
Vashti Bunyan
A CURIOUS MIX OF BRITISH FOLK MUSIC AND AMERICAN POLITICS

Vashti Bunyan

By Michael Stevenson, host The Kingston Coffeehouse
PLAYLIST
“Katie Cruel” (traditional) – Karen Dalton
“Bashed Out” (K. Stables) – This Is the Kit , 2015 Bashed Out
“God Loves a Drunk” (R Thompson) – Norma Waterson, 1996
“I’m Waiting For You to Smile” – Katell Keineg, 1994 O Seasons O Castles
“Love Will Tear Us Apart” (Ian Curtis) June Tabor & Oysterband, 2011 Ragged Kingdom
“People’s Faces” – Kae Tempest, 2019 The Book of Traps and Lessons
“Train Song” – Vashti Bunyan, r. 1966, Some Things Just Stick in Your Mind
“Anachie Gordon” (traditional) The Unthanks, 2010 Here’s the Tender Coming
“Henry Lee” (traditional) Nick Cave & PJ Harvey, 2011 Murder Ballads
“The First Time Ever I Saw Your Face” (Ewan MacColl) – Offa Rex, 2017 The Queen of Hearts
“She Moved through the Fair” (traditional) – Anne Briggs, 1963 Edinburgh Folk Festival Vol. 1
“Banjo Player of Aleph One” – Gwenifer Raymond 2025 Last Night I Heard the Dog Star Bark
“Wheely Down” (R. Thompson) – Ivor Cutler, 1993 The World is a Wonderful Place
“Roundabout” – Ryley Walker, 2017 Golden Sings That Have Been Sung
“Brighter than the Blues” – Joan Shelly, 2016 Over and Even
“Three Ravens” (traditional) – Jake Xerxes Fussell, 2019 Out of Sight
“Lullaby” (from the film Wicker Man) – Magnet (Paul Giovanni) 1972
“Rivers Run Red” (Ella Oona Russell) – The New Eves, 2025 The New Eve is Rising
“Witches Reel” (traditional) – Starheid Gossip, 2015 Step Sisters
“Entertaining of a Shy Girl” – Donovan 1968 Hurdy Gurdy Man
“The Hedgehog Song”(Heron/Williamson) – Incredible String Band, 1966 The 5000 Spirits or Layers of an Onion
“Lay it Down” (G. Thomas) – Bonny Prince Billy with The Trembling Bells, 2014 New Trip On Old Wine
“Conch Shell” Katell Keineg, 1994 O Seasons O Castle
“Into My Arms” – Nick Cave & the Bad Seeds, 1997 Boatman’s Call
“Place to Be” – Nick Drake, Pink Moon
“How Wild the Wind Blows” – Molly Lee, 2018 The Tides Magnificence
“The Sweetest Decline” – Beth Orton Central Reservation
“The Wagoner’s Lad” (Traditional) – Bert Jansch, 1966 Jack Orion
“Nottamun Town” (traditional)- Fairport Convention, 1969 What We Did on Our Holidays
“Masters of War” – Bob Dylan, 1963 The Freewheelin’ Bob Dylan
“Needle of Death” – Bert Jansch, 1965 Bert Jansch
“Golden Brown” – The Stranglers 1982
“Meet On the Ledge” (R.Thompson) – Fairport Convention, 1969 What We Did on Our Holidays
“Anji” – Davy Graham
“Green Are Your Eyes” (b.Jansch) – Marianne Faithul, 1966 North Country Maid
“The Water” – Johnny Flynn & Laura Marling, 2010 Been Listening
“The Parting Glass” (traditional) – James Elkington 2017 Wintres Woma
“Katie Cruel” (traditional) – Agnes Obel
“Blues Run the Game” – Jackson C. Frank, 1965 Jackson C. Frank
“Home Sweet Home” (Bishop /Payne)- The King’s Singers 1993 Folk Songs of the British Isles
“A Heart Needs a Home” – Linda & Richard Thompson, 1975 Hokey Pokey
“Goodnight World” – Lisa O’Neil, 2023 All This Is Chance
Just Another Diamond Day is the debut album by the English folk singer-songwriter Vashti Bunyan, and was released on Philips Records in December 1970. Much of the album is a musical reflection on Bunyan and travelling partner Robert Lewis’s experiences while travelling by horse and wagon through Scotland in 1968. It highlighted Bunyan’s vocals with minimal instrumental accompaniment that was arranged by contemporary musical artists supervised under record producer Joe Boyd.
Upon release, Just Another Diamond Day went relatively unnoticed. Stricken by the demoralising and disillusioning outcome, Bunyan began a self-imposed exile from the music industry to live a low-profile lifestyle. Over the years, the album has received more attention among record collectors, resulting in reissues that sparked a revival in Bunyan’s music career. Although it was largely overlooked by the public at the time of its release, the album’s critical standing has improved over the years and today Just Another Diamond Day is now by many considered one of the best works in British folk.
This new edition of “Gather In The Mushrooms” contains the cream of both long-deleted compilations with a few additions – Roy Harper, Fotheringay – that weren’t available to Sanctuary at the time.
Though they aren’t traditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tuung et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed electricity; they weren’t part-timers.

Listening to “Gather In The Mushrooms”, we are transported to a time when no one used the term post-modernist. It may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore – not necessarily one of poachers and pedlars, but one of long-haired youths in tie-dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages.
Groups such as Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once you hear something as eerie and evocative as ‘Graveyard’. Home-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.
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