The Kingston Coffeehouse: Katie Cruel

Originally broadcast September 9, 2025, on WRIU 90.3 FM.


By Michael Stevenson, host The Kingston Coffeehouse

PLAYLIST
“Katie Cruel” (traditional) – Karen Dalton
“Bashed Out” (K. Stables) – This Is the Kit , 2015 Bashed Out
“God Loves a Drunk” (R Thompson) – Norma Waterson, 1996 

“I’m Waiting For You to Smile” – Katell Keineg, 1994 O Seasons O Castles 
“Love Will Tear Us Apart” (Ian Curtis) June Tabor & Oysterband, 2011 Ragged Kingdom
“People’s Faces” – Kae Tempest, 2019 The Book of Traps and Lessons
“Train Song” – Vashti Bunyan, r. 1966, Some Things Just Stick in Your Mind
“Anachie Gordon” (traditional) The Unthanks, 2010 Here’s the Tender Coming
“Henry Lee” (traditional) Nick Cave & PJ Harvey, 2011 Murder Ballads
“The First Time Ever I Saw Your Face” (Ewan MacColl) – Offa Rex, 2017 The Queen of Hearts
“She Moved through the Fair” (traditional) – Anne Briggs, 1963 Edinburgh Folk Festival Vol. 1
“Banjo Player of Aleph One” – Gwenifer Raymond 2025 Last Night I Heard the Dog Star Bark
“Wheely Down” (R. Thompson) – Ivor Cutler, 1993 The World is a Wonderful Place
“Roundabout” – Ryley Walker, 2017 Golden Sings That Have Been Sung
“Brighter than the Blues” – Joan Shelly, 2016 Over and Even
“Three Ravens” (traditional) – Jake Xerxes Fussell, 2019 Out of Sight
“Lullaby” (from the film Wicker Man) – Magnet (Paul Giovanni) 1972
“Rivers Run Red” (Ella Oona Russell) – The New Eves, 2025 The New Eve is Rising
“Witches Reel” (traditional) – Starheid Gossip, 2015 Step Sisters
“Entertaining of a Shy Girl” – Donovan 1968 Hurdy Gurdy Man
“The Hedgehog Song”(Heron/Williamson) – Incredible String Band, 1966 The 5000 Spirits or Layers of an Onion
“Lay it Down” (G. Thomas) – Bonny Prince Billy with The Trembling Bells, 2014 New Trip On Old Wine
“Conch Shell” Katell Keineg, 1994 O Seasons O Castle
“Into My Arms” – Nick Cave & the Bad Seeds, 1997 Boatman’s Call
“Place to Be” – Nick Drake, Pink Moon
“How Wild the Wind Blows” – Molly Lee, 2018 The Tides Magnificence
“The Sweetest Decline” – Beth Orton Central Reservation
“The Wagoner’s Lad” (Traditional) – Bert Jansch, 1966 Jack Orion
“Nottamun Town” (traditional)- Fairport Convention, 1969 What We Did on Our Holidays
“Masters of War” – Bob Dylan, 1963 The Freewheelin’ Bob Dylan
“Needle of Death” – Bert Jansch, 1965 Bert Jansch
“Golden Brown” – The Stranglers 1982
“Meet On the Ledge” (R.Thompson) – Fairport Convention, 1969 What We Did on Our Holidays
“Anji” – Davy Graham
“Green Are Your Eyes” (b.Jansch) – Marianne Faithul, 1966 North Country Maid
“The Water” – Johnny Flynn & Laura Marling, 2010 Been Listening
“The Parting Glass” (traditional) – James Elkington 2017 Wintres Woma
“Katie Cruel” (traditional) – Agnes Obel
“Blues Run the Game” – Jackson C. Frank, 1965 Jackson C. Frank
“Home Sweet Home” (Bishop /Payne)- The King’s Singers 1993 Folk Songs of the British Isles
“A Heart Needs a Home” – Linda & Richard Thompson, 1975 Hokey Pokey
“Goodnight World” – Lisa O’Neil, 2023 All This Is Chance

Donovan sings “Willie O’Winsbury” from 1970 demo

Donovan’s take on the traditional Willie O’Winsbury, Child Ballad 100 (Roud 64).

Willie O Winsbury is Child Ballad 100 (Roud 64). The song, which has numerous variants, is a traditional Scottish ballad that dates from at least 1775, and is known under several other names, including “Johnnie Barbour” and “Lord Thomas of Winesberry”.

Traditional lyrics

The king had been a prisoner

And a prisoner long in Spain

And Willy of the Winsbury

Has lain long with his daughter at home

“What ails you, what ails you, my daughter Janet?

Why you look so pale and wan?

Oh, have you had any sore sickness

Or yet been sleeping with a man?”

“I have not had any sore sickness

Nor yet been sleeping with a man

It is for you, my father dear

For biding so long in Spain”

“Cast off, cast off your berry-brown gown

You stand naked upon the stone

That I may know you by your shape

If you be a maiden or none”

And she cast off her berry-brown gown

She stood naked upon the stone

Her apron was low and her haunches were round

Her face was pale and wan

“Oh, was it with a lord or a duke or a knight

Or a man of birth and fame?

Or was it with one of my serving men

That’s lately come out of Spain?”

