably former House speaker Nancy Pelosi (D-CA) and her husband, who was attacked by a man with a hammer in 2022 by a man who wanted to force Nancy Pelosi to renounce the investigation into the 2016 Trump campaign’s ties to Russia. 

Harris had had enough propaganda.

“Bret, I’m sorry, and with all due respect, that clip was not what he has been saying about the enemy within that he has repeated when he’s speaking about the American people. That’s not what you just showed…. You and I both know that he’s talked about turning the American military on the American people. He has talked about going after people who are engaged in peaceful protest. He has talked about locking people up because they disagree with him. This is a democracy. And in a democracy, the president of the United States in the United States of America should be… able to handle criticism without saying he’d lock people up for doing it. And this is what is at stake, which is why you have someone like the former chairman of the Joint Chiefs of Staff saying what Mark Milley has said about Donald Trump being a threat to the United States of America.” 

Simply by going on the right-wing network, Harris was demonstrating dominance. Then, by answering as thoroughly as she did, she undercut the right-wing narrative that she is stupid and inarticulate. By calling out the FNC for deliberately misleading its viewers, she took command. Baier, rather than Harris, was the one doing the post-interview spinning.

Writer Peter Wehner, who worked for presidents Ronald Reagan, George H.W. Bush, and George W. Bush, wrote: “Bret Baier has rarely looked as bad (or tendentious) as he did in his interview with Kamala Harris. On the flip side, this was one of her best interviews. She dominated Bret. All in all it was quite a bad day for MAGA world’s most important media outlet.”

In between the two FNC events were two others that also told a story, this one about how the Republican Party’s descent into MAGA is creating a new political coalition to defend American principles.

Trump held a town hall with undecided Latino voters moderated by Mexican journalist Enrique Acevedo for Univision. Members of the audience asked excellent questions: how would he bring down household costs, who would take the jobs left behind by undocumented workers if Trump deported them and how much would that drive up food costs, why Trump took so long to stop the January 6 rioters, if he had caused deaths during the pandemic by misleading Americans, and if he agrees with his wife, Melania, about protecting abortion rights. 

But Trump did not answer the questions, instead regurgitating his usual talking points. He promised to produce more oil and gas, called undocumented immigrants criminals, repeated the lie about Haitian migrants eating pets, and, after notably referring to the January 6 rioters as “we” and law enforcement officers as “the others,” called January 6 “a day of love.” The audience did not appear convinced.

Meanwhile, Vice President Harris joined more than 100 Republicans in Pennsylvania, near the spot where George Washington and more than 2,000 Continental soldiers crossed the Delaware River on Christmas night 1776 to surprise a garrison of British soldiers at Trenton, New Jersey, where they won a strategic victory. 

Harris noted that those gathered were also near Philadelphia, where in 1787 delegates from across the country gathered to write and sign the U.S. Constitution. 

“That work was not easy. The founders often disagreed. Often quite passionately. But in the end, the Constitution of the United States laid out the foundations of our democracy, including the rule of law, that there would be checks and balances, that we would have free and fair elections and a peaceful transfer of power. And these principles and traditions have sustained our nation for over two centuries, sustained because generations of Americans, from all backgrounds, from all beliefs, have cherished them, upheld them, and defended them. 

“And now, the baton is in our hands,” she said. [A]t stake in this race are the democratic ideals that our founders and generations of Americans before us have fought for. At stake in this election is the Constitution of the United States…its very self.” 

Harris welcomed the Republicans in the crowd, saying that everyone there shared a core belief: “That we must put country before party.” The crowd chanted, “USA, USA, USA.” 

Harris noted that many of the Republicans on stage had taken the same oath to the Constitution that she had. “We here know the Constitution is not a relic from our past, but determines whether we are a country where the people can speak freely, and even criticize the president, without fear of being thrown in jail, or targeted by the military. Where the people can worship as they choose without the government interfering. Where you can vote without fear that your vote will be thrown away. All this and more depends on whether or not our leaders honor their oath to the Constitution.”

