Music Hall

Voice of Dad’s Army – one half of Flanagan and Allen – spent his honeymoon in Consett

~ Michael Stevenson ~ Leave a comment

IN 1925, a musichall comedian who went by the stage-name of Robert Winthrop was touring the cinemas and variety theatres of the Durham coalfield.While entertaining the mining communities, his eye was on another act that was also hopping from booking to booking in the halls: Mrs Stacey’s Young Ladies, a dance troupe, in which Annie “Curly” Quinn starred.

She was the daughter of an Irish comedian, Jimmy Quinn, whereas Robert – born Chaim Reuben Weintrop – was from a Polish Jewish background and had fought in Flanders during the First World War. Continue reading →

Little Tich and his Big Boot Dance 

~ Michael Stevenson ~ Leave a comment

Filmed in 1900 and released 1903, this film directed by Clément Maurice, shows the English performer Little Tich performing his famous ‘Big Boot Dance’.

Born Harry Relph, Little Tich was a 4 foot 6 inch (137 cm) tall English music hall comedian and dancer best known for his seemingly gravity-defying routine accomplished by the wearing of boots with soles 28 inches (71 cm) long. Originally gaining fame as a “blackface” artist, promoters on his 1887 U.S. tour made him drop the act (fearing the British accent would ruin the “illusion”) and so in its place Little Tich developed and perfected his Big Boot Dance, a full 100 years before Michael Jackson would lean in similar fashion for his “Smooth Criminal” music video. Returning to England in the 1890s, Little Tich made his West End debut in the Drury Lane pantomimes and toured Europe before setting up his own theatre company in 1895. He continued to star in popular shows until his death from a stroke in 1928 at the age of 60.

Source: Little Tich and his Big Boot Dance (1900) – The Public Domain Review

Free Download: British Music Hall Reclaimed

~ Michael Stevenson ~ Leave a comment
 
“Barry Cryer takes a look at the cottage industry of music-hall recording restoration, and at the lives and works of some of the genre’s stars. Thanks to modern computer technology we are able to hear again performances by artists such as Mark Sheridan, Ernest Shand, Vesta Victoria, and Albert Chevalier , material originally recorded at the turn of the last century. The music hall artist Vesta Victoria, who gave the first performance of Daddy Wouldn’t Buy Me a Bow-Wow in 1892. 

Hetty King sheet music I've Got the Time, I've Got the Place
Hetty King

 

This edition of The Archive Hour not only shines a spotlight on the lesser-known stars of the British music hall but also reveals how this cultural phenomenon is surviving, thanks to a team of dedicated archivists who are using their computers to store recordings that go as far back as the 1890s.

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