“No, it wasn’t with a lord or a duke or a knight

Nor a man of birth and fame

But it was with Willy of Winsbury

I could bide no longer alone”

And the king has called on his merry men all

By thirty and by three

Says, “Fetch me this Willy of Winsbury

For hanged he shall be”

But when he came the king before

He was clad all in the red silk

His hair was like the strands of gold

His skin was as white as the milk

“And it is no wonder”, said the king

“That my daughter’s love you did win

For if I was a woman as I am a man

My bedfellow you would have been

And will you marry my daughter Janet

By the truth of your right hand?

Oh, will you marry my daughter Janet?

I’ll make you the lord of my land”

“Oh yes, I will marry your daughter Janet

By the truth of my right hand

Oh yes, I will marry your daughter Janet

But I’ll not be the lord of your land”

And he’s mounted her on a milk-white steed

And himself on a dapple grey

He has made her the lady of as much land

As she shall ride in a long summer’s day

A Gift: Watch Donovan In Conversation & Unplugged

The Sunshine Superman and tQ Ed John Doran chew the fat in front of a live audience about colours, flowers, transcendental meditation and the ethical placation of children, before the former plays some songs and the latter shirks his duties as backing singer. Homepage photograph courtesy of Louise Mason

Late last year a small audience attending a warehouse event in East London found themselves in for an unexpected treat: a short but sweet impromptu unplugged gig by Donovan.The Sunshine Superman himself was in town to speak about the lovingly assembled state51 Conspiracy reproduction/ reissue of his foundational acid folk box set of music, lyrics and poetry, A Gift From A Flower To A Garden (reviewed recently on this site by Ben Graham).

But none of the audience arrived expecting to see him to pick up a guitar and regale them with a handful of deep cuts and old favourites. At least, tQ Editor John Doran who was hosting the event wasn’t expecting it, as you’ll see from the look of critical anxiety crossing his face in real time as he is asked to join in on backing vocals with no prior warning.

The pair found time to talk about the long path to spiritual enlightenment, eschewing drugs for meditation, the magical practice of assembling a countercultural wunderkammer, larking about with George Harrison in India, kipping on the beaches of Cornwall and much more besides.

And for anyone who likes the idea of seeing Donovan play live in the future, he has some interesting news… just don’t expect to see any staff members of this site invited to be part of his backing band any time soon!

Donovan and John Doran quite rightly in London, by Louise Mason

A Gift From A Flower To A Garden is available from The state51 Conspiracy

Source: The Quietus | Features | A Gift: Watch Donovan In Conversation & Unplugged

Review: “Les Cousins” – The Soundtrack Of Soho’s Legendary Folk & Blues Club

By Dave Thompson

Les Cousins: The Soundtrack Of Soho’s Legendary Folk & Blues Club

Cherry Red (3-CD set)

Talk about the British folk scene of the 1960s and, sooner rather than later, the name Les Cousins will come up — no, not another of the unheard legends that bestrode that era like an arran-sweatered colossus (although there were plenty of those around at the time), but the venue wherein said colossi strutted their stuff.

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An unprepossessing Greek Street restaurant, where the young Al Stewart shepherded the evening’s acts on and off the stage; where Sandy Denny and Paul Simon were as likely to appear as a toothless Irishman singing “Danny Boy”; where both the folk boom of the mid-1960s, and the variants that followed in its footsteps were born.

Les Cousins Club Continental opened in October 1964, in a space that once had held the Skiffle Cellar. A failure in that form, it reopened, sans the last two words, in April 1965, with a solid diet of folk music, and remained in action for the next seven years. During which time, more or less every British (and many American) folk artist of note either played there, or at least stopped by.

This box set — amazingly, the first to truly focus upon Les Cousins alone, as opposed to the overall scene of the day — merely scratches the surface of the club’s renown. Three discs of (many of) the venue’s best known guests could probably be followed by 30 stuffed with lesser known talents, and 300 of complete unknowns. If only anyone had recorded their performances…

Unfortunately, if there are any unknown live-at-Les Cousins tapes circulating… well, they’re still unknown. The 71 tracks spread across three discs here are universally taken from studio albums, although so many of them are hard (if not impossible) to find these days that that is nothing to sniff at.

Neither is the roll call of talents. Bert Jansch, Sandy Denny, Al Stewart, the Young Tradition, the Incredible String Band, Donovan, Julie Felix, Wizz Jones, the Third Ear Band, Plainsong, Bridget St John… Anne Briggs, who is due for the super deluxe treatment later this year, shares space with the immortal Nadia Cattouse; Hamish Imlach with Mudge & Clutterbuck; Paul Simon with Shirley Collins. And while the song selection is not as adventurous as some browsers might demand, it is certainly representative of the artists involved.

Of course, for a true impression of what a night at Les Cousins might have sounded like, the BBC would need to uncork the long mothballed London Folk Club Cellar tapes, the corporation’s own approximation of a venue such as this in the mid-late 1960s. A taste of that is, in fact, on tap in a forthcoming Martin Carthy BBC sessions box set, and we can only hope that more is in the pipeline, while anyone who actually remembers the show is still around to appreciate it.

In the meantime, however, let Les Cousins be your guide to a unique period in British folk, and the unique venue that catered for its admirers.

 

Dave Thompson is a contributing editor at Goldmine, contributing the Spin Cycle vinyl and reissues column and more besides. A much published author, his latest book An Evolving Tradition: The Child Ballads in Modern Folk and Rock was released in July 2023. He has co-written autobiographies by Eddie and Brian Holland, New York Doll Sylvain Sylvain and Walter Lure of Johnny Thunder’s Heartbreakers. His memoir The Grunge Diaries is in the Goldmine Store.