Breaking The Waves: An Interview with Brìghde Chaimbeul

By Christine Costello

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Off the back of playing Glastonbury, and the release of her thrilling new album Carry Them With Us, Christine Costello speaks with acclaimed smallpipes player Brìghde Chaimbeul about the sounds and inspirations behind her singular craft

Photos by Monika Ruman 

Carry Them With Us is Brìghde Chaimbeul’s second solo album and features a combination of original compositions and songs inspired by Gaelic folklore and archive recordings. The album is as dark as it is whimsical from the soaring lilts of ‘Banish the Giant’ to weighted tragedies of ‘Oran an Eich Uisge’.

Chaimbeul’s rich understanding of her instrument adds a new layer of depth to these old tunes, injecting them with an infectious modernity that invites audiences to explore the history of the Highlands, all without losing the enigmatic charm of their origins. 

Despite the Scottish roots and heavy Scottish influence in her music, Chaimbeul’s unprecedented popularity with Irish audiences continues to grow. While currently residing in Northern Ireland and a frequent collaborator with Irish musicians such as Radie Peat of Lankum, she believes there’s an added explanation for this resonance: “A lot of what I play is rooted in traditional music and although a lot of the material is Scottish, there’s a strong connection between Scottish and Irish traditions, not just in the language, but the songs as well.” 

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Scotland’s Brìghde Chaimbeul is making her mark on the global stage

Brìghde Chaimbeul’s first album The Reeling was met with high critical acclaim, named The Guardian’s Folk Album Of The Month and one of The Quietus’ Albums Of The Year, featuring a wealth of collaborators within the genre including Lau fiddler Aidan O’Rourke and Radie Peat on concertina. 

Chaimbeul’s second album is titled Carry Them With Us, again featuring the smallpipes which are a more portable, practical version of the Great Highland bagpipes.
(Sources: The Thin Air, The Quietus)