Julian Sands had the heart of a child-man in which scorpions and bluebirds nested

Byrne worked with the late Sands on three films – Gothic, Siesta and All Things to All Men. He remembers a fierce, mysterious and much-loved man, fearless as both actor and adventurer

By Gabriel Byrne

Over the last few months, images of Julian have been recurring in my mind.

A summer morning, so many years ago, filming Gothic in Berkshire. Julian, Natasha Richardson and myself lounging beneath a cedar tree.

A sun-blessed day. Suddenly, an unexpected thunderstorm.

“Isn’t it dangerous to shelter under trees,” said Natasha, laughing. Julian jiggled madly in the rain to some wild music in his head until his costume was sodden and he lay prostrate in the mud. He shouted: “I am too much restrained by narrative prose, Byron!”

Timothy Spall, Natasha Richardson, Julian Sands and Gabriel Byrne in Gothic.
Timothy Spall, Natasha Richardson, Sands and Gabriel Byrne in Gothic (1986). Photograph: TCD/Prod.DB/Alamy

He played Shelley in the film, Natasha was Mary and I was Byron. It was a surreal gothic-horror directed by Ken Russell. Nightmare and hallucination, drugs and poetry; the Romantic poets as drugged-up rockstars.

 

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The kiss in the poppy field from “A Room With a View”

“A Room With a View” (1985) was Director James Ivory’s masterpiece, and one of my favorite films of all time.

In this brilliant scene, Ivory combines beautiful cinematography with the music of Puccini. The song is “Chi il Bel Sogno di Doretta” from Puccini’s La Rondine. The singer is Dame Kiri Te Kanawa (listen to a full performace in the clip below.)

Actress Helena Bonham Carter, then eighteen years old, has since described the difficulty of the scene; walking in full skirt and high heels through the field in 90 degree heat, and being forcefully kissed by actor Julian Sand (while her mother watched from the sidelines), without laughing!