This production appears to still be in the kickstarter phase, but we anxiously await the release of this documentary about the man who composed one of the greatest folk songs ever written – Blues Run the Game. Jackson C. Frank – such a talent and such a tragic story. – Johnny Foreigner
In the mid-60s, Jackson C. Frank released a masterpiece of folk music in Britain. This young American songwriter was close to Simon & Garfunkel, Bert Jansch, John Renbourn, Roy Stewart, Al Stewart, Sandy Denny and many others. All of them have been influenced by this enigmatic and tormented character. Shortly after the release of his only album, he disappeared. Wrecked by a series of tragedies in his life, he has been cut off from the world and got trapped by his demons.
Still today, young musicians like John Mayer, Laura Marling or Robin Pecknold perform Blues Run the Game .
This documentary follows Jackson C. Frank’s footsteps to unknot the threads of a tragic destiny. Facts and songs do not express everything about a man, a personality. Who was Jackson C. Frank? Who remembers him? Where to find meaning, or even light, in a life as dark as his?
Groundbreaking British DJ John Peel once called him “the best kept-secret in the world of music,” but Richard Thompson has been flatpicking raging guitar solos for more than 50 years.
Groundbreaking British DJ John Peel once called him “the best kept-secret in the world of music,” but Richard Thompson has been flatpicking raging guitar solos for more than 50 years. He burst onto London’s swinging music scene in 1967 as the teenage singer and guitarist for Fairport Convention, the seminal folk-rock band that married traditional English songs with an infectious rock groove. In the ’70s, he began singing hypnotic duets in harmony with his then-wife Linda; their best-known album, I Want to See the Bright Lights Tonight, was released in 1974.
In the early ’80s, the singer-songwriter went solo and has regularly put out albums ever since. Though he remains relatively under the radar, the press takes regular notice of him: In 2011, Time magazine listed his 1991 fingerpicking masterpiece “1952 Vincent Black Lightning” as one of their All-TIME 100 Songs, and in 2015, Rolling Stone put him at #69 on their list of the 100 Greatest Guitarists. He was appointed an Officer of the Order of the British Empire (OBE) in 2011 for his musical contributions.
Last September, he released 13 Rivers, his 18th solo album. It features 13 thundering, mostly minor-key songs that Thompson vaguely describes as having been written during a dark time in his life. He brings the Richard Thompson Electric Trio, with drummer Michael Jerome and bassist Taras Prodaniuk, to the Lensic Performing Arts Center on Thursday, Feb. 14. Pasatiempo reached him by phone at his rented house in New Jersey, where he was resting up in advance of his 2019 tour.
Pasatiempo: The songs on your new album have been described as having a “grim urgency” and an “unflinching gaze,” which could also characterize much of your songwriting over your career. In the first verse of the opener, “Storm Won’t Come,” you sing, “I’m longing for a storm to blow through town/And blow these sad old buildings down/Fire to burn what fire may/And rain to wash it all away.” Are these songs for troubled times, or is this just business as usual for you?
Richard Thompson: It’s not that bad if you really listen to it. [laughs] I don’t think I’ve written literally about anything. I’ve been in this parallel world of song fiction. I’m sure all these traumas that my son has been through are reflected in there.
2019 Mostly British film fest in S.F. features an anniversary “Four Weddings and a Funeral” party and screening.
Are you a big fan of the Hugh Grant-Andie MacDowell romantic charmer “Four Weddings and a Funeral”? If so, RSVP pronto and come out to toast the 25th anniversary of Mike Newell’s film.
The Feb. 16 champagne and cookies reception is part of the Mostly British Film Festival, an annual celebration of films from Britain, Ireland, Australia, India and South Africa. The “Wedding” party pops its cork at 5:30 p.m. at the Laureate Bar and Lounge, 444 Presidio Ave., in San Francisco, and is followed by a 6 p.m. screening of the romantic comedy classic at the Vogue Theatre
This year’s fest bubbles over with many worthwhile films, including the entertaining documentary “My Generation.” Michael Caine serves as a welcoming narrator and guide through David Batty’s colorful first-person accounts of the rebellious ’60s in England. Roger Daltrey, Paul McCartney and Twiggy are a few of the featured celebs recalling that raucous and creative period. It screens 3:45 p.m. Feb. 16 at the Vogue