Hi there! Thanks so much for doing the research on “Long Time Sun” and posting your findings. I was told it was an old Celtic prayer, but the way I’ve heard it sung by the yoga people didn’t make much sense. I specialize in Celtic music on Celtic harp, and am glad to finally know it’s origin. Interestingly enough, like Mike Heron, I use it as a closer to performances. After listening to his rendition, like it much better than what I’ve heard. Thanks again!
Thanks for visiting The Hobbledehoy. The post on “Long Time Sun” remains one of The Hobbledehoy’s most popular. Very big fans of Mr. Heron and the Incredible String Band.
Are you aware that Fellini made a movie titled, I Vitelloni. It was translated different ways across the world. In the UK it was translated variously as, The Spivs and The Hobbledehoys! Thought you might like to know. I recently acquired a copy of a theater handout synopsis with that title listed. If interested, I will send you a pic. I will soon upload it to my Fellini website. Cheers
Thank you for your letter. I did not know that bit about Fellini and The Hobbledehoys – excellent! Good luck with the website on Fellini. I’m a big fan of Nino Rota who contributed music to Fellini’s La Dolce Vita, as well as Coppola’s Godfather trilogy, for which he won an academy award in 1974.
Hi there. I’m a retired American who just stumbled onto your webpage, and though it hasn’t been updated much lately, it doesn’t look like your dead. That’s a good thing.
I’ve been thinking of trying to do a pub tour of at least some part of the UK, since I’ve expanded my taste in beer and have always wanted to travel more. Searching tours mostly only brings up very costly and busily planned packages, but if I come alone it’s a bit daunting, and not just because you all drive on the wrong side of the road. You seem like a person with a wide enough range of interests to suggest some kind of idea. Would it even be feasible for a blue-haired lady (of the modern kind) to set out alone on this adventurous and liver-challenging quest?
The reports of my death are greatly exaggerated! The Hobbledehoy is once again being updated regularly.
I was in Edinburgh a few years back and there are daily tours available featuring Scotch whiskey tastings. Not sure about pub tours, however I’d recommend a night of pint pounding at The Royal Oak (try a pint of “Heavy” a dark Scottish beer.) The Royal Oak is also a great venue to hear folk music. Among those to have performed in this 200 year-old Edinburgh pub have been legendary Scots Billy Connolly, Dick Gaughan, and Hobbledehoy recent favorite Karine Polwart. I would say most Edinburgh pubs would be safe travels for a blue haired lady, though Glasgow – not so much.
Check out this article written by travel authority Rick Steves, Britain’s Pub Hub. We’ve been in Rick’s company many times and enthusiastically recommend his tours. Here’s Rick’s advice for seniors traveling in Europe
“I wrote Darling Belle very quickly. I was lying in a hotel room in Rotterdam just before I fell asleep, and I began to hear these voices outside my head, and they were telling the story of Belle and James. Two voices, a man and a woman, and of what they said I jotted down fragments and the following morning I wrote parts of the song. About four months later I wrote the rest.”Robin Williamson ISB
Chronicling the magnificent career of bassist Danny Thompson, this article focuses on his work in the 1960s, including Pentangle, Nick Drake, The Incredible String Band and others.
I have been toying with the idea of writing an article about Danny Thompson for a while. His playing is a common thread across so many albums I cherish, that dedicating an artist profile article to him seemed inevitable. But where to begin, what to cover? There are over 400 album credits with his name on it, spanning almost six(!) decades. The task seemed monumental, given my inability to avoid digging deep into my chosen subjects. I finally decided to take the plunge and go for it. So here is the first article in a series (what else?) that will cover a few decades of his unique career. This one here is dedicated to his work in the 1960s.
Danny Thompson was born in 1939, taking his name after ‘Danny Boy’, the song his miner father loved to sing. He tried his hand with various instruments including trumpet, mandolin and guitar, but the first serious instrument was the trombone, an instrument of which he said: “It is the only one I had much success with, probably because it’s an instrument of judgement, just like the bass.” He gave up on the trombone due to his love of boxing: “I lost my first fight and swore I would never lose another one. And I didn’t, in 22 fights. That was one of the reasons I gave up the trombone, because a smack in the chops is not very good for that.” His desire to play with his mates in a skiffle band led him to the bass as a DIY project: “I made my own tea-chest bass and at 14 I would get on the London buses with it to go to gigs and play.” The entrepreneurial lad had the foresight to build hinges into his bass, making it collapsible and easily transportable on a bus.
At the age of 15 Thompson bought Victoria. Don’t leave in disgust, no basic human rights are violated in this story. Victoria is a French bass circa 1860 built by Gand, a famous string instrument builder. This was the beginning of a beautiful love affair with a musical instrument. Thompson tells the story: “I bought her for a fiver from an old man who I promised to repay at five shillings a week. I collected her and the same night did a gig in a Wandsworth pub for fifteen shillings [three weeks’ money!]. On the way to the pub it was drizzling and she got quite wet and when I started to wipe the rain from her, all the beautiful varnish came through making the trumpeter remark: ‘blimey it’s probably a Strad or somethin’!” Victoria is not a Strad, but its worth was many folds what Thompson paid for it: “The next day he took me to Foote’s bass shop in Brewer St, Soho and they offered me £130. I took her back to the man and said ‘this is worth £130, not a fiver’. But he said ‘look son, if you want to play it, just give me the £5’. I think back to that a lot and think that it was meant to be, especially as it turned out that this was an extraordinary instrument that I now cherish. She’s been on countless recordings from the 1960s until now – and she is beautiful.” Danny Thompson remarked that for him to play on a different bass “it’s as though I’m being unfaithful. It feels like I was sleeping with some other woman while my wife is in hospital delivering my baby!” Continue reading