You Know What You Could Be review – a Scottish tale of psychedelic folk

 

This enjoyable joint memoir by Mike Heron and Andrew Greig has at its centre late 60s hippiedom and the Incredible String Band

This book is a freak, a fairground mermaid, half monkey, half fish. It is therefore entirely in keeping with its subject, the Incredible String Band, the 1960s group that was never quite one thing nor another – folk or rock or world music – but always a mingling of influences, voices and styles.

You Know What You Could Be is a joint memoir, at times a joints memoir, written by the String Band’s Mike Heron and the poet Andrew Greig. Despite being the marquee name and main draw, Heron here plays the support act in his own story. His contribution comes first and takes up not quite a third of the book. He sometimes uses the present tense (“I’m back at the drug emporium two days later”) to describe the years between 1957, when he is a 15-year-old Edinburgh schoolboy, and 1966, when he is on the brink of becoming a star. Greig picks up the story in the late autumn of ’67, writing in the past tense about how he, still at school in Fife, had his mind blown by the String Band [ . . . ]

Read Complete Story: You Know What You Could Be review – a Scottish tale of psychedelic folk | Books | The Guardian

Eliza Carthy interview – The Mouth Magazine

THE FORTHCOMING ALBUM FROM ELIZA CARTHY AND THE WAYWARD BAND IS AN EXTREMELY DYNAMIC REMINDER THAT THOUGH SHE MAY HAVE KEPT ONE FOOT IN THE FOLK CAMP DURING THE LAST TWENTY-FIVE YEARS, SHE’S ALWAYS USED THE OTHER TO EXPLORE THE ELSEWHERE.

BIG MACHINE will be released on 3rd February 2017. It’s perhaps Eliza Carthy’s strongest record to date – certainly her most focused and resonant, being an expansive and compassionate treatise on some serious current issues. […]

Listen to the interview: ELIZA CARTHY | The Mouth Magazine

Wild child who hid from the world

[The Telegraph 1999] It was an encounter that ought to have defined the English folk revival. A woman who was once its undisputed heroine moved from one corner of the pub towards another to talk to a curly-haired upstart her own example had surely inspired. Fiftysomething Anne Briggs told twentysomething Kate Rusby how much she liked her version of The Recruited Collier, an 18th-century lament to lost love. Sadly, the conversation, on the fringe of a folk festival in Lincoln, was over in a flash. Briggs was thanked for her kind words and returned smartly to her drink. […]

Read Full Story: Wild child who hid from the world – Telegraph