Bill Forsyth’s Comfort and Joy is full of cherishable moments.
Bill Forsyth’s Comfort and Joy underwhelmed at the box-office on its release in 1984 and has subsequently been out of circulation for many years, which partly explains why it has never achieved the acclaim and cult status enjoyed by his other early ’80s crowdpleasers Gregory’s Girl and Local Hero. Another reason, however, might be because this comedy-drama doesn’t feel as fully formed as those previous efforts, and it suffers from an underpowered narrative engine. Much of the charm and lightness of touch that defines Forsyth’s work is still evident, though [ . . . ] Read more at The Skinny
Gregory’s Girl and Local Hero helped shape how Scotland sees itself. But director Bill Forsyth says that was the last thing he aimed to do There are plenty of Scottish actors and writers working in the movie business but strangely few directors. When you search for “Scottish film director”, top of the list is Bill Forsyth, who hasn’t made a film this century and is remembered primarily for two from the early 1980s – Gregory’s Girl (pictured below) and Local Hero. Such is the rarity of quality films made in Scotland by Scottish auteurs that these are still celebrated as ones that forged the character of the nation.“I wasn’t flying the flag for Scotland,” Forsyth says. “I wasn’t trying to say something culturally about Scotland – I don’t know what Scotland means to the guy next to me on the bus. It’s too dumb an idea to want to nail, a culture. It comes from making stuff, and the accumulation of that stuff finally reflects a culture.”
Source: Bill Forsyth: “Scotland is a little nation with an identity problem” | Big Issue