
The genre is reaching more audiences than ever but two historic events are facing cancellation and scores of others are fighting to stay afloat
On an August evening in the idyllic grounds of a country estate on the border of Oxfordshire and Buckinghamshire, a rising star of folk music, Katherine Priddy, will perform her set at the Towersey village festival. It is the event’s 60th edition and also its last.
Up to 10,000 people attend each year. But after suffering heavy losses since entertainment re-emerged from lockdowns, the Heap family, who run Towersey, have bowed to economic reality. Their festival is among the latest casualties in a crisis threatening the future of gatherings that have been a fixture of the British summer since the Fifties.
“It’s devastating to see Towersey close,” says Priddy, 29. “Ticket-buying habits have not returned to what they were pre-Covid, but this is a wonderful festival in so many ways and its loss is awful for those who have been going for years.”
Thirty miles away, the village of Cropredy in Oxfordshire is the venue for another endangered festival, also in August, the annual reunion of past and present members of the celebrated folk-rock band Fairport Convention.
Towersey and Cropredy are not alone in facing bleak times. The Association of Independent Festivals says more than 40 UK events have been postponed, cancelled or lost altogether this year. Faced with a surge in operating costs, at least 170 have disappeared in five years.
Eliza Carthy, a singer and fiddler and president of the English Folk Dance and Song Society, was shocked to learn of Towersey’s closure. “I feel it personally because it was the first festival to give me a solo gig, more than 30 years ago,” she says. “I was absolutely terrified but ended up loving every minute.”
Terry Donahue, Dave Pegg, Dave Mattacks, Dave Swarbrick and Trevor Lucas of Fairport Convention performing in the garden of The Brasenose Arms in Cropredy on July 22, 1973. This event became the precursor for the annual Cropredy Festival
BRIAN COOKE/REDFERNS
Carthy, a member of Britain’s pre-eminent folk dynasty as the daughter of Martin Carthy and Norma Waterson, believes folk music is at a crossroads, events folding despite large, loyal followings, while, paradoxically, some observers see a resurgence driven by inventive young musicians pushing at old barriers and embracing other genres.
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