Trump, she pointed out, tried to overturn the will of the people expressed in a free and fair election, has vowed to use the military to go after any American who doesn’t support him, and has called for the “termination” of the Constitution. “It is clear,” she said, “Donald Trump is increasingly unstable and unhinged, and he is seeking unchecked power.” Trump, she said, “must never again stand behind the seal of the President of the United States.”

“And to those who are watching,” she said, “if you share that view, no matter your party, no matter who you voted for last time: There is a place for you in this campaign. The coalition we have built has room for everyone who is ready to turn the page on the chaos and instability of Donald Trump.”

“I pledge to you to be a President for all Americans. And I take that pledge seriously.”

She reiterated her promise to appoint a Republican to her cabinet and to establish a Council on Bipartisan Solutions to strengthen the middle class, secure the border, defend our freedoms, and maintain the nation’s leadership in the world. She noted that the country needs a healthy two-party system, and described how the Senate Intelligence Committee left partisanship at the door. It “was “country over party in action,” when she sat on the committee, she said, “[s]o I know it can be done.”

“[O]ur campaign is not a fight against something,” she said. “It is a fight for something. It is a fight for the fundamental principles upon which we were founded, It is a fight for a new generation of leadership that is optimistic about what we can achieve together—Republicans, Democrats, and independents who want to move past the politics of division and blame and get things done on behalf of the American people.

“[W]e are all here together this beautiful afternoon because we love our country…and we know the deep privilege and pride that comes with being an American and the duty that comes along with it…. Imperfect though we may be, America is still that ‘shining city upon a hill’ that inspires people around the world. And I do believe it is one of the highest forms of patriotism to fight for the ideals of our country.”

“So, to people from across Pennsylvania, and across our nation, let us together stand up for the rule of law, for our democratic ideals, and for the Constitution of the United States. And in twenty days, we have the power to chart a New Way Forward, one that is worthy of this magnificent country that we are all blessed to call home.” 

Flashback 1997: The Mekons hit the road and the road hits back

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Left to Right: Tom, Jon, Rico, Sarah, Sally

by Zak Mucha
December 18, 1997

In the Whirlaway Tavern, near the corner of Kedzie and Fullerton, the conversation between Sally Timms and Jon Langford keeps getting sidetracked by the American Music Awards on television. LeAnn Rimes is holding the last notes of a syrupy song with a sleepy-eyed grin.

“A 14-year-old girl,” Timms notes.

“Oh, God,” Langford groans.

Maria the bartender comes over to refill the gin and tonics. “You working hard?” she asks Langford, who says he isn’t. “What happened to my tape?”

 

Langford’s been bragging about his friend and band mate, accordion player Rico Bell, who titled a song after the bar. “Rico’s coming,” he tells her. “He’s coming next week.”

The girl on the TV screen takes a bow, and the bartender asks Sally Timms, “You like this kind of music?”

“Nah.” Timms hesitates. “Well, it’s all right.”

Timms and Langford’s band, the Mekons, has been making music for two decades, but the awards program has almost nothing to do with their careers. As a rock group they’ve won enough accolades to perform in art museums, but never enough money to keep from driving themselves from show to show in a rented van.

Right now they’re discussing Timms’s recent relocation to Chicago. Currently half the band lives here, the other half in London.

“I wouldn’t mind living in New York,” Timms says.

“You can’t afford it,” says Langford.

Timms ignores him. “Yeah, New York or Los Angeles.”

Langford begins to laugh.

“What’s so funny?”

“I can’t see you in LA,” he says. “You’d need implants.”

“I have them,” she replies with a quiet indignity. “They’re just in the wrong spot.”

On television, LeAnn Rimes has been replaced by Pat Boone, dressed like an aging Tom of Finland.

“Who the hell is that?” someone across the bar asks.

