Trembling Bells
Trembling Bells’ wonderful “Christ’s entry into Govan”
Trembling Bells’ song ‘Christ’s Entry Into Govan” has been called a “Leige & Leif slice of freak folk, that has this startlingly brilliant arrangement, full of intricate guitars and lovely harmonies, (and) so packed full of ideas and melody that its staggering.” (Backseat Mafia review). The Hobbledehoy could not agree more.
Since this 2018 release, the band has sadly broken up, with chief songwriter Alex Neilson and lead singer Lavinia Blackwall now producing well-recieved solo records.
The Hobbledehoy says, “Get this LP”
More Hobbledehoy posts and music from Lavinia Blackwall
Review: Alex Rex in Manchester, 07/02/2020
There are live bands and there are studio bands. Then there are those like Alex Rex’s which perform both roles with equal aplomb.
They were in Manchester on the second night of a short tour (more dates will follow later in the year), mainly to promote his new album, Andromeda, which was released on the same day and which was recently reviewed in GIITTV.
Let me say straight off that if you have never seen Alex Rex (the ‘nom-de-guerre’ as he puts it of Alex Neilson) in his solo mode or in a band (he’s in, or has been in many, probably the best-known of which was the now-disbanded Trembling Bells) you are doing yourself a disservice.
Over the years he has assembled a collection of top-class musicians, mainly based in Glasgow and including Rory Haye, the Parisienne Audrey Bizouerne (Rev Magnetic) and Georgia Seddon (Mike Heron / The Incredible String Band).
Rory and Audrey swap lead and bass guitars throughout the set with complete mastery of their instruments while Georgia could be an offspring of Keith Emerson or Rick Wakeman, her hands a blur as they whip across a Nord Electro and all three of them produce outstanding harmonies.
Alex Rex himself is a contradiction, being one of the most understated drummers and yet the most flamboyant when necessity calls. And while he might not be amongst the leading vocalists technically, he certainly is emotionally.
There has been a great deal of emotion on display in both of his last two albums, Andromeda and Otterburn, on account of a family tragedy; indeed it is a story which makes both the albums. But as when I last saw him in Continue reading