Though the Youtube title on this reads “Irish Jigs,” the sound is more Scot and Christina ‘Licorice’ McKechnie’s wonderful dance is of the Scottish Highland variety, not Irish (upper body, arm, and hand movements.)
During this very special concert paying homage to the group, former Incredible String Band manager and producer Joe Boyd invited guests to perform songs alongside collaborators from the group’s original recordings – including founder member Mike Heron and legendary bassist Danny Thompson.
Their incredible journey took them from experimenting in Scotland’s all-night venues to an infamous appearance at Woodstock, the biggest counter-cultural event of the decade.
Led Zeppelin, Bob Dylan, the Beatles and the Rolling Stones were all said to have been influenced by the psychedelic folk rock of the band, who played “world music” a decade before the term was coined.
Comedian and banjo-player Billy Connolly, who was a massive fan and who got to know them when they played the folk clubs of Glasgow, described the band as “hairy, exotic and interesting”.
The story of how a group of folkies playing the Crown Bar in Edinburgh and late night clubs in Glasgow’s Sauchiehall Street rose to become musical pioneers, who are still revered around the world, is told in a new book by the Incredible String Band’s Mike Heron and long-time fan Andrew Greig [ . . . ]
This enjoyable joint memoir by Mike Heron and Andrew Greig has at its centre late 60s hippiedom and the Incredible String Band
This book is a freak, a fairground mermaid, half monkey, half fish. It is therefore entirely in keeping with its subject, the Incredible String Band, the 1960s group that was never quite one thing nor another – folk or rock or world music – but always a mingling of influences, voices and styles.
You Know What You Could Be is a joint memoir, at times a joints memoir, written by the String Band’s Mike Heron and the poet Andrew Greig. Despite being the marquee name and main draw, Heron here plays the support act in his own story. His contribution comes first and takes up not quite a third of the book. He sometimes uses the present tense (“I’m back at the drug emporium two days later”) to describe the years between 1957, when he is a 15-year-old Edinburgh schoolboy, and 1966, when he is on the brink of becoming a star. Greig picks up the story in the late autumn of ’67, writing in the past tense about how he, still at school in Fife, had his mind blown by the String Band [ . . . ]