Folk critic on the must-see shows at Celtic Connections

By Jim Gilchrst

Celtic Connections Glasgow’s annual roots music behemoth, Celtic Connections, presents an astonishing 1,200 artists at some 300 events across the city. The opening night at Glasgow Royal Concert Hall, celebrating the 850th anniversary of the Dear Green Place, remains under wraps but promises “surprises incorporating music, spoken-word, dance and film”. Thereafter, expect everything from orchestral film epics (Jim Sutherland and Morag McKinnon’s When Fish Begin to Crawl) to East African singers The Zawose Queens, the Bulgarian Voices choir to Irish fiddle hero Frankie Gavin, as well as Americana aplenty and such renowned Scottish names as Julie Fowlis, Karine Polwart, Session A9 and infinitely more. Various venues, Glasgow, 16 January until 2 February​

John McCusker’s Southside of the Tracks 2025 A man who has been playing music since he first skipped out of his school gates and into the Battlefield Band many years ago, Bellshill-raised roving fiddle player, composer and producer John McCusker returns to the Queen’s Hall, one of his favourite venues, with a veritable Who’s Who of traditional musicians and singer-songwriters. A formidable house band includes the likes of flautist-piper Michael McGoldrick, accordionist Phil Cunningham, singer-guitarist Kris Drever and drummer James Mackintosh, while guests confirmed so far include Katherine Priddy, Deacon Blue’s Ricky Ross and Ireland’s Niall McCabe. Queen’s Hall, Edinburgh, 11 January

Robyn Stapleton: Songs of Robert Burns This special Burns night performance showcases Robyn Stapleton, a former BBC Young Traditional Musician of the Year, now acknowledged as a peerless interpreter of the Burns canon, singing it with poise, delicacy and palpable affection, having grown up with these songs in her native Galloway. As well as old favourites, she’ll include some new poetry settings. Accompanied by such accomplished musicians as cellist Alice Allen, guitarist Heather Cartwright, Patsy Reid on fiddle and viola and pianist Alastair Paterson, Stapleton can bring freshness to the most well-worn of songs. Queen’s Hall, Edinburgh, 25 January

Edinburgh Tradfest Having just recently pulled off their first their first and eminently successful Winter Festival, the ever creative Soundhouse are now working on May’s Edinburgh Tradfest, which has become a major date in the capital’s music calendar. While planning is in its early stages, they’re looking to build on the success of last year’s event. Soundhouse expect some 75 per cent of the acts to be Scottish, but also confirmed so far are the excellent English traditional trio Leveret, featuring seasoned musicians Sam Sweeney, Andy Cutting and Rob Harbron, and, from Virginia, those inspired purveyors of bluegrass and old-time stringband music, the Hot Seats. Various venues, Edinburgh, 2-12 May

 

Orkney Folk Festival The 42nd iteration of the award-winning island festival will present artists from further flung islands, not least a major transatlantic contingent including eminent Cape Breton fiddlers Troy McGillivray and Natalie McMaster, as well as American fiddle-cello duo Brittany and Natalie Haas. From Scandinavia come Denmark’s genre-defying Dreamers’ Circus, while Finnish fiddle band Frigg celebrate their 25th anniversary. Orcadian talent includes The Chair and Saltfishforty and the wider Scottish contingent includes the high-energy Project Smok, singers Kim Carnie, Findlay Napier and Paul McKenna, while piper Malin Lewis, who recorded music for the Orkney-set film The Outrun, makes their festival debut. Various venues, 22-25 May

Source: Scotsman folk critic Jim Gilchrist on the must-see shows of 2025

7:30 Tonight: ‘Come Away In’ with Karine Polwart, Eddi Reader, Rab Noakes, Siobhan Miller & Findlay Napier

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Karine Polwart

A special show entitled Come Away In will air on Monday 18th January. Inspired by Karine Polwart’s song of the same name that celebrates Scottish hospitality and is partly inspired by The Wren’s Nest by Robert Burns, this song circle show will include performances from some of the best vocalist on the Scottish music scene – Karine Polwart, Eddi Reader, Rab Noakes, Siobhan Miller & Finlay Napier.

This performance will be available to watch for one week after the live date to accommodate different time zones.

This performance is included in the Celtic Connections 2021 festival pass, so you will not need to purchase this event if you have already purchased a pass.

Order tickets at ‘Come Away In’ with Karine Polwart, Eddi Reader, Rab Noakes, Siobhan Miller & Findlay Napier

7:30pm GMT

Sexual Harassment in the Trad World

I have spent the last ten or so years of my professional life working in the traditional music world as a performer, educator and composer. Right now, this scene is having its #metoo moment with the hashtags #itendsnow and #misefosta. This is predicated on the valiant work of groups such as the BIT Collective, Fair Plé and protestations from 2016 and 2017 around the blatant sexism in our world.

My first awareness of a public outcry highlighting the preference for ‘masculine’ music by the industry and the lack of opportunity for female musicians was in 2016. BBC Radio 2 Instrumentalist of the Year Rachel Newton argued on social media that she felt “overwhelmed by the amount of all-male and more importantly very masculine bands… dominating the Scottish traditional music scene”.

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