Peter Sellers (left), Peter Medak and Spike Milligan on the set of “Ghost in the Noonday Sun,”
By many accounts, the British comic genius severely damaged Medak’s career when in 1973 he enticed the director to make a pirate comedy concocted by friend and cohort Spike Milligan, then decided on the second day of filming he didn’t want to be a part of it. That was the beginning of a nightmarish shoot that would end with the disastrous “Ghost in the Noonday Sun” being shelved and the blame heaped on Medak, who was one of the hottest directors in the world going into the shoot, but afterward wouldn’t make another film for five years.
But Medak’s new documentary “The Ghost of Peter Sellers,” while intending to set the record straight, isn’t a hit piece on Sellers, but a nuanced portrait of a troubled, often self-destructive talent. And it is an introspective piece from a filmmaker who still, nearly a half-century later, lives with the guilt and psychological wounds from the experience that need addressing.Continue reading