During this past year–the Mekons’ 20th–the band made a short tour of Boston and New York. They arrived in New York for the opening of their art exhibit, “Mekons United,” at a SoHo gallery. When they returned to Chicago, they resumed recording their next album, tentatively titled Me. Then they kicked off the Museum of Contemporary Art’s performance season with Pussy, King of the Pirates, a theater piece based on their 1996 album with writer Kathy Acker (both the play and the record were derived from Acker’s novel of the same name).

Before that show, Langford told me Pussy reminded him of British holiday revues. “It’s like a pantomime, you know, a musical play. It’s a seasonal thing after Christmas, traditional that every town has a big pantomime.” He said the best of these shows feature a lot of shouting, audience participation, corny jokes, and cross-dressing. “We’re going to do it like a proper pantomime. I’m not quite sure how that’s done, but we’ve got the cross-dressing down.”

Diving into a project without much planning has been business as usual for the Mekons. “If we know how it will end up,” says Langford, “why bother doing it?”

The Mekons formed in May 1977, six months after the Sex Pistols, the Clash, and the Damned played at Leeds Polytechnic. Langford, Tom Greenhalgh, and the group’s other founding members were art students at Leeds University. Do-it-yourself record labels were popping up throughout England, and bands were being formed dozens at a time. One punk zine published three basic guitar chords and instructed readers to start their own groups.

The first Mekons singles–“Where Were You?” / “I’ll Have to Dance Then on My Own” and “Never Been in a Riot” / “32 Weeks, Heart and Soul”–were released on the Fast label in 1978. In May of the following year critic Mary Harron asserted that rock was the only form of music that can be done better by people who can’t play their instruments: “This idea underlay punk,” she wrote, “but the Mekons were the first to base a group on that principle alone.” When Langford says he was the band’s best musician, he’s not bragging. “‘Cause I was a horrible drummer.”

The success of the Sex Pistols convinced major record labels that there was money to be made in punk music. Virgin Records signed the Mekons, but the sales of their first album, 1979’s The Quality of Mercy Is Not Strnen (the cover depicts a chimp at a typewriter), didn’t meet Virgin’s expectations. “It got a bit nasty,” Langford says. “There was no promotion. Punk bands were disappearing under the major labels.”

“It was just these horrible gigs,” recalls Greenhalgh. “We were playing for packs of skinheads. People were getting stomped. It got ugly. After a time we didn’t want to play live anymore. Not like that.” Greenhalgh got his nose broken at a benefit show for Rock Against Racism. “I don’t know, someone came backstage and punched me in the face.”

While the Mekons were formed under the banner of punk, pinning them to one category has been nearly impossible since. Over the years they’ve played rock, pop, reggae, and country and western, making them problematic for major labels and PR departments, which favor neatly packaged commodities. In more than one account the band has been described as a socialist collective. But while politics has always been an influence, they don’t take things too seriously. They see themselves as an ensemble that’s free enough to go in several directions at once: they’ll have four singers, two guitars, an accordion, drums, violin, lute, tape loops, bass, and keyboards. They’ve always prided themselves on doing what they want–be it performing a lesbian pirate show, writing a collaborative novel, or touring only when they feel like it.

On a Wednesday morning in September, Timms is heading south in a rental van with drummer Steve Goulding.

“Are we picking up Rico?” Goulding asks.

“No, he’s just going to shag his way out to Boston. Probably get there before us.”

Rico Bell (aka Eric Bellis) is the official playboy of the Mekons. Timms and Goulding are the designated drivers.

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Interview with Welsh guitarist Gwenifer Raymond

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AUGUST 2022

Gwenifer Raymond is truly a Welsh guitar great and is, sadly, nowhere near enough well-known, in her homeland. Gwenifer was born in Taffs Well, near Cardiff, leading to the title of her album, ‘Strange Lights Over Garth Mountain’, one of Uncut Magazine’s top 50 albums of 2020.

She regularly tours the world, playing her self-penned, ‘American Primitive’ compositions on her cherished and much sought after, Waterloo guitar. By day, Gwen is a game designer/ astro-physicist, by night, she is a truly extraordinary musician and composer.